1962 in a Nutshell
It’s 1962; every day brings something new, with some of it being exciting, but some of it terrifying. We’re living in a time of great change, and you can feel it.
The Cold War is running rampant. The United States and the Soviet Union are both trying to prove who’s stronger, especially with nuclear weapons. The Soviets are also building missile sites in Cuba. President Kennedy went on TV and told the American people that we are facing a serious threat. People are scared. We’ve been told to build fallout shelters and practice duck-and-cover drills in school. Some families are even storing food and water in case of nuclear war.
But it’s not just politics and war because culture is changing too. Young people are starting to speak out more, and music is a big part of that. A new band from England called The Beatles is becoming popular, and their sound is fresh and exciting. Back home, artists like Bob Dylan are singing songs that talk about freedom, rights, and the problems in our society.
In the art world, abstract expressionism is on its way out, with most people thinking it's behind the times compared to the newer pop art coming into the public eye. Pop art is growing fast. Andy Warhol is painting pictures of everyday things like soup cans and movie stars, and people can’t stop talking about it. Some say it’s not real art, but others think it’s bold and new, just like the world around us. Roy Lichtenstein is making comic book-style paintings that catch your eye with bright colors and dots. These artists are changing the way we think about what art can be. Minimalism is beginning to show its face with Donald Judd's sculptures and Dan Flavin's use of light.
Meanwhile, the civil rights movement is pushing forward. In Mississippi, James Meredith is the first Black student to go to the University of Mississippi. There were riots, but he made it in with the help of federal troops. People like Dr. Martin Luther King Jr. are speaking out against racism and calling for peace and equality. The fight is hard, but many of us believe that change is coming.
-Bradley Gray
Pop Art
What is Pop Art?
Pop art started in the 1950s, but it really took off in the early 1960s, especially in the United States. It was a new kind of art that focused on things from everyday life like advertisements, comic books, celebrities, and food packaging. Unlike earlier art movements like Abstract Expressionism, which were very serious and emotional, Pop art was fun, bold, and easy to understand. Artists wanted to show that things from popular culture, like a can of soup or a comic book panel, could be just as important as traditional art subjects.
The year 1962 was a big turning point for Pop art. That year, a museum in California held a major show called “New Painting of Common Objects.” It was one of the first times Pop art was shown in a serious art space. The exhibit featured artists like Andy Warhol, Roy Lichtenstein, and Ed Ruscha. These artists were painting everyday objects and images, like comic strips, food items, and advertisements. Their goal was to show how art could reflect real life and modern culture.
One of the most famous moments in pop art history happened when Andy Warhol showed his “Campbell’s Soup Cans” series at a gallery in Los Angeles. The artwork included 32 paintings, each of a different soup flavor. Warhol used a simple style and repeated the same shape over and over, just like products on a store shelf. People were shocked and confused. Was it art or just a copy of a soup label? Warhol’s work made people think about how art and advertising were connected.
Another important artist was Roy Lichtenstein. He made paintings that looked like comic book scenes, such as “Look Mickey” and “Drowning Girl.” He used thick outlines, bright colors, and small dots to make his paintings look like printed comics. Some people thought his work was silly or unoriginal, but others thought it was clever and powerful. Lichtenstein’s art made people question what counted as “real” art.
Pop art had some clear themes and styles. Artists used repetition to show how mass production affected everyday life. They used bright colors, simple shapes, and bold lines to copy the look of ads and comics. Their subjects were things people saw every day, like soup cans, soda bottles, and TV stars. Pop artists also added irony or humor to their work, making people think about how we consume media and products without really noticing.
Pop art became even more popular. Andy Warhol continued to make famous works, like his portraits of Marilyn Monroe and his Brillo box sculptures. More galleries started to show Pop art, and people around the world began to pay attention. Even though some critics didn’t like it, Pop art helped change the way people think about art. It showed that everyday things could be meaningful and that art didn’t have to be serious or complicated to matter.
Overall, Pop art really became a major movement. It was bold, fresh, and totally different from what came before. Artists like Warhol and Lichtenstein brought the world of ads, comics, and consumer goods into art galleries. They helped people see that the ordinary things around us could be turned into something creative and powerful. Pop art made art more relatable and fun, and 1962 was the year it all came together.
