Biofractal e-Museum

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The Aesthetics of the Art of Expanded Complexity as an Aesthetics of Fields, the Records of the Cosmic Creation of Matter & the Fundamental Forces in the Perceptible World of Pure Forms.

Soon:

Paper in academia.edu By@ Myriam Solar

Abstract in https://sites.google.com/view/biofractale-museum/homepage

Epicurus & Kant, the Expanded Field of ST, the a Priori Principles and Theory of Knowledge of Art and Aesthetics of Complexity

  1 & 2

PDF Abstract

1.-  The Garden of Epicurus

From the atom to the cosmos based on the categorical imperative  as a formula of universal law that links Epicurus with Kant                  

and

2.- New Theoretical Conception of man in the Universe and of the History of Representations that becomes a General History of Art in Nature and the Cosmos..

( Prolegomena to my Critique of Kant's Practical Reason lost in the magma of the Expanded Field of ST, 1987),

year in which Art & the Aesthetics of Complexity begin the creation and development of its object from the a priori principles; allowing to conceive and base a Theory of Knowledge of Art and the Aesthetics of Complexity.

(PdF 01.09.24 and Post in Academia.edu, Post 30/08/24 in Instagram and Facebook) 

 Immerse yourself once again in the infinite memory of the expanded field of the ST and in the dark matter that passes through it and comes from a black holes that is created from that infinity on a metal plate and one mirror...

Full Abstract in : https://sites.google.com/view/biofractale-museum/homepage

Wave Universe Black Holes/Theory of Knowledge of Complexity Art

                                  Full Paper 01/09/24 in academia.edu https://ucm.academia.edu/httpsucmacademiaeduMyriamSolar

 3.-  S-T EXPANDED FIELD, A UNIVERSAL OF COMPLEXITY ART & AESTHETICS

Introduction

One approach to the probable universe is that reality is made of EMF fields that allow entry into accelerated time fields that in turn become expanded  ST Fields.

These fields  surround  the black holes detected in the water which would be equivalent to the black holes in cosmic space and whose border from which it is not possible to scape Stephen Hawkins calls the event horizon where a whirl pool of matter and energy is formed from which matter is born.

The expanded field of the ST thus contains a collection of points in all directions that shape both matter and fundamental forces, creating representations of infinite dimension.

The expanded field of ST allows us  to examine transformations and movements in more than one dimension at the same time, changes from one expressive form to another or from one reality to another.

In this broad context there is a region of the ST from which  it is not possible to scape now known as a black hole and its border is the event horizon that hides events happening in the ST or virtual event space.

The outer part of the event horizon or virtual events presents the shape of a disk in which there are two vectors that send information in two directions: towards  the outer circle and towards the central circle that they record. The important thing is the line of the circle that  starts at one point, goes around and returns to the starting point. The space that contains the dimensions is the outer circle.

The circle or horizon of virtual events thus allows us to enter accelerated fields of time and access  the electromagnetic fields that contain the cradle of all creation.

The process described above can also be achieved not only from a black hole in the water that thus becomes a simile of cosmic black holes but from the canvas itself that is used to capture a work of art,  which contains the notion of event horizon per se, being able to access the expanded field of the ST with its collection of points in all directions to shape creations of infinite dimension.

The Torus is the ring or sphere-shaped model that appears in the magnetic field of black holes in the water.

Each molecule, body or system is, therefore, sustained by toroidal energy that creates a magnetic field. The expanded ST is therefore staged in a rotating black hole. In this representation or sketch that constains information and is drawn without exact measurements of the object, the ST appears curved and elastic to the extent that there is concentrated energy manifesting itself through waves with a limit since it can be broken. This vacuum energy tends to contract space and stretch it like a cake. Thus a black hole contains the fascination of the void and can continue its development to show hidden events and/or  break.

Black holes face a challenge that is to explain the stability of the ST with it timeless events, records or timeless stories or its definitive rupture while the event horizon of a canvas is a simile that allows direct access to the expanded ST, through autopoiesis, self-structuring, autonomy and glazes that create very thin and translucent layers of paint that allow us to visualize the underlying forms through which we can access the expanded ST or an event horizon without time or space, equivalent to 4D cycles or 5D in sequence on this plane.

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From the black holes of the wave universe (in the water, on the canvas and on the computer screen) representation of the famous painting Las Meninas by Velazquez exhibited for the first time at Agora Gallery  1992,  New York  (Usa),  a self-portrait with a brush and a second portrait of Velazquez by transfiguration.

Enter the Expanded ST Field and see how changes the Universal History of Art.

