Roger Ames
Roger Ames (1944–2022) was an American composer, conductor, and educator whose work spanned choral music, opera, and musical theater. His career was defined by a passion for creating music and a profound commitment to teaching, a love inherited from his family and cultivated through extensive academic and professional endeavors.1,2
Early Life and Musical Development
Born on December 2, 1944, in Cooperstown, New York, Roger Ames's musical path began in an environment deeply rooted in music and education.1,3 His father was a self-taught church organist, which provided the young Ames with a "free pass to play the organ as a teenager".1 His mother was a first-grade teacher for 42 years, a career that, along with his father's musicality, is cited as a defining influence on his dual love for composing and teaching.1,2 An early interesting fact from his childhood highlights his natural aptitude: around age four or five, Ames would watch his older brother practice his piano lessons and then be able to play the lesson by ear, a habit that reportedly "annoyed" his brother but clearly demonstrated his prodigious talent.3
Ames pursued formal study at the Crane School of Music, State University of New York at Potsdam, where he earned a degree in conducting and music education.1,3 He continued his graduate studies at various institutions, including the Hartt School, Webster University, and American University in Washington, D.C., eventually attaining a Master's degree in composition from Queens College, CUNY.1 His education included private study with notable figures such as Samuel Barber, John Kander, and Lukas Foss.5 His development as a composer was taken seriously after he moved to Washington, D.C., and was working two "day jobs"—as a minister of music at Westmoreland Congregational Church and at Street 70 (now Roundhouse Theater).1 At the church, he felt "championed" for his work, and it was during this period that he began writing song cycles and revising a student cantata.1
Ames’s dedication to education and collaboration was a key component of his development. While teaching choral music at Somers High School in Westchester County, New York, he convinced nearly half the high school student body (375 students) to sing in his large chorus.1 Later, his time in London at the American School involved developing a collaborative process for ensembles to create complete musical pieces, a method he first explored at Street 70.1 This passion for nurturing young talent continued throughout his career, including serving as Chair of Music-theater at the Hartt School of Music, Theater and Dance, and later as a resident composer and director of choral activities at Great Neck North High School.1,3 He also authored parts of the Music! Words! Opera! textbook series, a multi-level curriculum designed to help teachers write operas with children.5,6
Selected Major Works and Compositions
Roger Ames's compositional output includes numerous large-scale works, both sacred and secular, as well as arrangements of American folk songs and popular music.2,1 His music has been commissioned and performed by leading choral ensembles worldwide, including the Westminster Williamson Voices and the BBC Singers.4
Requiem for Our Time: A major work utilizing the poetry of Anne Sexton, which has been performed internationally and was nominated for the Pulitzer Prize in Music.2,5
Choral Fantasy on Amazing Grace: This piece, commissioned following the 9/11 attacks, combines the tune of "Amazing Grace" with a Kyrie he composed on the day of the tragedy. It has become a bestseller for his publisher and has been performed countless times.1,3
Martin Guerre: His first Regional Equity production, with libretto by Laura Harrington, which received praise from The Hartford Courier for its scope and powerful music.3
Hearts on Fire: A stage work that premiered at the Contemporary Ensemble of the Minnesota Opera.1
Splendor in the Grass: The published title for his revised student cantata, The Child Is Father of the Man.1
"Summer Sang in Me": A song cycle set to the poetry of Edna St. Vincent Millay.1
"Ubi caritas": A motet performed by the choirs of Westminster Abbey and Her Majesty's Chapel Royal during the Royal Wedding Ceremony of Prince William and Catherine Middleton.4
AWAKENINGS: His final set of pieces, with texts written during the COVID-19 pandemic, leaving a hopeful and uplifting message.7
Footnotes and References
1. Roger Ames - OPERA America Members Portal.
2. Artist - Ames, Roger - GIA Publications.
3. Roger Ames, Composer and Educator - The East Hampton Star.
4. The Composers | The Same Stream.
5. Roger Ames - New Music USA Online Library.
6. Music! Words! Opera! Curriculum - OPERA America.
7. Roger Ames: A Time for Healing | The Same Stream.
Resources
Roger Ames - OPERA America Members Portal: https://apps.operaamerica.org/Applications/NAWD/people.aspx?lib=5823
Artist - Ames, Roger - GIA Publications: https://giamusic.com/artists/roger-ames
Roger Ames, Composer and Educator - The East Hampton Star: https://www.easthamptonstar.com/obituaries/2022120/roger-ames-77
The Composers | The Same Stream: https://www.thesamestreamchoir.com/copy-of-the-conductors
Roger Ames - New Music USA Online Library: http://library.newmusicusa.org/rogerames
Music! Words! Opera! Curriculum - OPERA America: https://www.operaamerica.org/programs/services/music-words-opera-curriculum/
Roger Ames: A Time for Healing | The Same Stream: https://www.thesamestreamchoir.com/copy-of-to-hold-the-light