-Bradley Gray
1962 was Andy Warhol's breakout year, with Campbell's Soup Cans and Marilyn Diptych, two of his most popular and well-known artworks, being made. He debuted his Campbell's Soup Cans at Ferus Gallery in Los Angeles, which defined the pop-art movement. Most of his artworks from this year follow a similar repetitive design. This repetitive design hints at the minimalism movement that is beginning to emerge at this time.
-Bradley Gray
Marilyn Diptych
Andy Warhol, acrylic paint & ink on canvas, 80x114 in
Ryan, T. R. (n.d.). SmartHistory – Andy Warhol, Marilyn Diptych. https://smarthistory.org/warhol-marilyn-diptych/
Andy Warhol, acrylic, ink, & graphite on canvas, 87x57 in
Andy Warhol | Green Coca-Cola bottles. (n.d.). Whitney Museum of American Art. https://whitney.org/collection/works/3253
Campbell's Soup Cans
Andy Warhol, paint on canvas, 20x16 in each
Andy Warhol. Campbell’s Soup Cans. 1962 | MOMA. (n.d.). The Museum of Modern Art. https://www.moma.org/collection/works/79809
1962 was a big year for Roy Lichtenstein, with famous artworks like Baked Potato, Jet Pilot, and Forget It! Forget Me!. These pieces used bold lines, bright colors, and Ben-Day dots to look like comic books or advertisements. Forget It! Forget Me! shows a dramatic moment with a woman and a speech bubble, while Jet Pilot focuses on action and war. Even something simple like a potato became art in his hands. His style made everyday things look bold and exciting, and it helped make pop art popular while also hinting at the clean look of minimalism.
-Bradley Gray
Roy Lichtenstein, oil & graphite on canvas, 68x56 in
“Jet Pilot,” 1962 (RLCR 699), Graphite pencil, graphite rubbing on paper, Sheet: 22 x 23 in. (55.9 x 58.4 cm)Image: 15 x 17 in. (38.1 x 43.2 cm). (n.d.). Roy Lichtenstein: A Catalogue Raisonné. https://www.lichtensteincatalogue.org/catalogue/entry.php?id=3376
Roy Lichtenstein, oil & magna on canvas, 24x36 in
“Baked Potato,” 1962 (RLCR 675), Oil, graphite pencil on canvas, 23 5/8 x 35 5/8 in. (60 x 90.5 cm). (n.d.). Roy Lichtenstein: A Catalogue Raisonné. https://www.lichtensteincatalogue.org/catalogue/entry.php?id=936
Roy Lichtenstein, Oil & magna on canvas, 36x36 in
“Forget It! Forget Me!,” 1962 (RLCR 691), Acrylic, oil, graphite pencil on canvas, 78 1/8 x 67 1/8 in. (198.5 x 170.5 cm) (approx.). (n.d.). Roy Lichtenstein: A Catalogue Raisonné. https://www.lichtensteincatalogue.org/catalogue/entry.php?id=448
Art Exhibitions
Picasso in the Museum of Modern Art: 80th Birthday Exhibition
May 14–Sep 18, 1962
Exhibition history | MoMA. (n.d.). The Museum of Modern Art. https://www.moma.org/calendar/exhibitions/history/
Recent Painting U.S.A.: The Figure
May 23–Aug 26, 1962
Exhibition history | MoMA. (n.d.). The Museum of Modern Art. https://www.moma.org/calendar/exhibitions/history/
Abstract Expressionism
Abstract expressionism is on its way out in 1962, but Mark Rothko continued making art pieces that would classify as just that. His work has a bold, quiet intensity in comparison to other abstract artists of the time. He tends to make more controlled and much less random strokes on his canvases to create pieces such as Silver Orange Plum and Blue and Gray. His take on abstract expressionism is a challenge to the norm of the other abstract artists of the time.
