सम्पादकीयम्
शास्त्रं खलु कर्तव्याकर्तव्यताया विषये संशयोच्छेदपुरःसरम् उपदेशेन लोकरक्षणाय प्राणिनः उपयुनक्ति। परोक्षस्यापि अर्थजातस्य प्रदर्शकं हि शास्त्रं लोचनवत् सर्वेषां वरीवर्तीति विपश्चिद्भिराम्नातम् । तदुक्तम् –
अनेकसंशयोच्छेदि, परोक्षार्थस्य दर्शकम्।
सर्वस्य लोचनं शास्त्रं यस्य नास्त्यन्ध एव स: ॥
ऐहिकामुष्मिकादिसकललोकव्यवहारस्य ज्ञापकं हि शास्त्रं संसारप्रवर्तनाय विविधानायामानुररीकरोति। न केवलमाध्यात्मिकश्रेयःसाधनं शास्त्राणां प्रयोजनमपि तु आधिभौतिकसुखसम्पत्साधनरूपेण शास्त्रव्यवहारः संसारेऽस्मिन् महीयते। परं परमार्थसाधनं हि शास्त्राणां पार्यन्तिकं प्रयोजनम् । यदि कुबुद्धिप्रणीतशास्त्रैः लोकनाशद्वारा श्रेयोऽन्तरायते, तदा तादृशं शास्त्रं सर्वथा हेयम्। तदुक्तं –
स्वबुद्धिरचितैश्शास्त्रैः प्रतार्येह च बालिशान्।
विघ्नन्ति श्रेयसो मार्गं लोकनाशाय केवलम्॥
सच्छास्त्राणि सकललोकव्यवहारपराणि सन्ति प्राणिमात्रस्य योगक्षेमसाधनतत्पराणीति तेषां संरक्षणे, सम्पोषणे, प्रचारे, प्रसारे च शास्त्रमञ्जूषा प्राचीं प्रज्ञां मंहते सन्ततम्।
शास्त्रमञ्जूषाया अयं नुत्नोऽङ्कः वेदसाहित्यकाव्यगणितादीन् तत्तद्ग्रन्थसञ्चारपाण्डुलिपिविज्ञानं पर्यावरणविज्ञानञ्चेति भारतीयज्ञानपरम्परायाः विविधान् आयामान् पुरस्कुर्वन् निशितशेमुषीणां विदुषां शास्त्रप्रियाणां जिज्ञासूनाञ्च पुरस्तादवतरति। अयञ्चाङ्कोऽवश्यमेव सर्वेषां मानसाङ्क मधिरोहत्विति आशंसे।
श्रुतिस्मृतिसदाचारविहितं कर्मशाश्वतम् ।
स्वं स्वं धर्मं प्रयत्नेन श्रेयोऽर्थीह समाचरेत्॥
सुज्ञानकुमारमाहान्तिः
मुख्यसम्पादकः
शास्त्रमञ्जूषा / प्राचीप्रज्ञा
The śāstramañjūṣā, Peer Reviewed Research Papers on Indology 18th Issue of Volume X, June, 2024
A Critical Analysis of the Methods of Preservation of Manuscripts in Assam
Abhinandan Saikia
&
Manisha Sarma
Reseasrch Scholars
Gauhati University
Guwahati, Zoo Road, Nurserry, Manik Nagar
Abstract
Manuscripts were created before the printing process and they can impart invaluable knowledge about language, society, culture, and its development, etc. these methods can be used as a medium of communication to history. Therefore, it is important to protect and preserve these treasures. preservation of manuscripts was a major concern in the past and efforts were made to protect them from various causes. Physical preservation is a difficult task but with the advent of technological development, it is very much possible in an easy manner. the methods of preservation of these valuable manuscripts will be discussed here.
Keywords - Manuscripts, assam, preservation, conservation, digitation.
Concept of Ecology in Shukla Yajurveda
Dr.Yagandla Suresh
Assistant Professor in Sanskrit
Dept of Languages
Bhavan’s Vivekananda College of Science Humanities and Commerce
Autonomous-Sainikpuri-Secunderabad-Telangana
Abstract
The Shukla Yajurveda, an ancient text, contains hymns that offer insights into human interactions with the environment, flora, and fauna. The text reflects ecological awareness and reverence for nature, as well as the interconnectedness of humans and the natural world. The study aims to explore the ecological aspects of the ShuklaYajurveda and its relevance to contemporary environmental issues. The research problem addresses the need to understand ancient perspectives on ecology and their implications for modern environmental sustainability. The research design involves an analysis of the text's ecological references and their cultural context. The participants are the ancient seers and their interactions with the natural environment. The context encompasses the Vedic period and the societal norms of that time. The findings reveal the deep ecological understanding of the ancient seers, emphasizing the interconnectedness of humans, flora, and fauna. The implications of the study highlight the importance of maintaining a harmonious relationship with nature for physical and mental well-being.
