LA LETTRE DU 26 AVRIL 2017
Table of contents
Original articles
Introduction: Interpreting Communal Violence in Myanmar by Nick Cheesman
The Contentious Politics of Anti-Muslim Scapegoating in Myanmar by Gerry van Klinken and Su Mon Thazin Aung
Reconciling Contradictions: Buddhist-Muslim Violence, Narrative Making and Memory in Myanmar by Matt Schissler, Matthew J. Walton and Phyu Phyu Thi
Gendered Rumours and the Muslim Scapegoat in Myanmar’s Transition by Gerard McCarthy and Jacqueline Menager
Communal Conflict in Myanmar: The Legislature’s Response, 2012–2015 by Chit Win and Thomas Kean
Producing the News: Reporting on Myanmar’s Rohingya Crisis by Lisa Brooten and Yola Verbruggen
How in Myanmar “National Races” Came to Surpass Citizenship and Exclude Rohingya by Nick Cheesman
Book Reviews
Nick Cheesman, Opposing the Rule of Law: How Myanmar’s Courts Make Law and Order by Susanne Prager-Nyein
Melissa Crouch (ed.), Islam and the State in Myanmar: Muslim-Buddhist Relations and the Politics of Belonging by Iza R. Hussin
Jayde Lin Roberts, Mapping Chinese Rangoon: Place and Nation among the Sino-Burmese by Elaine L.E. Ho
Pia Joliffe, Learning, Migration and Intergenerational Relations: The Karen and the Gift of Education by Shirley Worland
Voir : http://www.tandfonline.com/toc/rjoc20/47/3
Table of contents
Infrastructures for ethnicity: understanding the diversification of contemporary Indonesia by Zane Goebel
Ethnic Chinese in Malaysian citizenship: gridlocked in historical formation and political hierarchy by Cheun Hoe Yaw
Multi-ethnic school environment from the school leader’s perspective: challenges and approaches to improve multi-cultural competency among teachers in Malaysia by Yasmin Ahmad and Najeemah Mohd Yusof
Chinese Indonesians: how many, who and where? by Evi Nurvidya Arifin, M. Sairi Hasbullah and Agus Pramono
‘Green Tibetans’ in China: Tibetan geopiety and environmental protection in a multilayered Tibetan landscape by Joshua Esler
Oppositional consciousness, cultural preservation, and everyday resistance on the Uyghur Internet by Rebecca A. Clothey and Emmanuel F. Koku
‘Don’t discriminate against minority nationalities’: practicing Tibetan ethnicity on social media by Andrew Grant
Translating culture: missionaries and linguists in contemporary Yunnan Province by Gideon Elazar
Understanding ethnic visibility through language use: the case of Taiwan Hakka by Huei-ling Lai
Book Reviews
Voir : http://www.tandfonline.com/toc/caet20/18/3
Sommaire :
Political assassinations in Southeast Asia by guest editor Jafar Suryomenggolo
Murder without Progress in Siam: From Hired Gunmen to Men in Uniform by Prajak Kongkirati
Assassination in Thai Local Politics: A Decade of Decentralization (2000-2009) by Nuttakorn Vititanon
Wars of Extinction: The Lumad Killings in Mindanao, Philippines by Arnold P. Alamon
Killing for whom? Extrajudicial killing cases in the Philippines by Bub Mo Jung
Why Does Indonesia Kill Us? Political Assassination of KNPB Activists in Papua by Budi Hernawan
A lire sur : https://kyotoreview.org/issue-21/political-assassinations-in-southeast-asia/
Sommaire : https://www.cambridge.org/core/journals/journal-of-asian-studies/latest-issue
A signaler : 2 articles sur le Cambodge
The Dead in the Land: Encounters with Bodies, Bones, and Ghosts in Northwestern Cambodia by Lisa J. Arensen
The Lingering Effects of Thought Reform: The Khmer Rouge S-21 Prison Personnel by Angeliki Andrea Kanavou and Kosal Path
EASTS issue 11.1 has just been published! This is a special issue titled « The Archipelago Observed: Knowledge and Transformation in Indonesia ». The guest editor of this issue is Sulfikar Amir.
