The Ultimate Female Supervillain

Sirens, Mermaids, and Everything in Between

Oxford, Bodleian Library, MS Bodl 764 fol. 74v

What Even Is A Siren?

Growing up, I always believed in mermaids. It didn't matter to me how much proof there was that they did or did not exist - I knew they did, and I loved them. What's not to love about beautiful, talented, fish women wandering around in our oceans? In middle school, we studied Greek mythology, which was my first time learning of sirens. Though they are a little violent, the feminist in me found the sirens to be incredibly fierce. Needless to say, when I came across the section of Richard W. Barber's translation of the Bodleian Bestiary on sirens, I knew exactly which animal I would write about for my first Humanities Core assignment. To me, sirens are the ultimate female supervillains - beautiful, mysterious, and deadly. Upon delving into the medieval Bestiary, I’ve learned that sirens are among the most mysterious mythical beasts, because so little is known about them. Were they half-fish as we know them to be, or half-bird as represented in the Bestiary? Were they all female, or did male sirens exist as well? What cultural significance did sirens have throughout history, and what effects does that have today? Although many of these questions are near impossible to answer, considering the various accounts of sirens across history, I’ve done my best to dissect the story of the sirens and what they represent for us today.

Sirens are mythical creatures (although I'm convinced they are real) that live in or around the ocean and are known for their eerie and beautiful singing voices. Barber’s translation of the Bodleian Bestiary describes these beasts as “deadly creatures, which from the head down to the navel are like men, but their lower parts down to their feet are like birds”; they walk the line between human and inhuman more so than nearly all the other animals in the Bestiary (150). Sirens are famously female, as depicted in the Bodleian Bestiary, but other bestiaries do feature male sirens.

What Even Is a Bestiary?

This is an excellent (and necessary) question - before my Humanities Core class, I had never heard of a bestiary. A bestiary, in essence, is a "book of beasts", much like a dictionary or encyclopedia that specifically focuses on animals (Davis). Bestiaries are compiled from previous sources, and are rich with images, text, Biblical references, and, uniquely, a moral attached to each creature's entry. Bestiaries were popular in 12th century Europe, and can be found in various languages and translations (University of Aberdeen).

The Siren Song

The sirens’ claim to fame, above all else, is their voices, and more specifically, how they use it. Sirens are known as lethal seductresses because they would lure sailors towards them with their song: “the sweetness of the sound enchant[ing] their ears and senses and lull[ing] them to sleep” (Barber 150). Once they had successfully sung the sailors to sleep, they would attack the ship and consume its sleeping passengers. Sirens often attacked in groups, some distracting their prey while the others attacked. This representation of sirens leads me to interpret them as a medieval manifestation of humankind’s ‘evil twin’ - the greedy, aggressive, selfish, and murderous reflections of ourselves. The Bestiary analyzes each creature from an anthropocentric perspective, describing each animal as they relate to humans and oftentimes providing a Biblical moral that parallels the behaviour of the animal. According to the Bodleian Bestiary, the myth of the sirens teaches us not to indulge in the vanity and pompous delights in the world, as those who do will “lose the vigour of their minds” and subsequently “become the prey of their enemies,” just as the sailors who fell victim to the siren song did (Barber 151).

Out of curiosity, I've compiled a list of so-called 'siren songs' if you want to take a look! I was amazed at how many different ways musical artists have interpreted the siren's song. The music of the sirens has transcended cultures and genres, making for a very interesting playlist.

Bodleian Library, MS. Bodley 764, Folio 74v

The Pictures vs. The Words

What makes the Bestiary more interesting than a typical dictionary is the combination of text, visuals, and morality that comprise it. The Bodleian Bestiary's textual description of the sirens portrays them as "deadly beasts," tricksters who lure "ignorant and imprudent men to their deaths" (Barber 150). Had I read only the text, I likely would have pictured a violent, graphic attack where mermaids kill sailors in a bloody battle. However, the picture in the Bodleian Bestiary contradicts this representation. In the image, the sirens do not appear violent or angry, and the sailors look rather peaceful - one of them even has a slight smile on his face as he's lulled to sleep. This contrast between text and art struck me when I first noticed it, but the more I considered it, the scarier the image became. Deadly as the sirens may be, it's clear they do not appear that way. They're relaxing, soothing, seductive - violent only once their prey is fast asleep. What the illustration from the Bestiary does not show is the attack itself, which may look significantly different than the moments preceding it.

