Kedar

Name: Kedar

Jati: Shaadav - Sampoorna (6-7)

That: Kalyan

Vadi: M

Samvadi: S

Time: 9 PM - 12 AM (Night II)

Aroh: SMPmPDPmP'S

Avroh: 'SNDPmPDPMSRS

Pakad: SMGP, 'SDP, mPm, SRS

The raga is of shaadava-sampurna nature, i.e., in its arohana (ascent), only six notes are used, and in avarohana (descent), all seven notes are used. In general, the progression of the raga is highly non-linear, which makes it difficult to capture the essence of the raga using arohana and avarohana. The raga uses only natural (shuddha) versions of the Second (R), Third (G) and Sixth (D), both natural and sharp (tivra) versions of the Fourth (m and M, respectively "( m- teevra, M- shuddh)" and predominantly natural versions of the Seventh (N) but occasionally also its flat (komal) version (n). ( m- teevra, M- shuddh) "both natural and sharp (tivra) versions of the Fourth (m and M, respectively)

The raga is to be sung in the night. It is sung in the first prahar of night. Most Ragas with teevra ma(M) are sung at night (as per the time theory of Ragas).

It is generally accepted that there is much thermal energy in this melody and hence it is regarded as the Raagini of Raag Deepak. While preceeding from Shuddha Madhyam (m) to Pancham (P), a touch of Gandhar (G) or a smooth passage from Gandhar (G) to Pancham (P) expressed as m G P is the more common way of instant Raag manifestation.

The meend from D to M via P is the heart of the raga. The G is used lightly as a grace note in the transition from m to P. The movements in the raga from one swara to another are quite complicated, and the extent of use of the different swaras often depends on the singer. Kedar is one of the 5 ragas that form the Kalyan Panchak - Group of 5 similar ragas of Kalyan Thaat, namely Hameer, Gaud Sarang, Kamod, Chhayanat and Kedar. Kedar is an ancient raga, with different genres of classical songs, like khayals, thumris, dhrupads, as well as light classical songs based on it.