Enter the Expanded ST Field and look how changes the Universal History of Art

Enter the Field of the Expanded ST  and see how the universal history of art changes where reality is made of fields and the ST is a collection of points in all directions capable of forming representations of infinite dimension in a space-time that can be flat or curved.

From the Classical and Medieval stage through the Renaissance and Baroque until reaching the Modern and Contemporary stage, art is governed by certain elements and principles that change radically with the appearance of the Expanded field of ST. These changes refer to the elements of art and the principles that govern it throughout all times.

Full text in: https://sites.google.com/view/biofractal-e-museum/

Wave Universe Black Holes/Construction of the Expanded...

Plunge into the infinite memory of the Expandede ST Field Collection Gallery

Plunge into in the infinite memory of the expanded field of the ST and in the dark matter of invisible origin that permeates space-time coming from a black hole to show an exceptional event from the 17th Century. This, which cannot be seen directly, is inferred from its gravitational effects on the visible matter by acting as a structures compactor, and shapes can be visualized in bright areas that concentrate the dark matter in the form of halos. Its existence is important in the understanding of the model that records the expression of forms in space-time, allowing us to verify that each human or living thought and action can be captured through its registration in the evolution and expansion of the observable universe from its primitive stage to the current moment. In such records there are no additions or manipulations, reflecting their original integrity. Such records reflect the existence of matter, which is the substance that forms physical bodies or that which has mass and occupies a place in space and that can be visualized due to the effects it produces on objects or forms that can be observed by contrast.

Full text in : https://sites.google.com/view/biofractal-e-museum/

Wave Universe Black Holes/Construction of the Expanded...

" Technological and virtual tools provided the substructure from which important art emerged". 

 Frank Popper

On the Death of Frank Popper, quoted by Joseph Nechvatal, 2020.

(Frank Popper was an illustrious follower of Biofractal e-Museum until 2020, date of his death in Lugano (Switzerland).

Wave Universe Black Holes

World System Exhibition and the Creative Impact Biofractal e-Museum

WU- generated images of a screening series by BiofractaLAB

A preview of the Memorial of Cosmic Creation and the Art created by the S-T from the ends of the Earth to the depths of the oceans, the S-T and beyond modeling the origin of memories with their representations from the black holes of the wave universe.

Explore the Collection in progress with pictures  in Display 1: on India, Spain, ancient Egypt, Japan, Africa; Display 2: on ancient Russia, Israel, the Arab World, Cappadocia in Asia Minor, a marine vertebrate possibly from the Paleozoic era (4D video), a cetacean probably from the Cenozoic era in the late Eocene of 45 million years  (4D photography); Display 3: It shows life in the dephts of the oceans in Antarctica with marines vertebrates from different periods, a marine turtle from the group of reptiles probably from the Cretaceous and a mermaid of our seas in the last 100 millions years as a link fundamental of the marine ecosystems; Display 4: shows images of ancient Greece during the Olympic games with the discus and javelin throw around the year 776 B.C., of indigenous and Latin America and ancient Japan with the warlords and more;  Display 5: shows the universe seen in the S-T in which the historicity between East and West is condensed with their heritages, cultures and cosmic representations and where each story includes the origin of those memories in a new vision and a new Cosmos in interconnection with the Universe seen from the folds of its extended scale of the cosmic representation; Display 6-1: begins with the Transfigurations Series whose central event is what the title indicates between East and West with hidden mysteries through the shapes, colors and imaginary lines that we can trace from its center, its cardinal points, rotations and the cloud that surrounds them to finally reconstruct events from memory intimate and collective of all as a type  of mirror universe stretching backward in time and space from the center of past history and of the living Universe in its process of evolution. 

Celebrate amazing  Transfigurations Series in progress!

More in : Wave Universe Black Holes / Memorial of Cosmic Creation

Bringing focus on the living worlds of the Complexity Transfiguration beyond the S-T is shown in all its splendor the immortal figure of  Cervantes - along with other excepcional figures - can well be considered an authentic portrait to come from a "papyrus " of mirror creation of the wave universe.

 It is said  of these papyri that animated by the waters, the origin of chaos, they were made to reveal the process and found a new era of creation and co-creation from this place here and now.

*

The original of the image of Quevedo´s image is found in the Museum of Contemporary Spanish Engraving, Marbella(Spain) and the Velázquez´s image in the Artist´s Private Collection.

Pictures in: https://sites.google.com/view/biofractale-museum/wave-universe-black-holes/memorial-of-cosmic-creation

Transfigurations Series

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Aesthetic transfiguration in art expresses the immensity of cosmic creation in the Universe where the stage of imaginary space turns out to be the place where the being manifests itself, granting the artistic creation a status similar to the work of the creator.

