Image by Olga Oginskaya | Pixabay
We draw heavily from Paulo Freire’s seminal work Pedagogy of the Oppressed (Freire, 2005)3 in the development of our proposed curriculum to encourage and challenge students to view education as a practice of freedom and to actively participate in the world not as a static reality, but one that is constantly shifting alongside their sense of place and identity (Freire, 2005; Thanapornsangsuth & Holbert, 2020)3,8. We specifically integrate AR as a storytelling instrument through which students are empowered to implement their transformation of self and surroundings by way of making (Blikstein, 2008; Papert, 1988; Srikanth, 2021)1,5,7.
We consider AR creation to align with Papert’s theory of constructionism in that learners develop their understanding of the world by creating an artifact outside of themselves (Papert, 1988)5. Through AR construction, students are purposely positioned as critical designers (Bower et al., 2014; Holbert et al., 2020)2,4 who bring their own ideas, beliefs, and critiques of the world into reality through the use of technology. In line with Freire’s notion of generative themes (Freire, 2005)3, our proposed curriculum takes students through researching social justice issues based on their lived experiences and ultimately creating their AR interventions through construction and media-making as a means of critique.