The papers in this issue are written by Anto Mohsin, Yuti A. Fatimah, Arum Budiastuti, Rita Padawangi.
All contents of this issue can be downloaded for free for three months. Please click on the hyperlink below for access.
Please kindly forward information of EASTS issue 11.1 and our free access information to our potential readers, and remind them that EASTS welcome submission (as well as citations) very much.
We have attached TOC below for your reference.
Our FB page is at https://www.facebook.com/eastsjournal/
Please kindly write to eastsjournal@gmail.com if you have any question.
Table of contents
An urgent need for environmental education by Lyn Parker
Environmental child soldiers by Kelsie Prabawa-Sear
A write-off by Lyn Parker
Commodifying conservation in Borneo by Greg Acciaioli and Suraya Afiff
Fighting for existence by Mardha Tillah and Fahmi Rahman
Anticipating the future by Yunita T. Winarto, Kees (C.J) Stigter (†) and Rhino Ariefiansyah
Farmers’ worst ennemy by Muki T. Wicaksono, Yunita T. Winarto, Kees Stigter, Aria Sakti Handoko, Ubaidillah Pratama, Febry Sulistya
A lire sur : http://www.insideindonesia.org/edition-123-jan-mar-2016
Site : http://www.tandfonline.com/toc/rtap20/18/2?nav=tocList
Table of contents
Adat in the Office: The Creative Afterlife of a New Order Cultural Policy by Ian Pollock
The Politics of Conversion: Religious Change, Materiality and Social Hierarchy in Central Upland Borneo by Imam Ardhianto
‘No Nation of Experts’: Kustom Tattooing and the Middle-Class Body in Post-Authoritarian Indonesia by Benjamin Hegarty
Techniques of Death: Buddhist Practice, Femininity and Self-Cultivation at the Last Stage of Life in Vietnam by Le Hoang Anh Thu
Book Reviews (SEA)
Robbie Peters, « Surabaya, 1945–2010: Neighbourhood, State and Economy in Indonesia’s City of Struggle » by James Peacock
Sarah Turner, Christine Bonnin and Jean Michaud, « Frontier Livelihoods: Hmong in the Sino-Vietnamese Borderlands » by Sango Mahanty
Each year, the editors of the Bulletin of Indonesian Economic Studies (BIES) make six recently published articles free to access online. Their selections for 2017 are below.
Jokowi and the New Developmentalism by Eve Warburton
December 2016 (52.3)
A lire sur : http://www.tandfonline.com/doi/full/10.1080/00074918.2016.1249262
Authoritarian Legacies in Post–New Order Indonesia: Evidence from a New Dataset by Sharon Poczter and Thomas B. Pepinsky April 2016 (52.1)
A lire sur : http://www.tandfonline.com/doi/full/10.1080/00074918.2015.1129051
Village Governance, Community Life, and the 2014 Village Law in Indonesia by Hans Antlöv, Anna Wetterberg, and Leni Dharmawan
August 2016 (52.2)
A lire sur : http://www.tandfonline.com/doi/abs/10.1080/00074918.2015.1129047
Consistency between Sakernas and the IFLS for Analyses of Indonesia’s Labour Market: A Cross-Validation Exercise by Sarah Xue Dong
December 2016 (52.3)
A lire sur : http://www.tandfonline.com/doi/full/10.1080/00074918.2016.1228828
Could a Resource Export Boom Reduce Workers’ Earnings? The Labour-Market Channel in Indonesia by Ian Coxhead and Rashesh Shrestha
August 2016 (52.2)
A lire sur : http://www.tandfonline.com/doi/full/10.1080/00074918.2016.1184745
How Robust Is Indonesia’s Poverty Profile? Adjusting for Differences in Needs by Jan Priebe
August 2016 (52.2)
A lire sur : http://www.tandfonline.com/doi/full/10.1080/00074918.2015.1133801
As Southeast Asia experiences unprecedented economic modernization, religious and moral practices are being challenged as never before. From Thai casinos to Singaporean megachurches, from the practitioners of Islamic Finance in Jakarta to Pentecostal Christians in rural Cambodia, this volume discusses the moral complexities that arise when religious and economic developments converge. In the past few decades, Southeast Asia has seen growing religious pluralism and antagonisms as well as the penetration of a market economy and economic liberalism. Providing a multidisciplinary, cross-regional snapshot of a region in the midst of profound change, this text is a key read for scholars of religion, economists, non-governmental organization workers, and think-tankers across the region.
