The content of Biofractal e-Museum is the result of experimental research, information resources and museographic collections developed in a virtual campus between 1987-2025 when a new object of knowledge is born for 4th Millennium Art from the wave universe: the complexity art and aesthetics and wave universe, a model of art that has as its reference the organic world, the Nature, builds interaction structures and collaborative systems, establishing a multi - transdisciplinary research field that allows to formulate a model of emergent properties based on their empirical practice (https://seadnetwork.wordpress.com/white-paper-abstracts/abstracts/complexity-art-a-pattern-of-transdisciplinary-emergent-properties/)
so as a new Wave Universe Canon in the Upcoming Art as the ultimate nature of reality for a future no Limits what includes the Biodiversity in the Nature of Species.
To which is added the record in space-time of historical art originating in the wave universe that connects us with new events that occurred during 2020 and experienced as a global pandemic.
Work of Virtual Campus in its 10 museographic collections and exhibitions emphasizes through more than 500 images of Myriam Solar the emergence of field intersection on topics related to human-non human interaction, artificial creativity and singularity of bio-artificial organisms, complexity math and emergent properties of water, complex geometric language of animal species, AR and MR and the impact on humanity of beauty intuition in biodiversity aesthetics, complexity of quantum fields and development of 4thD that incorporate the geometry of the wave universe.
Search the beginnings through of sources that create knowledge can be postulated as focus of Biofractal e-Museum and its challenge is allow the visitor from anywhere in the world can visit museum to make the connection between they know and what is presented exploring freely and interact with online content that provide a wide range of active learning approaches on the third culture, science and heritage through networked technologies wherever may reach the network.
The origins of Biofractal e-Museum are in the new line of experimental research developed by Myriam Solar since 1987, without prior background beyond the first lessons received from her teenager brother in the Ñuble river about the nature of the water, chemistry turbulence that can form circular and spiral waves and the repeated sink effect in the S-T, the information provided by Da Vinci's water drawings and Velazquez's lessons in Las Meninas co-created from the wave universe. These works were developed experimentally for 15 years during which she obtained the knowledge of the complex processes involved, their stages of development and the emergence of a new artistic language based on a new geometry with links to various scientific disciplines that contextualize the principles of such aesthetic practice. This personal process of deepening the knowledge acquired experimentally took another 15 years until conceive the development of Biofractal e-Museum.
* My brother Jaime, RIP, 1976, Zolar * Notebook, Leonardo Da Vinci, 1519 * Velazquez's majesty from the quantum field, Zolar
Thus the content of Biofractal e-Museum is based on the Patterns & Principles of the Wave Universe as Ultimate Nature of the Reality on the Cosmos. Its 4 Pillars of Creation and Co-creation are: Vortice and Fibonacci Golden Hand, Vibrational Patterns, Electromagnetic Field and Quantum Field with its Overlaps, Entanglements and Teleportations shown with some examples on these 2 posters:
1 & 2
In the biginning was a Vortice followed by the Fibonacci Golden Hand creating patterns in form of spheres and spirals. The hands of God on plaster and PVC, the artist´s hand found, sculpted on wood and assembled on plaster doll of herself and the closed hand of the artist form a golden spiral.
The sphere and spiral are the input patterns that correspond to the wave universe in a creative process composed of moving waves that operate with their electric and gravity fields to grow in space to compressed into solids or matter or shape given.
3 & 4
New Vibratory Patterns as origin of all creation from the source itself of universe as a master compendium resonating at various frequencies of connection, expansion and origin of all creation of living life. A vibratory pattern is the frequency of energy that connects and brings all things together, persists and flows as energy itself. The universal law of nature states that everything has its own vibration, denoting movement, rhythm, oscillation, balance and manifestation of said vibrations. Einstein himself said: Every thing in life is vibration.
Signal Processing of Electromagnetic Field composed of a central electrical system and a magnetic field in the form of an electric current and Quantum Field of the Unified Field in Quantum Overlap, Entanglement and Teleportation with its processes and evolutionary development exemplified in the Superposition of the figure of Velázquez, the entanglement of the artist with Gabriela Mistral, Pablo Neruda and James and the teleportation in the birth of a hippocampus showing all phases of signal processing up to the creation and manifestation of living life.
Biofractal e-Museum is developed by Naturalist Researcher,
Director, Curator and Project Multi-Transdisciplinar Artist
Myriam Solar[Zolar] ,Creative Director, Curator and Project Naturalist
Researcher
© 2025 Biofractal e-Museum