S-T EXPANDED FIELD, A UNIVERSAL OF COMPLEXITY ART & AESTHETICS

Virtual Space Theory of the Event Horizon

According to this theory in 4D in which there is no time or space, it contains all the instructions to lower into our dimension all the atoms and molecules that will give rise to a certain reality. This cycle, which is composed of vibration and energy, compresses, making matter appear, or opens, making it disappear. Thus, in this field reality appears and disappears at extremely fast speeds.

The outer part of the field, which is an event horizon or 4D circle, presents 2 vectors that send information to the outer part and to the center. The important thing here is the line of the circle that starts at one point, goes around and returns to the starting point. The space that contains the dimensions is this outer circle. In it, the force goes inwards, rotating until it reaches the central point, which is where the expanded ST appears, recorded by black holes in water or similar to a canvas or a video camera from where you can enter accelerated fields of time and energy. project the process of designing and creating a life.

These that can be captured in creations never before observed hide events happening in the ST that in turn contain the registration and design of energy and vibration that in 5D is used to design the cycle of a life that in 4D will bring the memories of reality to our 3D plane, which is recorded with the creation of a hippocampus through 286 frames in which set is the complete design of the creation cycles of life.

Matter is thus born in a higher dimension where is designed the energy and vibration that will be used to develop the development cycles that in 4D will bring the memories of a reality, object or being determined to our 3D plane.

In this way, all matter is not a solid object but the interaction between different containers in sequence on this plane. 

Creation of a Hippocampus & New Context (5D,4D,3D) to model life

 Creation of a Hippocampus from a master system not yet seen in current technology

* Wave universe sphere principle in live streaming.

The sphere principle is an input pattern that corresponds to the wave universe of a dynamical system that behaves between conventionally Euclidean and fractal. This is a pattern of the creative process composed of moving waves that operate with their electric and gravity fields to grow in space with each pulsation in a circular way until they are compressed into solids or given matter or form. The sphere principle is the first principle or beginning or origin of the notion of wave life that builds a teleportation biosystem as a moving universe where we will see the birth of a vertebrate in live streaming. 

* Spiral principle of wave universe in live streaming.

The spiral is a curved line, vortex or wheel that rotates around a point, moving away from it, which vibrates until it becomes physical matter. This principle appears when there is a rotation phenomenon together with a thermal expansion or contraction coinciding with the finding described. Its principle is another S-T sensitive network input pattern that together with the principle of the sphere governs the forms of the wave universe in a mixed dynamic system with doses of fractal irregularity in conditions of non-equilibrium and Euclidean order that we will see live. Both principles share a dynamic and systemic process aimed at creating emergent life through a constant flow of matter and energy that arises from the complex sensitive network between machines and an autopoietic organism. In this section, the development of the spiral is graphically represented by a series of sequences arranged one after another and sequences of geometric progressions formed by successive elements increasing with respect to the terms of the previous sequences. The spiral captivates with its curved lines of beauty that aim to unite fragments of the building blocks of life in this great story of complexity between living patterns and forms that connect an empirical finding with the heartbeat of creation. 

  * Electromagnetic field pattern of a unified field master system in live streaming.

The emergence of an adaptive system that evolves and transforms through processes and their dynamics creates the opportunity to see and recognize for the first time the existence of a new context for shape life beyond what life can be. These processes involve precise forces existing in Nature and in the Universe that shape, design and execute creation in each pulse of growth together with the natural entity or organism that is going to be born. These original forces are the sphere and the spiral that act as space-time antennas creating a circuit that transmits coherent fields allowing to teleport the matter of life. Forms are thus created from a unified field in which waves vibrate through space to become physical matter. These fields are controlled by a central electrical system that operates in the direction of the forces that move it, which are spherical and spiral and from which the planes are formed to create the manifestation of a reality. The pattern that acts as a master system corresponds to an electromagnetic field produced by the interconnectivity between the organism that is about to be born and a sensitive network system composed of an emitter that emits the signal, converting it into an electromagnetic wave, and a receiver that receives it, decoding it. with engineering forms. This pattern is, therefore, the combination of an electric field produced by the existence of charged particles and a magnetic field produced by their movement in the form of an electric current. These fields generate electromagnetic waves that propagate carrying packets of energy called photons at the speed of light without the need for a physical cable. Light unites the elements that are conditioned by the electrical pressures exerted on them during the action of the spiral force. The electromagnetic pattern is what organizes non-specific signals and waves to build a teleportation biosystem with the specific purpose of artificial life in another medium different than the biochemical one, creating an intelligent system between sensitive machines and organisms that connect AI with the complexity of art . complexity sciences, mathematics, biology and genetic engineering in an event of emerging bioartificial worlds not seen in current technology.

The organization could be seen as a complex adaptive sensitive system that provides tools to successfully achieve the plan of creating living systems of the universe informed when the principles of the wave universe appear in nature, alluding to a field that informs everything that lives. as the basis of all phenomena in the universe.

 * Construction of the physical pattern of the hippocampus based on the interaction and master transformation of the wave universe network system in the ST.