Voir : https://www.palgrave.com/de/book/9789811029684
Scholars have long accepted the belief that a Theravada Buddhist Mon kingdom, Ramannadesa, flourished in coastal Lower Burma until it was conquered in 1057 by King Aniruddha of Pagan—which then became, in essence, the new custodian and repository of Mon culture in the Upper Burmese interior. This scenario, which Aung-Thwin calls the « »Mon Paradigm, » » has circumscribed much of the scholarship on early Burma and significantly shaped the history of Southeast Asia for more than a century. Now, in a masterful reassessment of Burmese history, Michael Aung-Thwin reexamines the original contemporary accounts and sources without finding any evidence of an early Theravada Mon polity or a conquest by Aniruddha. The paradigm, he finds, cannot be sustained. Aung-Thwin meticulously traces the paradigm’s creation to the merging of two temporally, causally, and contextually unrelated Mon and Burmese narratives.
A télécharger sur Oapen Library : http://oapen.org/search?identifier=625896#.WPAx4CBr-mw.email
Annabel Gallop’s bilingual book, Early Views of Indonesia: Drawings from the British Library, is now available free online. This book is the catalogue of an exhibition held in Jakarta in 1995 to mark the presentation to the National Library of Indonesia of a complete set of facsimile reproductions of 510 archaeological drawings of Indonesia in the British Library. The presentation was a gift from the British government to the people of the Republic of Indonesia to commemorate the 50th anniversary of the Declaration of Indonesian independence.
A lire sur : http://library.lontar.org/flipbooks/Early Views Of Indonesia/Early Views Of Indonesia.html#/1/
Indonesian art entered the global contemporary art world of independent curators, art fairs, and biennales in the 1990s. By the mid-2000s, Indonesian works were well-established on the Asian secondary art market, achieving record-breaking prices at auction houses in Singapore and Hong Kong. This comprehensive overview introduces Indonesian contemporary art in a fresh and stimulating manner, demonstrating how contemporary art breaks from colonial and post-colonial power structures, and grapples with issues of identity and nation-building in Indonesia. Across different media, in performance and installation, it amalgamates ethnic, cultural, and religious references in its visuals, and confidently brings together the traditional (batik, woodcut, dance, Javanese shadow puppet theater) with the contemporary (comics and manga, graffiti, advertising, pop culture).
Spielmann’s Contemporary Indonesian Art surveys the key artists, curators, institutions, and collectors in the local art scene and looks at the significance of Indonesian art in the Asian context. Through this book, originally published in German, Spielmann stakes a claim for the global relevance of Indonesian art.
Voir : https://nuspress.nus.edu.sg/collections/frontpage/products/contemporary-indonesian-art-artists-art-spaces-and-collectors
For centuries, wherever Thai Buddhists have made their homes, statues of the Buddha have provided striking testament to the role of Buddhism in the lives of the people. The Buddha in Lanna offers the first in-depth historical study of the Thai tradition of donation of Buddha statues. Drawing on palm-leaf manuscripts and inscriptions, many never previously translated into English, the book reveals the key roles that Thai Buddha images have played in the social and economic worlds of their makers and devotees from the fifteenth to twentieth centuries.
