The weight of the cape
NTS Drama Fest Toronto District awards
Award of Merit
Puppeteering, Ensemble
Award of Excellence
Performance, Ensemble
Outstanding Production
Company
Synopsis
The story of Little Red Riding Hood is reimagined and reinvigorated with the voices of young women. Multiple forms of puppetry and mask are utilized to create the world in which the audience must confront the danger of narratives that reinforce gender based violence. We ask: Why is the lesson always for Red to avoid her attacker?
Excerpt
There were these two boys
They were walking behind me
Close enough for me to hear.
And they knew that.
That I could hear them.
They knew I was listening
The way they complained about
breakfast, homework, our grade 8 teacher
And the size of all the girls’ tits.
Their wide yellow eyes were blind
To our intelligence, our brilliance
The way we could light up a room
They couldn’t see us as more than just flesh and bones
So with the drag of their claws
They picked us apart
Every hair, limb, lip under a microscope
Until they defined half of us as prey.
They would stare at her
Admire her figure
But still, they could only see part of the picture.
They liked her enough.
She’s hot.
The curves of her body left them salivating.
They took what they wanted
And the rest of her was left torn, broken.
She had been good enough for them
But she could no longer see herself the same way:
Pretty face, eye candy, hot stuff.
She was their moon;
They howled at her.
They defined the other half of us as nothing.
I was nothing.
Not worthy of their attention or intentions,
So I was safe.
Should I feel lucky to be unwanted?
I couldn’t help but think of myself as somehow defective.
My cup was only half full,
Or should I say half empty?
And though I didn’t want to be hunted
I didn’t want to be - nothing.
They knew I was listening
And as they walk passed they smiled
“No Offence.”