-Bradley Gray
Mark Rothko, oil on canvas, 91x60 in
Silver Orange Plum, by Mark Rothko, 1962 - Gibbes Museum of Art. (2020, September 23). Gibbes Museum of Art. https://www.gibbesmuseum.org/news/martin-z-margulies-comes-to-charleston/rothko-orange-004-3/v
Mark Rothko, oil on canvas, 114x84 in
Blue and Grey, 1962 by Mark Rothko. (n.d.). Mark Rothko. https://www.mark-rothko.org/blue-and-grey.jsp#google_vignette
Mark Rothko, oil on canvas, 91x70 in
Mark Rothko | Orange, Red and Red (1962) | Artsy. (n.d.). https://www.artsy.net/artwork/mark-rothko-orange-red-and-red
Historical Events
First American Orbits Earth
From Cape Canaveral, Florida, John Herschel Glenn Jr. is successfully launched into space aboard the Friendship 7 spacecraft on the first orbital flight by an American astronaut.
Glenn, a lieutenant colonel in the U.S. Marine Corps, was among the seven men chosen by the National Aeronautics and Space Administration (NASA) in 1959 to become America’s first astronauts. A decorated pilot, he flew nearly 150 combat missions during World War II and the Korean War. In 1957, he made the first nonstop supersonic flight across the United States, flying from Los Angeles to New York in three hours and 23 minutes.
Glenn was preceded in space by two Americans, Alan B. Shepard Jr. and Virgil I. “Gus” Grissom, and two Soviets, Yuri A. Gagarin and Gherman S. Titov. In April 1961, Gagarin was the first man in space, and his spacecraft Vostok 1 made a full orbit before returning to Earth. Less than one month later, Shepard was launched into space aboard Freedom 7 on a suborbital flight. In July, Grissom made another brief suborbital flight aboard Liberty Bell 7. In August, with the Americans still having failed to make an orbital flight, the Russians sprinted further ahead in the space race when Titov spent more than 25 hours in space aboard Vostok 2, making 17 orbits. As a technological power, the United States was looking very much second-rate compared with its Cold War adversary. If the Americans wanted to dispel this notion, they needed a multi-orbital flight before another Soviet space advance arrived.
It was with this responsibility in mind that John Glenn lifted off from the launch pad at Cape Canaveral at 9:47 a.m. on February 20, 1962. Some 100,000 spectators watched on the ground nearby and millions more saw it on television. After separating from its launching rocket, the bell-shaped Friendship 7 capsule entered into an orbit around Earth at a speed of about 17,500 miles per hour. Smoothing into orbit, Glenn radioed back, “Capsule is turning around. Oh, that view is tremendous.”
During Friendship 7‘s first orbit, Glenn noticed what he described as small, glowing fireflies drifting by the capsule’s tiny window. It was some time later that NASA mission control determined that the sparks were crystallized water vapor released by the capsule’s air-conditioning system. Before the end of the first orbit, a more serious problem occurred when Friendship 7‘s automatic control system began to malfunction, sending the capsule into erratic movements. At the end of the orbit, Glenn switched to manual control and regained command of the craft.
Toward the end of Glenn’s third and last orbit, mission control received a mechanical signal from the spacecraft indicating that the heat shield on the base of the capsule was possibly loose. Traveling at its immense speed, the capsule would be incinerated if the shield failed to absorb and dissipate the extremely high reentry temperatures. It was decided that the craft’s retrorockets, usually jettisoned before reentry, would be left on in order to better secure the heat shield. Less than a minute later, Friendship 7 slammed into Earth’s atmosphere.
During Glenn’s fiery descent back to Earth, the straps holding the retrorockets gave way and flapped violently by his window as a shroud of ions caused by excessive friction enveloped the spacecraft, causing Glenn to lose radio contact with mission control. As mission control anxiously waited for the resumption of radio transmissions that would indicate Glenn’s survival, he watched flaming chunks of retrorocket fly by his window. After four minutes of radio silence, Glenn’s voice crackled through loudspeakers at mission control, and Friendship 7 splashed down safely in the Atlantic Ocean. He was picked up by the USS destroyer Noa, and his first words upon stepping out of the capsule and onto the deck of the Noa were, “It was hot in there.” He had spent nearly five hours in space.
Glenn was hailed as a national hero, and on February 23 President John F. Kennedy visited him at Cape Canaveral. He later addressed Congress and was given a ticker-tape parade in New York City.