Author Angela Chiu introduces stories from chronicles, histories, and legends written by monks in Lanna, a region centered in today’s northern Thailand. By examining the stories’ themes, structures, and motifs, she illuminates the complex conceptual and material aspects of Buddha images that influenced their functions in Lanna society. Buddha images were depicted as social agents and mediators, the focal points of pan-regional political-religious lineages and rivalries, indeed, as the very generators of history itself. In the chronicles, Buddha images also unified the Buddha with the northern Thai landscape, thereby integrating Buddhist and local conceptions of place. By comparing Thai Buddha statues with other representations of the Buddha, the author underscores the contribution of the Thai evidence to a broader understanding of how different types of Buddha representations were understood to mediate the “presence” of the Buddha.
The Buddha in Lanna focuses on the Thai Buddha image as a part of the wider society and history of its creators and worshippers beyond monastery walls, shedding much needed light on the Buddha image in history. With its impressive range of primary sources, this book will appeal to students and scholars of Buddhism and Buddhist art history, Thai studies, and Southeast Asian religious studies.
Voir : http://www.uhpress.hawaii.edu/p-9745-9780824858742.aspx
Extricating liberalism from the haze of anti-modernist and anti-European caricature, this book traces the role of liberal philosophy in the building of a new nation. It examines the role of toleration, rights, and mediation in the postcolony. Through the biographies of four Filipino scholar-bureaucrats—Camilo Osias, Salvador Araneta, Carlos P. Romulo, and Salvador P. Lopez—Lisandro E. Claudio argues that liberal thought served as the grammar of Filipino democracy in the 20th century. By looking at various articulations of liberalism in pedagogy, international affairs, economics, and literature, Claudio not only narrates an obscured history of the Philippine state, he also argues for a new liberalism rooted in the postcolonial experience, a timely intervention considering current developments in politics in Southeast Asia.
Voir : https://nuspress.nus.edu.sg/products/liberalism-and-the-postcolony-thinking-the-state-in-20th-century-philippines?variant=29097674706
This book chronicles the history of the “Octobrist” students in Thai politics from the 1970s to the present. It examines the reasons why these former leftist student activists have managed to remain a significant force over the past three decades despite the collapse of left-wing politics in Thailand at both the national and international levels. At the same time, it asks why the Octobrists have become increasingly divided, particularly during the last decade’s protracted conflict in Thai politics. In addition, it fills in gaps in studies of leftists in transition at the global level on the question of the historical development of leftist and progressive forces in the post–Cold War era. The book is also important for readers interested in social movement theory, demonstrating how it has influenced political actors outside the boundaries of typical social movements. Finally, political opportunity structure, resource mobilization theory, and the framing process are used to conduct a comprehensive analysis of the origins, emergence, and transformation of the Octobrists in contemporary Thai politics.
Kanokrat Lertchoosakul completed her PhD in government at the London School of Economics and Political Science, London, United Kingdom. She is a lecturer in the Faculty of Political Science, Department of Government, Chulalongkorn University, Bangkok, Thailand.
Voir : http://cseas.yale.edu/rise-octobrists
Reviewed by Abdul Hamid in Kyoto Review of Southeast Asia, no. 21
Keyakinan dan Kekuatan is developed from a Ph.D. dissertation, originally entitled (in French) “La foi et la force: L’art Silat martial de Banten en Indonésie,” written by Gabriel Facal. Facal is an ethnographer and a martial artist who has been practicing in various silat (traditional martial art) schools (paguron) in Banten, Indonesia. Nicely translated by Arya Seta, it was first published in Indonesian to target Indonesian readers.
As its title suggests, there are two unique aspects of the Bantenese Martial Arts: faith (“keyakinan”) and force (“kekuatan”). Facal argues that the interweaving of these two aspects has differentiated Bantenese Silat from other kind of martial arts, even within Indonesia’s regional martial arts traditions.
