The pattern that reconstructs the process of physimorphisme consists of five phases: the project or genesis and dust spots, morpho-emptying, randomized, bit-morph and physi-morph.
___________________________________________________________________________________________
The language of living nature is the dynamic language of movement in various states of complexity where chance, randomness, mathematical patterns and underlying structures mark the first principles to address from shapes capture the world with its mechanisms and elegant way to generate processes.The new language that reflects the complex states of nature and, therefore, the complex supra-systems is the fractal geometry for describing this universe defined as rough, tough, rugged and entangled to study what is fragmented, twisted, irregular, broken or branched.
This collection contains 29 Pictures and you can see this here in Image Carousel.
The complex states of nature are reflected in the natural languages of living species that they create from the quantum field. I have called this language related to Brownian movement: physimorphism. It presents randomness, mathematical patterns and underlying structures to capture the forms of the world through certain processes. The field work has been carried out with terrestrial gastropods whose language is visual and iconic, comprising a set of developing elements whose comparative similarity has been found in geological elements of the Mediterranean Sea in Spain and in the Sahara desert in Algeria.
The physi-morphisme is a chaotic process of natural construction of the form whose realization involves the notions of system, set and transient states.
_____________________________________________
The morpho-emptying is open or empty the incipient geometric figure that is bounded by a circle, ellipse or other elastic geometry to form the structure of a natural construction or "artifact".
____________________
The physi-morph corresponds to a defined representation of something that is familiar by its similarity with known images of natural world.
________________________
The complex process operates in an arbitrary point to create the project or genesis and / or points powder.
___________
________________________________________________________________________________________
Chaos is an inherent process to all natural systems of irregular behavior presented simultaneously the order and disorder both spontaneously and unpredictably. The chaos contains a factor of unpredictability that is identified with chance and this is a factor of randomness is revealed as a living organism at the time acting. Physicists, biologists and mathematicians try to know their essence and describe its nature. The art of complexity also tries to know the chance, tame and know the laws governing the creation of form. Chance is a natural ally of the ways of nature and the natural fractal art, but it is difficult to imagine their existence in a primary living system. During field research I can observe its creative role and its relations with the way emerging reality that links the phenomenon to a small population of terrestrial gastropods through Brownian motion.
__________________________________________________________________________________
Chance corresponds to a field of knowledge from which almost all unknown, from its own images to shape to become manifest and the principles that govern it. As we approach the chance we find its enormous power to build corporeal natures and this possibility I call physimorphisme. The physimorphisme can be defined as the representation of the contours of an object or physical reality. This representation is delimited by a succession of small jagged lines that make the body of the image and can be seen the effect and the possibility of form if it is projected onto a background. The physimorphisme is ultimately a natural building containing disorder, irregularity and order, which achieves the representation of an object or physical reality. The pattern that reconstructs the process of physimorphisme consists of five phases: the project or genesis and dust spots, morpho-emptying, randomized, bit-morph and physi-morph.
______________________________________________________________________________
The physi-morphisme is a chaotic process of natural construction of the form whose realization involves the notions of system, set and transient states. The notion of system in the process of a living physi-morphisme system is associated with the set and structure. To refer to set speak of elements of thick and thin strokes and trapezoid, hexagonal, elliptical structures, corresponding to the configurations of an object or shape and transients states talk about projects or dust spots, morpho-emptying, randomized and bit-morph.
________________________________________________________________________________________
Complex systems are characterized by the formation of patterns that are created spontaneously by self-organization and have features such as cooperation and structures. The language of these systems is visual or iconic and involves elements of spatial and temporal nature to know the environment in which they move and develop an image or idea of setting that allows nature to work. These elements are the morphological elements system operating as a rudimentary brain impulses, being prior to the initial conditions of a dynamic process. According to the theory of morphological elements of fractal language these are: point, line, holes and textures. The sample comprises comparative elements of geological nature obtained in fieldwork in Mediterranean Sea in Spain, Lanzarote Island and the Sahara desert in Algeria as part of the pedagogical collection of randomness, fractality and complex systems of Biofractal e-Museum.
______________________________
* Graphic Design and Media Technology: Myriam Solar
* Curator: Myriam Solar
* Images: Myriam Solar[Zolar]-Biofractal e-Museum
* Project management and coordination: Myriam Solar
* Research and documentation: Solar Myriam, Complexity Art.Aesthetics of shape in dynamic systems, Madrid, 2002.
© 2025 Biofractal e-Museum