Out of a reluctance to risk the life of an astronaut as popular as Glenn, NASA essentially grounded the “Clean Marine” in the years after his historic flight. Frustrated with this uncharacteristic lack of activity, Glenn turned to politics and in 1964 announced his candidacy for the U.S. Senate from his home state of Ohio and formally left NASA. Later that year, however, he withdrew his Senate bid after seriously injuring his inner ear in a fall. In 1970, following a stint as a Royal Crown Cola executive, he ran for the Senate again but lost the Democratic nomination to Howard Metzenbaum. Four years later, he defeated Metzenbaum, won the general election, and went on to win reelection three times. In 1984, he unsuccessfully sought the Democratic nomination for president.
In early 1998, NASA announced it had approved Glenn to serve as a payload specialist on the space shuttle Discovery. On October 29, 1998, nearly four decades after his famous orbital flight, the 77-year-old Glenn became the oldest human ever to travel in space. During the nine-day mission, he served as part of a NASA study on health problems associated with aging. In 1999, he retired from his U.S. Senate seat after four consecutive terms in office, a record for the state of Ohio. He died on December 8, 2016.
History.com Editors. (2025, January 24). John Glenn becomes first American to orbit Earth | February 20, 1962 | HISTORY. HISTORY. https://www.history.com/this-day-in-history/february-20/an-american-orbits-earth
The Cold War
The Cold War hit a major point of tension with the Cuban Missile Crisis, which occurred October 16th-29th. It was a terrifying moment for a large portion of the U.S. population, with people fearing what would happen next, almost sparking a nuclear war. This event solidified the seriousness of the rivalry between the two superpowers.
-Bradley Gray
A year in history. (n.d.). HISTORY. https://www.history.com/a-year-in-history/1962
Minimalism
Donald Judd made artworks using simple geometric forms, forcing the viewers to think about space, structure, and perception. He repeated simple geometric forms in interesting ways or constructed them into a sculpture to make the viewer ask questions. His sculptures in 1962 look more like carpentry than typical sculptures. His challenge to the form was due to the beginning of the minimalism movement that was beginning to show its head.
-Bradley Gray
Donald Judd, wood, oil, & metal pipe, 48x32.5x21.25 in
Untitled, 1962 | Judd Foundation. (n.d.). Judd Foundation. https://juddfoundation.org/index-of-works/untitled-1962/
Donald Judd, wood, oil, wax, masonite, & aluminum, 48x96x7 in
Untitled, 1962 | Judd Foundation. (n.d.). Judd Foundation. https://juddfoundation.org/index-of-works/untitled-1962-5/
Donald Judd, wood, oil, enamel, masonite, asphalt pipe, 44.25x40x13.75 in
Untitled, 1962 | Judd Foundation. (n.d.). Judd Foundation. https://juddfoundation.org/index-of-works/untitled-1962-2/
Dan Flavin was beginning his work with fluorescent light as his main material in 1962. His work during this time is minimalist, typically using a block of one color and putting one or an assortment of lights on it. His unique way of creating art inspired many minimalist artists in the time to come.
-Bradley Gray
Dan Flavin, fluorescent light, 96x72x12 in
(Dan Flavin, Icon IV (the Pure Land) (to David John Flavin 1933–62), 1962, Reconstructed 1969 (White Formica With Daylight Fluorescent Light) - Foundation for Spirituality and the Arts, 2022)
Dan Flavin, fluorescent light, 96x72x12 in
Dan Flavin: icon V (Coran’s Broadway Flesh), 1962 | David Zwirner. (n.d.). David Zwirner. https://www.davidzwirner.com/artworks/dan-flavin-icon-v-coran-s-broadway-flesh--c6c6f
Dan Flavin, fluorescent light, 96x72x12 in
icon VI (Ireland dying) (to Louis Sullivan), 1962–1963 | Judd Foundation. (n.d.). Judd Foundation. https://juddfoundation.org/index-of-works/icon-vi-ireland-dying-to-louis-sullivan-1962-63/
Sources
Smarthistory. (n.d.). https://smarthistory.org/
Roy Lichtenstein Foundation – Roy Lichtenstein Foundation. (n.d.). https://lichtensteinfoundation.org/
Mark Rothko Paintings, Biography & Artwork. (n.d.). https://www.markrothko.org/
Donald Judd. Judd Foundation. (n.d.). https://juddfoundation.org/donald-judd/
Foundation, D. A. (n.d.). CART. Dia. https://www.diaart.org/exhibition/exhibitions-projects/dan-flavin-icons-exhibition