Sirens Today

It’s impossible to study the medieval paintings of sirens without noting their remarkable resemblance to what we now know as mermaids. Although they are repeatedly described as half woman and half bird, the versions of the Bestiary from around the world depict them differently - some show a siren that matches the feathery description, others show a mermaid-like half fish woman, and others show an unsettling combination of both. Representations of sirens as aquatic creatures are present throughout many of history's famous texts - Homer’s The Odyssey, Ovid’s Metamorphoses, and plenty more Greek mythology (Dorofeeva).

These are the same creatures that Starbucks chose as their logo, and the distant relatives of the red-headed Disney princess we know and love today. Ariel of The Little Mermaid is a fascinating version of these beasts because like her evil cousins, the sirens, she is known for her beautiful voice, and uses it to attract the prince. However, in contrast to the sirens, who use their talents for evil, Ariel’s vocals lead her into a dreamy romance (at least in the Disney version - in Hans Christian Andersen's original story, her tongue gets cut out and she sacrifices herself (Roberts)). I find this contrast exciting; it shows how the story of the siren and her song has persisted throughout time, and remains part of popular culture, on our movie screens and our coffee cups!

Flandreau, Michelle, “Logo Evolution” Starbucks, December 23, 2016, https://stories.starbucks.com/stories/2016/who-is-starbucks-siren/. Accessed October 6, 2021
Flandreau, Michelle, “Logo Evolution” Starbucks, December 23, 2016, https://stories.starbucks.com/stories/2016/who-is-starbucks-siren/. Accessed October 6, 2021
Disney Music VEVO. "Jodi Benson - Part of Your World (Official Video From "The Little Mermaid"). YouTube, 11 December 2014.https://www.youtube.com/watch?v=SXKlJuO07eM.

It goes without saying that the history of the sirens is rich with meaning and analysis, and admittedly a little confusing. The sirens have haunted our sailors, taught us valuable life lessons, and entertained us on screen, and for that we have the medieval Bestiary and its translators to thank.

Reflection

I have to admit, I was terrified when Professor Roberts told us that the format for our very first Humanities Core assignment would be in the website format. My website-making experience is undeniably subpar, as was my experience with medieval bestiaries. The extensive work we did with the bestiaries, the Bible, and other medieval texts and artwork was incredibly out of my comfort zone - we were covering areas of study I had never even dipped a toe in. However, being able to analyze a mythical creature I am enamored with on a far more in-depth scale than ever before, plus the opportunity to share it on a new medium has been overwhelming and exciting in all the best ways. The ability to write in a more genuine way while still covering highly academic topics opened up so many doors of creativity and liberty for me, and I aim to continue to make the thought-provoking topics discussed in Humanities Core palatable and accessible for all.

Works Cited

Barber, Richard W. Bestiary Being an English Version of the Bodleian Library, Oxford M.S. Bodley 764: With All the Original Miniatures
Reproduced in Facsimile
. Boydell Press, 1992.

Davis, Rebecca. Lecture, "The Medieval Bestiary," 5 October 2021.

Disney Music VEVO. "Jodi Benson - Part of Your World (Official Video From "The Little Mermaid"). YouTube, 11 December
2014.
https://www.youtube.com/watch?v=SXKlJuO07eM.

Dorofeeva, Anna, et al. “The Siren: A Medieval Identity Crisis.” Mittelalter, 1 Nov. 2014, https://mittelalter.hypotheses.org/3612.

Flandreau, Michelle, “Logo Evolution” Starbucks, December 23, 2016, https://stories.starbucks.com/stories/2016/who-is-starbucks-
siren/
. Accessed October 6, 2021.

Roberts, Sophie. “What's The Real Story behind the Little Mermaid?” The US Sun, The US Sun, 29 Jan. 2021,
https://www.the-sun.com/lifestyle/1602156/little-mermaid-real-story-disney-hans-christian/.

University of Aberdeen. “What Is a Bestiary?” What Is a Bestiary | The Aberdeen Bestiary | The University of Aberdeen,
https://www.abdn.ac.uk/bestiary/what.php.