Dodona. The oracle of sounds

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01. [ ENGLISH ] Dodona. The oracle of sounds - The BEST COLLECTION of PODCASTS and YOUTUBE VIDEOS for

for more information please visit the following web page

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Figurine of Zeus Keravnios. The god of sky and natural phenomena is holding his characteristic symbol of thunder. 470-460 BC © Acropolis Museum

Sheet of lead with a question posed by a visitor named Hermon, inscribed: who is the god he should pray to in order to acquire useful descendants from his wife Kretaian. 525 – 500 BC © Acropolis Museum

Figurine of a warrior, possibly from the decoration of a bronze cauldron (lebes). 530 -520 BC © Acropolis Museum

Bronze figurine of a young rider on his horse. 570-550 BC © Acropolis Museum

Figurine of a dear, from the decoration of the handle of a bronze vessel. 5th cent. BC © Acropolis Museum

Inscription on a bronze plate. It states that Agathon from Zakynthos, son of Echephilos, and his generation which was all Molossian ambassadors; dedicate a gift to Zeus Dodonaios. 334-330 or 325-275 BC © Acropolis Museum

Bronze figurine of a naked youth with a bow (probably Apollo).

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Dodona

Dodona. The oracle of sounds

Monday, 20 June, 2016 - Tuesday, 10 January, 2017

Duration: 20 June 2016 - 10 January 2017 (Temporary Exhibition Gallery, ground floor)

Opening hours: Monday: 8 a.m. - 4 p.m. / Tuesday to Thursday: 8 a.m. - 8 p.m. / Friday: 8 a.m. - 10 p.m. / Saturday and Sunday: 8 a.m. - 8 p.m.

Entrance to the temporary exhibition: 3 euros. Tickets are available for sale either at the Museum’s Ticket Desk or via its e-ticketing service.

Exhibition description

The Acropolis Museum started in 2015 a series of temporary exhibitions displaying important ancient artifacts, deriving from significant archaeological sites of the Greek periphery. The Museum’s goal is to present unusual subjects that will intrigue the current visitor and at the same time urge him to visit the places the exhibits originated from.

The second exhibition of the series concerns the Oracle of Dodona and it lasts until 10 January 2017. The exhibition aims at providing wider knowledge about the oldest Greek oracle, tracing the way it functioned, its role and importance in the ancient world, and at the same time showcasing the human need to predict the future.

The exhibit’s narration begins with Dodona during the late Bronze Age. Clay and bronze artifacts illuminate the identity of the first inhabitants, the primitive cult of Mother Earth (Earth Goddess) and the establishment of Zeus’ cult. The main interest in the exhibition lies in Zeus and his predominant presence in the sanctuary. The central theme is the prophetic oak tree that with the rustle of its leaves would answer the agonizing questions of people of what lies ahead. Prophecies were also given by priests who de-coded the sounds of bronze cauldrons and the cooing of pigeons. The excavations conducted in Dodona have brought to light some thousands of questions carved in metal sheets of lead, posed by visitors in the sanctuary. Some of these questions concern matters of trade, debts, assets, court decisions, health, fertility, upcoming marriage, dowries and widowhood and are presented in a separate unit of the exhibition. From the dedications in the sanctuary parts of bronze statues, parts of armory, swords and part of their suspensions, dedications from those who benefited from the gods or invoked their help are also displayed. Moreover, characteristic coins highlight the political aspect of the Oracle and its connection with Pyrros, the King of Epirus. Lastly, the relationship between the city of Athens and Dodona is presented by two exhibits from the Acropolis Museum.

The exhibition is conducted with the collaboration of the Acropolis Museum and the Ephorate of Antiquities of Ioannina. The exhibits are on a loan from the Ioannina Museum and the National Archaeological Museum, Carapanos Collection.

Video projection: On a big screen of the exhibition area a video presentation provides information about the Oracle and the natural environment surrounding it.

Gallery talks: Every week, visitors have the opportunity to travel to Dodona, to the temple of Zeus and to discover ancient divination, together with Museum Archaeologist-Hosts.