Strengthening faith is considered the first step to learn silat rituals. After this first step, faith is instrumental to be integrated in the fighting techniques/the forces of the silat. Faith and fighting techniques complement each other in order to gain physical, mental, and moral power, at the same time. Thus, in Bantenese martial arts, both religion and ritual practice are blended and in turn strengthen each other to perfection…
Lire la suite sur : https://kyotoreview.org/book-review/keyakinan-dan-kekuatan/
Ouvrage en ligne et en libre accès
Table des matières :
Professor Peter Bellwood’s Ongoing Journey in Archaeology by Hsiao-chun Hung
Initial Movements of Modern Humans in East Eurasia by Naruya Saitou, Timothy A. Jinam, Hideaki Kanzawa-Kiriyama and Katsushi Tokunaga
Ancient DNA Analysis of Palaeolithic Ryukyu Islanders by Ken-ichi Shinoda and Noboru Adachi
Mid-Holocene Hunter-Gatherers ‘Gaomiao’ in Hunan, China: The First of the Two-layer Model in the Population History of East/Southeast Asia by Hirofumi Matsumura, Hsiao-chun Hung Nguyen Lan Cuong, Ya-feng Zhao, Gang He and Zhang Chi
Using Dental Metrical Analysis to Determine the Terminal Pleistocene and Holocene Population History of Java by Sofwan Noerwidi
Terminal Pleistocene and Early Holocene Human Occupation in the Rainforests of East Kalimantan by Karina Arifin
Understanding the Callao Cave Depositional History by Armand Salvador Mijares
Traditions of Jars as Mortuary Containers in the Indo-Malaysian Archipelago by David Bulbeck
An Son Ceramics in the Neolithic Landscape of Mainland Southeast Asia by Carmen Sarjeant
The Ryukyu Islands and the Northern Frontier of Prehistoric Austronesian Settlement by Mark J. Hudson
The Western Route Migration: A Second Probable Neolithic Diffusion to Indonesia by Truman Simanjuntak
Enter the Ceramic Matrix: Identifying the Nature of the Early Austronesian Settlement in the Cagayan Valley, Philippines by Helen Heath, Glenn R. Summerhayes and Hsiao-chun Hung
Colonisation and/or Cultural Contacts: A Discussion of the Western Micronesian Case by Michiko Intoh
Integrating Experimental Archaeology, Phytolith Analysis and Ethnographic Fieldwork to Study the Origin of Farming in China by Tracey L.-D. Lu
The Origins and Arrival of the Earliest Domestic Animals in Mainland and Island Southeast Asia: A Developing Story of Complexity by Philip J. Piper
Historical Linguistics and Archaeology: An Uneasy Alliance by Robert Blust
Were the First Lapita Colonisers of Remote Oceania Farmers as Well as Foragers? by Andrew Pawley
The Sa Huynh Culture in Ancient Regional Trade Networks: A Comparative Study of Ornaments by Nguyen Kim Dung
Austronesian Migration to Central Vietnam: Crossing over the Iron Age Southeast Asian Sea by Mariko Yamagata and Hirofumi Matsumura
Matting Impressions from Lo Gach: Materiality at Floor Level by Judith Cameron
The Prehistoric House: A Missing Factor in Southeast Asia by Charles Higham
A télécharger sur : http://press.anu.edu.au/publications/series/terra-australis/new-perspectives-southeast-asian-and-pacific-prehistory-terra/download
Abstract
This volume seeks to foreground a borderless history and geography of South, Southeast, and East Asian littoral zones that would be maritime-focused, and thereby explore the ancient connections and dynamics of interaction that favoured the encounters among the cultures found throughout the region stretching from the Indian Ocean littorals to the Western Pacific, from the early historical period to the present. Transcending the artificial boundaries of macro-regions and nation-states, and trying to bridge the arbitrary divide between (inherently cosmopolitan) high cultures (e.g. Sanskritic, Sinitic, or Islamicate) and local or indigenous cultures, this multidisciplinary volume explores the metaphor of Monsoon Asia as a vast geo-environmental area inhabited by speakers of numerous language phyla, which for millennia has formed an integrated system of littorals where crops, goods, ideas, cosmologies, and ritual practices circulated on the sea-routes governed by the seasonal monsoon winds. The collective body of work presented in the volume describes Monsoon Asia as an ideal theatre for circulatory dynamics of cultural transfer, interaction, acceptance, selection, and avoidance, and argues that, despite the rich ethnic, linguistic and sociocultural diversity, a shared pattern of values, norms, and cultural models is discernible throughout the region.
