“Places heartbreaking and humanizing poetry about the intrinsically gendered, political experiences of the poems’ speaker next to cyborg poetry that feels (and sometimes is) computer generated.”
–Dana Alsamsam, [PANK]
“Throughout the collection, Choi plays with language, manipulating typical definitions, sentence structures, and grammatical rules in order to reject what we have come to think of as the norm. This opens up options for how we choose to view ourselves and the world around us.”
–Shannon Austin, Fields Magazine
The Weary Blues by Langston Hughes, 1925
A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century by Donna Haraway, 1985
Queerness, Cyborgs, and Cephalopods: An Interview with Franny Choi
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