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01. [ ENGLISH ] Dodona. The oracle of sounds - The BEST COLLECTION of PODCASTS and YOUTUBE VIDEOS for

for more information please visit the following web page

( please using the right click of your mouse, and Open Link in Next Private Window, )

https://sites.google.com/site/thegreatancientgreektemples/dodona-the-oracle-of-sounds---the-best-collection-of-podcasts-and-youtube-videos-for

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Definition

Dodona in Epirus, north-west Greece, lies in a valley on the eastern slopes of Mt. Tomaros and was famed throughout the ancient Greek world as the site of a great oracle of Zeus. The site was expanded in the Hellenistic period, and one of the largest theatres in Greece was built which, recently restored, stands as testimony to Dodona’s importance throughout antiquity.

HISTORICAL OVERVIEW

The origin of the name Dodona is uncertain but may derive either from the Oceanid nymph of the same name or the river Dodoni. First settled in the early Bronze Age, Dodona benefitted from a "hundred springs", and there is some evidence of an early chthonian cult to a fertility/Mother earth goddess, which is consistent with Hesiod’s description of a Great Goddess who fed her worshippers roasted acorns and a scene on a Mycenaean gold ring excavated at the site. Bronze weapons and pottery finds further indicate Dodona was inhabited in Mycenaean times (from the 15th century BCE), but the site gained wider celebrity in the Archaic and Classical periods as a sanctuary to Zeus Naïos (Dweller) and Dione Naïa, both of whom appeared side by side on coins of Dodona and who were reincarnations of the earlier sky/storm god and fertility goddess, respectively.

In Hellenistic times Pyrrhus (319-272 BCE), the king of Epirus, made Dodona his religious centre, inaugurated the festival of the Naïa in honour of Zeus, and constructed a large theatre and a colonnaded precinct. Pyrrus also famously hung shields in the precinct of the Romans and Macedonians he had defeated in battle. The fortunes of Dodona took a turn for the worse in 219 BCE when it was sacked by the Aetolians. Revenge was taken in 218 BCE and the site rebuilt on a larger scale. Dodona once again suffered attack in 167 BCE, when the Romans conquered Epirus and burnt down the sanctuary. The Naïa festival was, however, revived and continued to be held up to the 3rd century CE. The sanctuary ceased to function as a pagan site in the 4th century CE following the decree of Theodosius, and the oak tree was uprooted. In the 5th-6th century CE a Christian Basilica was built. In the mid-6th century CE, following the Slav invasion, the site was definitively abandoned.

Pyrrhus

THE ORACLE OF DODONA

The oracle at Dodona was considered the oldest in Greece, even if it was later replaced in importance by the oracle of Apollo at Delphi. According to Herodotus (Histories 2.57) the oracle was founded when two black doves flew from Thebes in Egypt; one dove settled in Libya to found the sanctuary of Zeus Ammon, and the other settled in an oak tree at Dodona, proclaiming a sanctuary to Zeus be built there.

In Greek mythology the oracle was visited by notable heroes, such as Jason, who was told by Hera to place a protective branch from the sacred oak tree on the prow of his ship the Argo before he set off on his search for the Golden Fleece. In Homer’s Iliad Achilles, too, called on the help of Zeus Dodonean during the Trojan War in order to protect Patroclus in his fight against Hektor. In the Odyssey the hero Odysseus also consults the oracle to discover if he should return to Ithaca as himself or in disguise. Historical figures who are known to have consulted the oracle include Agesilaus, king of Sparta, and the Roman emperor Julian.

Traditionally Zeus answered questions from pilgrims via the rustling of leaves or doves (Peleiades) in his sacred oak tree which was encircled with bronze tripod cauldrons (fragments of which survive). The bronze tripods all touched and so could create a circle of sound which rang continuously, both protecting the site from evil and providing another source of Zeus’ communication with humanity. Amongst the Greeks, the ringing sound the tripods produced gave rise to the expression a "Dodonian chatterbox". From the 4th century BCE, a small temple (Hiera Oikia) was constructed next to the tree, and a wall with a southern entrance was built to encircle the oak tree, replacing the ring of bronze tripods. A bronze statue of a boy holding three chains of knuckle bones was set up by admirers fromCorcyra, and when the wind blew, the chains knocked against a cauldron so that the tree maintained its protective ringing. In the 218 BCE re-building programme, the Hiera Oikia was extended, with a colonnaded courtyard and monumental entrance added.

The sanctuary was maintained by an order of priests known as the Selli (or Helli) who were known to sleep on the ground and had unwashed feet so that they might more directly draw their power from the earth. From the 5th century BCE, three priestesses guarded the oracle, later to be known as the three "Doves", and who interpreted and passed on the god’s responses in a state of trance, as at Delphi. These priestesses are named by Herodotus as Promeneia, Timarete, and Nicandre. Unlike at Delphi, where the oracle was often consulted on important matters of state, the oracle at Dodona was typically used to settle more private matters. Believers would write their question on a tablet and receive a simple yes or no in response.