Keywords - Shukla Yajurveda, ecology, ancient seers, flora, fauna, environmental sustainability, interconnectedness, environmental awareness, Vedic period.
Exploring the Socioeconomic Status of Women in Dharmaśāstras
Laxman Majhi
Ph.D. Research Scholar
Department of Sanskrit
Utkal University, Vani Vihar
Bhubaneswar, Odisha-751004
Abstract
This research paper delves into an in-depth examination of the socioeconomic status of women within the context of the Dharmaśāstras. Drawing insights from ancient Indian texts, the study scrutinizes the roles, rights, and economic positions prescribed for women in these influential religious and legal treatises. Through a comprehensive analysis, the paper aims to shed light on the historical perspectives that have shaped the social and economic conditions of women as outlined in the Dharmaśāstras. The findings contribute to a nuanced understanding of the complexities surrounding gender dynamics in ancient Indian society, offering valuable insights into the prescribed norms and their implications on the socioeconomic standing of women.
Keywords - Dharmaśāstras, Women, Socioeconomic Status, Gender Dynamics, Ancient Indian Society, Legal Framework, Ethical Texts, Cultural Context.
Literary Values of Sanskrit Gazzalĩkā / Galajjalika
Satish Chandra Das
Research Scholar
Department of Sanskrit
Pondicherry University
Puducherry – 605014.
Abstract
In this topic, I will discuss how Galajjalika is helpful in our day-to-day life and why we read or listen to Galajjalika to improve our knowledge.Galajjalika is such an important literary genre in Sanskrit literature that not only teaches us, but its literary embellishment also helps people enjoy artistic creation and aesthetics. In this research paper, I will critically analyze some selectedGalajjalikas from seven different collections of Galajjalika books. Which is 1. Habirdhani(हविर्धानी), 2. Sikharini(शिखरीणी), 3. Salvanjika(शालभञ्जिका), 4. Oudambari(औदुम्बरी), 5. Kaninika(कनीनिका), 6. Mattavarani(मत्तवारणी), 7.Bariparni(वारिपर्णी).The purpose of this study is to understand how SanskritGalajjalika describes real incidentsin our present society and how to come out of those crises in society.
Keywords – Purpose of Galajjalika, society, politics, religion, Dalit, uniqueness of Galajjalika.
Renuka Panchal
Ph.D. Scholar,
Department of Sanskrit,
University of Mumbai
Abstract
This research paper presents a pioneering psychological analysis of the character Padmāvati from Bhāsa's Sanskrit play "Svapnavāsavadattam," utilizing the Big Five Theory of Personality as the analytical framework. The Big Five Theory, which categorizes personality traits into five broad dimensions: Openness, Conscientiousness, Extraversion, Agreeableness, and Neuroticism, serves as a lens through which Padmāvati's character is examined in depth. Through meticulous analysis of her actions, dialogues, and interactions within the narrative, this study aims to map Padmāvati's personality traits onto the Big Five dimensions, offering insights into her psychological makeup and its influence on the plot and other characters. The paper explores how these traits manifest in Padmāvati's behavior and decisions, and how they contribute to the thematic richness of the play. Additionally, the study delves into the implications of Padmāvati's personality for understanding gender roles and character agency in ancient Indian literature. By integrating classical literary analysis with contemporary psychological theory, this research illuminates the timeless complexity of Bhāsa's characters and provides a novel perspective on "Svapnavāsavadattam," enriching both literary scholarship and psychological study of ancient texts.
Keywords - Svapnavāsavadattam, Padmāvati, Psychological Analysis, Personality Theory.
Dr. Murali Shyam
सहायक-आचार्यः
सर्कार संस्कृतकलालयः
पूर्णवेदपुरी
Abstract
India has a rich history of astronomy that dates back to the time of the Vedas. Throughout the centuries, Indian astronomers have demonstrated remarkable proficiency in both mathematics and astronomy. Notable Indian astronomers such as Aryabhatta, Varahamihira, and many others have made substantial contributions to the field.