The scenarios of the transfigured space break the limits that sustain them to enter a new conception of space that stops being passive and neutral and becomes a primal space of the man who inhabits the S-T. This space is incomplete and demands the participation of the viewer who must discover the possible veiled realities.

The basic concept of transfiguration is that of mutability inherent to the ability of an object to change since the universe we inhabit is dynamic and in it nothing is static, in this way all objects are connected to all others by similar traits such as substance, essence or existence and its imagination begins in the infinite space of existing possibilities.

The notion of transfiguration in artistic creation dates back to the Renaissance with Raphael de Sanzio linked to the religious-spiritual. In our time, its expression as a phenomenon that transcends us is understood to be linked to man and nature, without physical limits, facilitating an expansion of the scenario in which the transfiguration takes place. 

 Full text in  https://sites.google.com/view/biofractal-e-museum/wave-universe-black-holes/memorial-of-cosmic-creation

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         Posted in Myriam Solar  Profile of  academia.edu

                         Black Holes of the Wave Universe and the Origin of Life New Collection

First images ever obtained of dynamic and rotating black holes

developed by the Art and Aesthetics of Complexity from the unified field of the wave universe.

These first images of the history of the wave universe date from 1987 when experimentally Myriam Solar began her work for the new art and the aesthetics of complexity as it came to be called.

Black holes are a finite region of space inside which there is a sufficiently high concentration of mass that swirls around a point of attraction that is then compressed to generate a gravitational field or center of gravity called barycenter, which is a point of balance or focus of the elliptical orbit of a body to whose radius of action no particle can escape, being registered as events after reaching a point of no return and resulting in a disk-shaped region of space-time that increases or decreases the size of the hole or evaporates in the local absence of defined matter, and can be recorded as a pulse, an atom, an image or set of images that are created by remote information from the source of the universe.

This energy comes from the 4D where there is a pattern of energy and vibration to form atomic, molecular, genetic, cellular life, each with a specific information pattern that contains detailed instructions to form the basis of a new life. You can see how communication enters and leaves, travels through space and joins other atoms in the place designed with a collective consciousness to form the entire process of multiple interactions of an atomic, molecular, genetic, and cellular type of life from the source of the universe to which are added the signal processing of the electromagnetic and quantum fields in superposition, entanglement and teleportation, manifesting a new world order in the expansion of the universe.

The entire process of universal creation proceeds from alternating current, a type of electrical current in which the direction of the flow of electrons comes and goes at regular intervals or in cycles, first flowing in one direction and then reversing.

Within the area of attraction generated, black holes present a constructive perspective by condensing matter around themselves, since they serve the construction and formation of images that are almost always ephemeral. All images are formed from elliptical disks around black holes after reaching the barycenter, the mass that forms being short-lived.

Black holes are formed in a process in water through the sink effect or in a device that allows recording images by converting them into electrical signals that can be reproduced by a specific device, be it a video camera or a photographic camera, plastic, paper, fabric, glass, crystal, mirror.

In the first case, a small-volume pigmented mass in motion originates, which converts it into a gravitational wave that ends up becoming a black hole. This process gathers a force of attraction so strong that it traps the matter that falls or passes through its radius of action, reaching a point of no return from which it is impossible to escape, being registered as events in images of diverse origin and meaning. It would then be said that the images are formed by the influence of black holes.

In the second, third cases and others, a magnetic energy field is created, appearing in space as a pulse that comes and goes and does not change, it is specific, generating an explosion of images in the process of development, interaction and evolution that gives rise to a life, and these can be made manifest at the same time in one medium or in another, whether it comes from a camcorder or a photographic camera or others mentioned.

These pulses come from 4D where there is a pattern of energy and vibration to form the basis of life from the plasma created by magnetic fields where a magnetic molecule or microscopic object formed by filaments that attract specific atoms to which it binds in a designed place, coupling according to a specific pattern of information to form life.

Biofractal e-Museum is a pioneer museum of multi - transdisciplinary research  and complexity art and aesthetics jointly with biodiversity aesthetics developed from the wave universe revealing the unseen in the ultimate nature of reality at the intersection with natural and exact sciences, emerging technologies, nature and animal studies.

Biofractal e-Museum was launched in 2015 unfolding its museographic collections on the online platform for museums, galleries and archives of Google Open Gallery and this same year in April was nominee Best of the Web in Museums and the Web 2015 Conference, Chicago(Usa) in the category Small Museum, Research/Collectios Online.