You will follow my short drawing demo to create three small geometric designs. You will begin to color each of these using a different technique in imitation of a different printmaking technique. (for examples, see images below) This project is a review of three of the printmaking techniques we discussed and practiced in class and is your opportunity to compare three techniques for your final project. We are not covering the imitation of woodcuts or of chromo-lithography using the black/sepia underpainting (from the mushroom painting at the beginning of the session), but you may use those techniques for your final project if you like.
It is, of course, beneficial to complete the exercises started in class on your own and depends on the amount of time you are committing each week to the pursuit. You do not have to submit them as homework.
First design will imitate a hand-colored OR chromo lithograph using a combination of ink washes and any combination of graphite, Micron pens, or colored pencils.
Second design will imitate a monochromatic (black OR sepia and white) engraving by using Micron pens and hatching techniques.
Third design will imitate a hand-colored engraving using acrylic ink washes and micron pens.
Your final project consists of an animal, mineral, and vegetable composition (size is 8x10 or larger). The style and compositional approach should be consistent. Remember that the sketch phase is your best opportunity to explore the different approaches to composition and presenting the information about your species.
Click here for close-up view of a botanical engraving
Note the lines and hatchmarks that are a distinctive feature of engraving. Remember that adding a very thin wash to add warmth (and age) to the paper will help imitate the appearance of a century (or centuries) old print.
Notice that the colors are generally semi-transparent and more neutral than full chroma.
Basilius Besler- hand-colored engraving
stippled engraving is done with a series of small dots (as we practiced in the entomology section)
Virgil, by
shells by Joseph Benard after Henry Redoute
Lithograph.
This is similar to an engraving, but the transitions in value are very soft and there is no visible hatching. The look could be more easily imitated with pencil than with Micron pens.
chromo-lithograph with yellow, red, and black ink
hand-colored lithograph
from the Journal des Museum Godeffroy
Elizabeth Gould, hand-colored lithograph
below: Engraving. Imitate with Micron pens, paying close attention to the direction of the hatchmarks and linework.
"Geometrie & Architektur & Festungsbau & Vermessung" by Anton Ernst Burkhard von Birckenstein, printed in 1698
Little information is available on these prints, but I wanted to share them for their beauty and interest.
I cannot find any info on these prints, but they are from something called the Brockhaus Konversationslexikon 1898