Hoplite Warrior, Dodona

ARCHAEOLOGICAL REMAINS

Remains of several primitive Bronze Age huts, one with a floor kiln, have been excavated at the site. Various remains survive from the 4th century BCE Hiera Oikia which stood by the sacred oak tree and which was developed in four distinct phases to eventually measure 20.8 x 19.2 metres. There is also the 9.8 x 9.4 metre base of the 4th century BCE temple of Dione which was replaced by another temple in the 3rd century BCE a little to the south. Other temples at the site, of which only their foundations and fragments survive, include a 3rd century BCE Doric Temple of Hercules, the 4th century BCE sandstone Temple of Themis, and the contemporary Temple of Aphrodite, identified by many clay figurines of the goddess found around the temple remains. On the 35 metre high acropolis, parts of the 4th century BCE fortifications survive which once measured 750 metres in length and included ten rectangular towers and three gates.

The Bouleuterion, where the council met, was once 43.6 x 32.35 metres with a frontal stoa and brick upper structure, but only stone benches and a stone altar survive along with the building’s base. Finally, there are traces of the 3rd century BCE Prytaneion, where officials dined and a sacred fire was kept continuously alight, and the House of the Priests which joins the retaining wall of the theatre. The 3rd century BCE also saw the construction of a stadium with 21 or 22 rows of seats. This was used for the athletic games of the Naïa festival.

Plan of Ancient Dodona

Without doubt the most impressive surviving monument at Dodona is the 3rd century BCE theatre, now restored, which once had a capacity for 17,000 spectators, making it one of the largest in Greece. It was principally constructed to host the festivals of Naïa which were held every four years. Built into the hillside it was so large (22 metres high) as to require a retaining wall which has impressive tower bastions. The semi-circular theatre had 55 rows of seats split in three horizontal sections divided by ten flights of steps. Two separate large staircases gave quicker access to either end of the auditorium. Two monumental parodoi (doorways), a circular orchestra, and a skenecomplete the typical features of a Hellenistic theatre. Sometime during the reign of Augustus, the theatre was converted into an arena for gladiator games and animal fights.

The Christian Basilica of Dodona was built in the 5th century CE and had three aisles created by two colonnades each with seven breccia columns. The building also used material from older structures at Dodona and was itself modified in the 6th century CE, probably following earthquake damage.

Of the smaller pieces from Dodona’s heyday, some lead tablets addressed to the oracle survive and now reside in the museum at Ioannina. Pottery is represented by two-handled Mycenaean pots which include examples with applied nodules and roping. Finally, several fine bronze figurines survive, notably a griffin from a tripod, two child figures, and several hoplite warriors.

by Mark Cartwright

published on 08 January 2015

PYRRHUS MADE DODONA HIS RELIGIOUS CENTRE, INAUGURATED THE FESTIVAL OF THE NAÏA IN HONOUR OF ZEUS, AND CONSTRUCTED A LARGE THEATRE.

Dodona: the oracle of sounds

Friday, 1 July - Saturday, 31 December, 2016

Every week, visitors have the opportunity to travel to Dodona, to the temple of Zeus and to discover ancient divination, together with Museum Archaeologist-Hosts, at the temporary exhibition “Dodona. The oracle of sounds”.

Useful information

Greek: every Friday and Sunday, at 1 p.m. and every fourth and fifth Saturday of the month at 1 p.m.

English: every Friday and Sunday, at 11 a.m

French: every last Sunday of the month, at 11 a.m.

Duration: 40 minutes

Participation: Limited to 25 visitors per session. For registration, please refer to the Information Desk at the Museum entrance on the same day. First-in first-served.

The gallery talk is free of charge. Only the admission fee to the temporary exhibition is required (3 euros).

Meeting point with the Archaeologist-Host: glass floor, ground level

The gallery talk "Dodona: the oracle of sounds" is part of the program Permanent Gallery Talks of the Acropolis Museum.

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Exhibition catalogue: The exhibition is accompanied with a scientific catalogue of the items on display. It is available for purchase in Greek language only at the Acropolis Museum Shops.

Local tastes: During the exhibition, the Museum’s restaurant offers treats from the nearest city of Dodona oracle, Ioannina.