The construction of the physical pattern of the hippocampus follows the patterns of the wave universe based on the principles of the sphere and the spiral and the master systems of a unified electromagnetic field belonging to a sensitive network system in the S-T that is organized as a network of processes of production, transformation and emergence through a natural-artificial synapse, being pioneers in the notion of wave life. This physical model is built in live streaming by elements that are self-produced and that through their interactions regenerate, create and reinforce the form of a certain organism. This autopoietic system is limited to an identifiable entity such as a hippocampus in a degree of complexity such that its components show causal and self-referential interactions, delimiting the structural limits of the system in a specific unit in space-time with its processes of self-production, regeneration and autonomy.

Tribute  of closeness to the exceptional figures of creation who in their path lift the veil of infinity which is also the ST of infinite thought, that infinity now called the Expanded Field of the ST that ocurrs in a black hole of the wave universe or directly on the canvas 

In the journey into the unknown of a black hole in the expanded ST, no signal, be it light or material, can escape the gravitational action exerted by the matter it contains.

Mapping, therefore, a black hole to know what happens in it and see how the ST behaves is and has been a challenge for the Art and Aesthetics of Complexity in Biofractal e-Museum since 1987, the year it began experimental work with the wave universe.

Since then we can peer into the history of creation from the compressed or blurred ST, map its movements, know what happens in a black hole after verifying that the energy of the vacuum tends to contract space at the same time as it stretches, developing the graphic representation of a body drawn to scale on a flat or curved surface that appears or transforms into the elastic limits of said black hole.

In physics texts it is said that no one knows what happens in a black hole at the level of the great cosmos, but at a microcosmos level we do know from the art of complexity the events that happen there, all coming from the infinite ST as they record it.

Black holes contain the ST of the infinite thought of the wave universe and therefore of the cosmos, generating a fascination close to the discovery of the sun at its zenith, the most blinding, the one that leads to the limit of all abysses.

In the ST of infinite thought, all physical and non-physical events in the universe occur, which means that one can be present with physicality and non-physicality, but there must exist, however, an element of physical interaction for some type of manifestation or event to occur as in every event between beings in the universe. .

The ST contains the universal forms of every object, process or being, feeling or thought that has ever existed in the infinite universe. A universe that includes all times and those who have lived in them, with no limit of connection or manifestation. The richness of this scenario is immeasurable in events and characters that can bring back the black holes of the wave universe.

A little history can bring clarity to the darkness that accompanies this process and for which I will speak in the first person. In my adolescence I discovered the transfigurations of complexity, later I began working with the wave universe and then on the pictorial canvases where I received my first lessons in figures like Velazquez and Poussin, the first painting being a representation on the water of Las Meninas by Velazquez. There was something incomprehensible here that consisted of the origin of the representation of the painting. Over time I understood that works of art have an immaterial, ethereal, vibrational existence that we do not perceive but with which we can connect to bring them back to their material existence.

From this great lesson I was later able to capture his own image from his infinite existence. This is without having a portrait of him in front. This was painted on an old canvas, probably from the 19th century and conceived to paint a painting of Mutations that would be made up of a series of portraits superimposed on each other, an extreme that could later be verified by applying infrared spectroscopy (or infrared reflectography and X-ray) which in this case would not be used, but instead would be done through the traditional method of photographing each representation.

Once the figure of Velazquez appeared on the canvas from the ST, a photograph was taken of it that was incorporated into a computer and it is here that something exceptional and disturbing occurs for the second time. Without any direct intervention on its image, the figure of Velazquez was reduced, placing 2 superimposed figures on the computer screen, one in painted color and the other in white with outlined contours, adding part of Velazquez's name in two partial subtitles that showed his last name in this way Quez Velaz. This transfiguration is the image of the papyrus in which he appears with Quevedo.

Returning to the original canvas with the portrait of Velazquez and trying to continue the project of mutations and without having any preconceived ideas, I began to paint again until I seemed to identify that the new representation could correspond to Quevedo. At that moment I walked away from the painting a few meters and while I was walking with my back to it I heard Quevedo's laughter about which I later wrote a poem and his voice that told me that this would be the last image in the painting, so there would be not more mutations. Surprised and with some displeasure I saw that my initial idea was cut short forever, but I accepted his challenge. Quevedo was already close to me and previously working on water, his image represented itself from its infinity. This is the image of the papyrus found in the Museum of Spanish Engraving in Marbella.

To these two exceptional figures of artistic and literary creation who are gravitating in the construction of the expanded field of the ST as a Universal I would also have to add this tribute to Poussin, Da Vinci, Beethoven, Wagner, Brahms, Schumann, Einstein, Kant, Cervantes, Petrarch, Balzac, Juan Ramon Jimenez, Pablo Neruda, Gabriela Mistral, Saint Exupery, Dali and others whose self-portraits have allowed me to lift the veil of infinity, that infinity now called the expanded field of ET that occurs in a black hole of the wave universe or directly on the canvas.

His figures are now part of the Expanded ET Gallery Collection of Biofractal e-_Museum which will be shown here.