Astronomy in India has a long-standing tradition of knowledge and expertise, with a lineage of astronomers that includes Baudhayana, Manava, Apasthamba, Katyayana, Aryabhatta, Varahamihira, Bhaskara I, Brahmagupta, Matangamuni, Virahanka, Sridharacharya, and many more. This tradition also extended to regions like Kochi, where Sangamagrama Madhava was a proficient astronomer. The contributions of these Indian astronomers have left a lasting impact on the world of astronomy and continue to be celebrated in the history of science. I am presenting in this paper regarding the astronomers of India
Keywords - Baudhayana, Manava, Apasthamba, Katyayana, Aryabhatta, Varahamihira, Bhaskara I, Brahmagupta, Matangamuni, Virahanka, Sridharacharya, Indian mathemetcis, Indian astronomy.
वेदस्य अपौरुषेयत्वं नित्यत्वञ्च इति विचारः
Vēdasya Apauruṣēyatvaṁ Nityatvañca Iti Vicāraḥ
Dr. Nepal Das
Asst. Professor, Dept. of Vedanta
Central Sanskrit University
Ekalavya Campus, Lembuchera,
West Tripura, 799210
Abstract
vedamūlakaṃ bhāratavarṣaḥ। asyaiva vedasya viṣaye vidvatsu matabhedāḥ vartante yat vedaḥ apauruṣeyaṃ pauruṣeyaṃ vā, kiñca vedaḥ nityaḥ uta anityaḥ। paramparāyāṃ vedastu nityaḥ apauruṣeyañca। asya kartā ko'pi nāsti api tu ṛṣayaḥ draṣṭāra:। darśanabhede vedaviṣaye teṣāṃ ko'bhiprāya ityatra sāmānyatayā vicāryate।
kuñciśabdāḥ – vedaḥ, apauruṣeyaṃ, nityam, upaniṣat, parameśvaraḥ, brahma iti।
संस्कृत साहित्य में बाल लेखनोपक्रम – समग्रपर्यालोचन
Samkṛta Sāhitya Meṃ Bāla Lekhanopakrama – Samagraparyālocana
Prof. Dr. Vatsala
आचार्य (संस्कृत), सेवानिवृत्त
राजकीयमहाविद्यालय, झालावाड़ (राज.)
Abstract
The history of children's literature is perhaps as ancient as the history of human development. The origin and development of children's literature has been passed down from generation to generation by the elders of the family through fables and folktales. There is no clear mention of this in the history texts of ancient Sanskrit literature that when did the tradition of children's writing begin in Sanskrit literature. Books like Panchatantra and Hitopadesh etc. are considered to be the origin of story literature. The stories contained in it are suitable for children; hence some scholars believe that children's literature originated from these texts. Children's songs were widely used in films. These songs became very popular and were sung to children in every home with the vocal voices of mothers. Keeping in mind the mental level of a child aged between five or six years to sixteen years, more literature will be counted in the category of children's literature which has been written. By adopting stories from our religious and mythological texts, children's stories in Hindi language became popular in every home. Therefore, we can say that the rich tradition of children's literature in Hindi developed through the stories contained in our religious scriptures. The tradition of children's writing in Sanskrit literature started in the middle of the twentieth century and this stream continues to flow continuously in the twenty-first century. Writers have published many children's books; an attempt has been made to mention them in this research paper. Along with this, details of some children's magazines and e-magazines have also been cited. In conclusion, this research paper presents a critical look at the overall aspects of children's literature.
Keywords - children's literature, Religious story, historical story, magical and adventure story, folk and legend, social story.
हरेकृष्ण मेहेर कृत गीतिकाव्य ‘मातृगीतिकाञ्जलि:’ में देश-प्रेम भावना
Patriotic sentiment in Lyric poetry Mātṛgītikāñjalih written by Harekrishna Meher
Sheetal Joshi
Ph.D Scholar,
Dep. of Sanskrit Aligarh Muslim University,
Aligarh 202001
Abstract
Dr. Harekrishna Meher is a multi-talented poet of modern Sanskrit literature. He is not only a Sanskrit scholar but also has a reputation as a teacher, lyricist, music composer and successful translator. He is known as a distinguished poet and lyricist of modern Sanskrit literature.
Mātŗigītikāñjalih, written by Dr. Harekrishna, poet among Sanskrit lyricists, is an original Sanskrit lyric poem written in modern Sanskrit literature, which is published by Kalahandi lekhak Kala Parishad, Bhawanipatna, Odisha in 1997. Dr. Meher, an original creative genius from the poetic tradition, has a special interest in language, literature and music.
This Geetikavya contains 25 Sanskrit songs on various topics experienced in human life. The titles of the songs reflect their subject which are capable of expressing emotions and composed in simple clear words, these songs are actually endowed with the above mentioned characteristics of Geeti. All the songs contain original ideas.
The patriotic song ‘Matrigeetika’ clearly depicts the glorious civilization, national beauty, cultural harmony, rich literature, national unity, philanthropic attitude and other aspects of our motherland India.
