Epicurus & Kant, the Expanded Field of ST, the a Priori Principles and Theory of Knowledge of Art and Aesthetics of Complexity

  1 & 2

PDF Abstract

1.-  The Garden of Epicurus

From the atom to the cosmos based on the categorical imperative  as a formula of universal law that links Epicurus with Kant                  

and

2.- New Theoretical Conception of man in the Universe and of the History of Representations that becomes a General History of Art in Nature and the Cosmos..

( Prolegomena to my Critique of Kant's Practical Reason lost in the magma of the Expanded Field of ST, 1987),

year in which Art & the Aesthetics of Complexity begin the creation and development of its object from the a priori principles; allowing to conceive and base a Theory of Knowledge of Art and the Aesthetics of Complexity.

(PdF 01/09/24 and Post in Academia.edu, Post 30/08/24 in Instagram and Facebook) 

 Immerse yourself once again in the infinite memory of the expanded field of the ST and in the dark matter that passes through it and comes from a black holes that is created from that infinity on a metal plate and one mirror...

Full Abstract in : https://sites.google.com/view/biofractal-e-museum/

Wave Universe Black Holes/Theory of Knowledge of Complexity Art 

Full Paper 01/09/24 in academia.edu

https://ucm.academia.edu/httpsucmacademiaeduMyriamSolar

The Garden of Epicurus

The Garden of Epicurus

 From the atom to the Cosmos based on the categorical imperative as a formula of universal law that links Epicurus with Kant

(PdF )

New Theoretical Conception of man in the Universe and of the History of Representations that becomes a General History of Art in Nature and the Cosmos..

( Prolegomena to my Critique of Kant's Practical Reason lost in the magma of the Expanded Field of ST, 1987),

year in which Art & the Aesthetics of Complexity begin the creation and development of its object from the a priori principles; allowing to conceive and base a 

Theory of Knowledge of Art and the Aesthetics of Complexity.

(PdF )

Epicurus & Kant, the Expanded Field of ST, the a Priori Principles and Theory of Knowledge of Art and Aesthetics of Complexity

1 & 2

PDF Abstract

©  By Myriam Solar

The art and aesthetics of complexity conceived from the unified field of the wave universe and developed the principles that govern it, anticipate the legacy of the arts on how humans, nature and the universe work together according to the constitutive genesis of all things from the atomic to the cosmic scale in the transformation of the world.

This great front of progress in the knowledge of art is joined by the construction of the expanded field of ST as a Universal of art and the aesthetics of complexity while an approximation to the probable universe that extends that reality made of fields to infinity; allowing the description of processes of evolution of the universe as a universal that brings together and around itself a set of particular elements that exist as concrete entities, which are perceived within the reality of art and the aesthetics of complexity.

Universals have the particularity of being present in several places at the same time, affecting each one simultaneously and in a parallel way. Universals in the art and aesthetics of complexity comprise multidimensional and parallel spaces beyond a specific time, reaching its essence and discovering the knowledge of what is with its changes and memories.

The incorporation of the dimensions that are in the invisible limit known as “the event horizon or virtual event space” by Stephen W. Hawking existing in black holes are affected by gravity, emitting radiation and forming an accretion disk or whirlpool of matter and energy from which all objects are made in a process that turns out to be extremely fast since ST events develop at a very high speed. The expanded field is therefore not a static space but a dynamic and changing one, to which different times are added that in turn interact with each other, adding timeless stories as a new element.

The expanded field becomes a continuum of the ST coming from the unified field of the wave universe in which temporal and spatial magnitudes can be divided an infinite number of times. The expanded field appears at the virtual event horizon which contains the dimensions from which one can enter accelerated fields of time where matter is born and the absolute creation of art and the aesthetics of complexity is designed.

In the 21st century we can see the infinity of the universe and therefore the infinity of art and the aesthetics of complexity whose creations emerge from an invisible edge called the event horizon. What is significant for complex art is that the event horizon hides events happening in the ST, where there is a collection of points in all directions defining a new origin or object for art never before revealed or captured; allowing access to more than one dimension at the same time and where changes happen from one object to another or from one expressive form to another or from one space-time to another; each with an infinite-dimensional object of representation. More in Construction of the S-T Expanded Field/Wave Universe Black Holes/Biofractal e-Museum.

The expanded field of ST allows us to enter accelerated fields of time where matter is born and the absolute creation of art and the aesthetics of complexity is designed, which makes it possible to conceive and outline a new Theory of Knowledge of Art and the Aesthetics of Complexity based on the a priori principles that underlie the legacy of Epicurus (306 BC) from his conception of the atom to the cosmos based on the categorical imperative as a formula of universal law that supports the principles of infinity and evolution; which relates it to Kant (17th century) in his Critique of Pure and Practical Reason and now with Art and the Aesthetics of Complexity that introduces the knowledge of the Object from a priori principles, the expanded field of ST as an a priori object, the creation of the expanded field versus universal infinite ST, metaphysics of natural science and history in art and the aesthetics of complexity, the experience of the Subject-Object as a general problem and the relationship between the cosmic, aesthetic representation and the idea of ​​beauty in the History of Art and Art and the Aesthetics of Complexity, as well as the new thinking in the artistic, the aesthetic, the natural and the universe of forms, the empirical, matter and the sensible and intelligible world as a universal law and explanation of the creation of the world, of the expanded field of ST and of the object of knowledge as representation as a universal substance in which the principle of knowledge underlies from the apriorism that gives entity to the forces of representation to end with the foundations of a theory of knowledge of the expanded field of ST where the object is given by the infinite and where the principle of apriorism appears as the new direction in which the object of the art of complexity can be thought, by exhibiting a new unity between the sensitive aesthetic and the unknown cosmic.-

Full Paper 01/09/24 in academia.edu