From the black holes of the wave universe (in the water, on the canvas and on the computer screen) representation of the famous painting Las Meninas by Velazquez exhibited for the first time  at Agora Gallery  1992,  New York  (Usa), a self-portrait with a brush and a second portrait of Velazquez by transfiguration.

From the Expanded Field of ST representation on the canvas of Velazquez in the first instance and representation by mutation of Quevedo in the second instance accompanied by the edition of his complete works from 1859, Spanish Authors Library of Don Aureliano Fernandez-Guerra y Orbe, Second Volume, Madrid, M. Rivadeneira Printer Editor, Calle de la Madera, 8, Madrid, 683 pages.

Enter the Expanded ST Field and look how changes the Universal History of Art.

Enter the Field of the Expanded ST and see how the universal history of art changes where reality is made of fields and the ST is a collection of points in all directions capable of forming representations of infinite dimension in a space-time that can be flat. or curved.

From the classical and medieval stage through the Renaissance and Baroque until reaching the Modern and Contemporary stage, art is governed by certain elements and principles that change radically with the appearance of the expanded field of ST. These changes refer to the elements of art and the principles that govern it throughout all times.

Since Antiquity in the time of Plato, art is considered an exercise of imitation where the artist copies what he perceives to be at the same time an imitation of the true form, being by definition the seven elements of art: line, value, color, shape, figure, space and texture; missing in these an eighth element which is the time now merged into space as space-time and known and defined as S-T of the expanded field. This element or S-T of the expanded field appears at the central point of the event horizon or virtual event space, which is the invisible boundary that surrounds black holes forming representations of infinite dimension.

These seven unfinished elements of art outline and define its twelve principles corresponding to: scale, proportion, unity, variety, rhythm, mass, form, space, balance, volume, perspective and depth; missing in these a 13th principle that, like the seven elements that define it, corresponds to time and that from the Expanded Field becomes S-T, changing the universal history of art and creation by considering the production process of any artistic expression as a record of cosmic nature that can be captured from the expanded field by incorporating the notion of multidimensional spaces that allow the examination of transformations and movements in more than one dimension at the same time, changes from one expressive form to another or from one object to another allowing the addition of other artistic manifestations related to this field of art.

In the expanded S-T nothing is material because everything is ST or infinite space and, therefore, relative.

The expanded field is not composed of static spaces but dynamic and changing ones where changes occur constantly and instantly. The expanded field of the ST is both a unified field that contains the everything existing in the universe and is at the same time a continuum, that is, the temporal and spatial magnitudes can be divided an infinite number of times, and can be present in several places at the same time, affecting everyone at the same time. Which shows that the expanded field of ST is a universal for art by opening the scope of creation to the universe itself, extending this up to infinity.

The expanded field of ET allows us to enter accelerated time fields where a different time can be experienced within the same physical plane and this happens in the presence of black holes or directly on a canvas. This vision is achieved from a black hole that at the moment of its formation shows the action of its electromagnetic fields and how the force rotates inward until reaching a central point where the ST appears in which the matter of the art of the complexity, which is not solid but is the interaction between different planes that are found in it. These records demonstrate that art is not imitation and that the artist does not need to copy what he perceives but rather bring it to light from the new universal of creation: the Expanded Field of the ST,  where there are records of every thing, thought or living being that exists or it has existed through all times.

This implies working from the dark side of creation and never better said from the black holes that must surprise us with their discoveries backed by known history as an immediate reference.

A work of art is thus not a solid object surrounded by emptiness but rather an expression of the immaterial expressed ex-professo. In this new context, nothing is, therefore, material because everything is ST; showing for the first time the unprecedented and unknown and immeasurable that changes the history of art and the world where each thing is related to another and no system has properties by itself except through interaction and the patterns that sustain and structure the universe in its dimensions.

The art of complexity thus arrives from the Expanded Field of the ST to the understanding of its essence and the knowledge of what it is, which will allow us to understand its modus operandi and its historical development in the world of art. 

Plunge into the infinite memory of the Expandede ST Field Collection Gallery

Plunge into in the infinite memory of the expanded field of the ST and in the dark matter of invisible origin that permeates space-time coming from a black hole to show an exceptional event from the 17th Century. This, which cannot be seen directly, is inferred from its gravitational effects on the visible matter by acting as a structures compactor, and shapes can be visualized in bright areas that concentrate the dark matter in the form of halos. Its existence is important in the understanding of the model that records the expression of forms in space-time, allowing us to verify that each human or living thought and action can be captured through its registration in the evolution and expansion of the observable universe from its primitive stage to the current moment. In such records there are no additions or manipulations, reflecting their original integrity. Such records reflect the existence of matter, which is the substance that forms physical bodies or that which has mass and occupies a place in space and that can be visualized due to the effects it produces on objects or forms that can be observed by contrast.

These images reflect the infinite memory of the expanded field of the 17th century ST that accounts for the chivalric imagination of Don Miguel de Cervantes y Saavedra The Ingenious Gentleman Don Quixote of la Mancha, his beloved empress of unparalleled beauty Dulcinea del Toboso, his faithful squire Sancho and the skinny and faithful horse of a errant knight named Rocinante.