The patriotic song 'Deshgeetika' depicts natural richness, cultural heritage, national unity and philanthropic outlook. Motherland India has been praised here.
In the poetic works of poet Harekrishna Meher, the feeling of patriotism towards India is visible in very beautiful, sweet and simple words. The poet has adorned the natural beauty with similes in very beautiful words. His sentiments towards the heroes of his country are heart-touching. Description of the ocean, sacred rivers, national unity, expansion of the country and his feelings towards the tricolor has been expressed in beautiful words. The country's temples, statues, literature-culture, prosperity, sense of equality, morality, friendship etc. have been described in clear words.
Keywords – Patriotic, sentiment, poetry, Mātṛgītikāñjali.
हरेकृष्ण-मेहेरस्य संस्कृतकाव्येषु पारम्परिकच्छन्दोयोजना
Harekṛṣṇameherasya Saṃkṛtakāvyeṣu Pāramparikachandoyojanā
डॉ. सस्मिता साहु:
डॉ. सस्मिता साहुः,
अध्यापिका, संस्कृत-विभागः,
पञ्चायत-महाविद्यालयः, बरगड़म्, ओड़िशा.
Abstract
Chhanda plays an important role in both Vedic and Classical Sanskrit. In Classical Sanskrit Literature, both Varna-chhandas and Matra-chhandas are seen. Amalgamation of tradition and modernity is marked in Sanskrit kavyas of Harekrishna Meher, a renowned creative poet of Modern Sanskrit Literature. Traditional metres along with his own innovated matra-metres and varna-metres are found in his writings. He has mostly used sama-pada varna-vrittas and Upajati metres. Endeavours have been made here to critically analyse traditional chhandas used by the poet.
वेदकालादारभ्य साम्प्रतिक-युगं यावत् साहित्ये छन्दोमयं पद्यं समेषां हृदयं रञ्जयति स्वकाव्यगुणैः साङ्गीतिकतया च। वैदिक-साहित्ये शिक्षा कल्पः निरुक्तं छन्दः व्याकरणं ज्योतिषं च - एतानि षड्-वेदाङ्गरूपेण वर्णितानि सन्ति। लौकिक-साहित्ये विविधानां वर्णच्छन्दसां मात्राच्छन्दसां च प्रयोगः समवलोक्यते। आधुनिक-संस्कृतसाहित्ये लब्धयशसः सर्जनशील-कवेः हरेकृष्ण-मेहेरस्य संस्कृतकाव्येषु बहुविधच्छन्दसां व्यवहारो दृष्टिपथमायाति। तस्य काव्येषु पारम्परिकतायाः आधुनिकतायाश्च समन्वयः स्पष्टरूपेण दरीदृश्यते। विविधच्छन्दोयोजनायां श्रीमेहेरस्य नैपुण्यं सुपरिलक्ष्यते तस्य रचनायाम्। तेन प्रचलित-पारम्परिक-च्छन्दोभिः सार्धं परम्पराधारेण स्वोद्भावितानां मौलिकानां नानागीतिच्छन्दसां वर्णच्छन्दसामपि प्रयोगः स्वीयकाव्येषु कृतोऽस्ति। कविना प्रायः समपादानि वर्णवृत्तानि प्रयुक्तानि। क्वचित् अर्धसम-वृत्तस्य व्यवहारोऽपि कृतः। कतिपय-च्छन्दसां परस्पर-पादमिश्रणेन सृष्टानि उपजाति-च्छन्दांस्यपि तस्य कृतिषु संदृश्यन्ते। अस्मिन् शोधपत्रे कवेः मेहेरस्य संस्कृतकाव्येषु प्रयुक्तानां कतिपयानां प्रचलितानां पारम्परिक-च्छन्दसां विवेचनार्थं विहितोऽस्ति प्रयासः।)
कुञ्चीशब्दा: - ह्रस्व:, दीर्घः, लघुः, गुरुः, चतुष्पदम्, पद्यम्, वृत्तम्, मात्रा, जातिः, गणः, छन्द:, पादः, श्लोकः, अक्षरवृत्तम् (वर्णवृत्तम्), समवृत्तम्, अर्धसम-वृत्तम्, उपजातिः।
Editor in Chief
Prof. Sugyan Kumar Mahanty
email - prachiprajnaenb@gmail.com
Central Sanskrit University, 56-57, Institutional Area, Janakpuri, New Delhi-110058.
Published by
Prof. Sugyan Kumar Mahanty
Central Sanskrit University, 56-57, Institutional Area, Janakpuri, New Delhi-110058.