Voir la table des matières sur :
https://bookshop.iseas.edu.sg/publication/2214
This collection of articles from the Kyoto Review of Southeast Asia (KRSEA) is published with the financial support of the Center for Southeast Asian Studies (CSEAS), Kyoto University. We have compiled all the English articles from Issue 13 (March 2013), to Issue 20 (September 2016). This period marked a turning point for KRSEA with the re-launch of the website in March 2013 and the new online archive of earlier issues.
A télécharger sur : https://kyotoreview.org/the-blooming-years/
Ouvrage en ligne et en libre accès.
Citizenship and Democratization in Southeast Asia redirects the largely western-oriented study of citizenship to postcolonial states. Providing various fascinating first-hand accounts of how citizens interpret and realize the recognition of their property, identity, security and welfare in the context of a weak rule of law and clientelistic politics, this study highlights the importance of studying citizenship for understanding democratization processes in Southeast Asia. With case studies from Thailand, Indonesia, the Philippines and Cambodia, this book provides a unique bottom-up perspective on the character of public life in Southeast Asia.
A télécharger sur : http://booksandjournals.brillonline.com/content/books/9789004329669
Highlights
Very first regional case study on social safeguard norms in Chinese-led dam projects in Myanmar, Laos and Cambodia.
Found that Chinese dam developers increasingly take into account international social safeguards norms.
Root cause is social mobilization, with the suspension of the Myitsone Dam in 2011 as a particular game changer.
Abstract
Chinese dam developers claim to construct at least every second dam worldwide. However, scholarly literature comprehensively investigating the social safeguard norms in these projects is rare. This paper analyses social safeguard norms in Chinese-led dam projects in Myanmar, Laos and Cambodia, hotspots of Chinese-led dam construction. We find that social safeguard norms adopted have significantly changed in the past 15 years. While Chinese dam developers claimed to adopt standards of the host countries upon the launch of China’s Going Out Policy in 2001, with occasional adoption of more demanding Chinese standards, they did not adopt international norms. In recent years, however, they increasingly take into account international norms. We argue that the root cause for this change is social mobilization, with the suspension of the Myitsone Dam in 2011 as a particular game changer. Enhanced social safeguard legislation in host countries and China, stricter rules of Chinese funders and cooperation of Chinese dam developers with international players have also facilitated this change.
Voir : http://www.sciencedirect.com/science/article/pii/S0301421516307212
Asian Studies Association of Australia (ASAA) president Professor Kent Anderson announced that Devleena Ghosh, an associate professor at the University of Technology Sydney, had been awarded the prestigious annual award for the best article in Asian Studies Review in 2016.
The article explores cultural and personal flows across the Bay of Bengal and the modern states of Burma, West Bengal and Bangladesh.
Abstract :
The large-scale movement of people between Burma and Bengal in the early twentieth century has been explored recently by authors such as Sugata Bose and Sunil Amrith who locate Burma within the wider migratory culture of the Indian Ocean, the Bay of Bengal and Southeast Asia. This article argues that the long and historical connections between Bengalis and Burmese were transformed by the British colonisation of the region. Through an analysis of selected literary texts in Bengali, some by well-known and others by obscure writers, this article shows that, for Indians, Burma constituted an elsewhere where the fantastic and superhuman were within reach, and caste and religious constraints could be circumvented and radical possibilities enabled by masquerade and disguise.
Cet article est disponible sur : http://www.tandfonline.com/doi/full/10.1080/10357823.2016.1158237
Note: This article is reproduced from the latest issue of NSC Highlights. For more, please see : https://goo.gl/XoyXfM
Java’s north coast is known to have had cosmopolitan and multi-religious towns where Muslim travellers and traders settled since the early 15th century. While there is scarce evidence of the presence of Muslims and foreigners in the early Islamic period, the accounts of past Muslim ruling figures, revered as holy men (wali), have persisted. These accounts have survived thanks to the fairly good conservation of the mausolea of these holy men, many of which are five to six centuries old. These mausolea, considered sacred (kramat), are visited every year by thousands of pilgrims from Java and other parts of the Malay world.
These mausolea contain elements of a Sinitic (relating to Chinese culture) trend in early Islamic Java. Historical sources note the presence of ‘Chinese’ among the Muslims present on Java’s north coast in the 15th and 16th centuries. Local Javanese traditions and hagiographies also suggest that some of the most prominent holy men were of Chinese descent. Some are said to have come from Champa, the former Hindu-Buddhist kingdom of present-day coastal Vietnam (Manguin 2001).
Nevertheless, the ‘sinitic’ origin of some of these holy men on the Javanese coast remains enigmatic since there is little material evidence apart from these mausolea remains. The richly decorated wooden panels that enclose these tombs on four sides, delicately sculpted, some in openwork or painted in red, are indeed vaguely reminiscent of a Sinitic culture. However, most motifs and stylisation, such as the lotus leaves in a pond, represented in a naturalistic way, had in fact already appeared during the Hindu-Buddhist period, possibly as the consequence of earlier Sinitic borrowings.
However, the motif of the seated feline figure stands out. These feline figures, sculpted in wood or stone, were found in four religious sanctuaries such as in the mausolea of Sunan Drajat and Sunan Sendang Duwur. In these mausolea, they are represented in-the-round, in a seated hieratic position, bearded, with their maw wide open and their tongues pulled out (in Sunan Drajat). They have volutes motifs on the legs and a necklace or winged-like motif spreading from the scapula backwards. These feline figures suggest that these holy men had developed a taste for decorative features found in China and the Indo-Chinese peninsula of the same period.
Lire la suite sur : https://www.facebook.com/notes/nalanda-sriwijaya-centre/sinitic-trends-in-early-islamic-java-15th-to-17th-century-by-hélène-njoto/1368801939864852
Pacific Affairs is pleased to announce that the fifteenth William L. Holland Prize for the best article published in Volume 89 (2016) of Pacific Affairs has been awarded to Antje Missbach for her article published in Volume 89, No. 4 (December 2016).
An epitome of in-depth fieldwork, thorough contextual research, and clear writing, this year’s Holland Prize winning article by Antje Missbach addresses issues of trafficking, asylum-seeking, and migration through the question of why a disproportionate number of Indonesian offenders sentenced to jail for people smuggling, both in Indonesia and Australia, are fishermen from Eastern Indonesia, the poorest part of the country. Her answers guide readers from specific shores of local sites and practices via extended fieldwork on Rote Island (a frequent departure point for asylum seekers to Australia) and prisons, into broader streams of transnational people-smuggling networks and the effects of Australia’s policies, eventually navigating the broad and salient oceans of pollution and overfishing. In lieu of the superficial resort to moralistic labeling of smugglers as ‘bad’ people, Missbach’s article shows how complex imbrications of climatic, international, institutional, and social conditions render individual smugglers themselves captive in nets of hyper-precarity.
A télécharger sur : http://www.pacificaffairs.ubc.ca/announcements/holland-prize/
Why have Jokowi’s promises to open up Indonesia’s “forbidden island” to journalists and rights monitors flunked?
On 20 December 2016, the Legal Aid Foundation for Indonesia Press (LBH Pers) staged a press conference. It highlighted censorship by The Indonesia Ministry of Information and Communication (Kominfo) towards Suara Papua, a local news outlet based in Abepura, Papua. With no prior notification, Suara Papua was silently listed alongside 11 websites blocked by the government. Those websites allegedly violated principles of journalism by promoting hoaxes and hate.
Later that evening, Rudiantara, the Minister of Information and Communication called Asep Komarudin from LBH Pers, promising that the ban would be lifted the next day.
On 21 December, Suara Papua could be accessed again, but not for those using Telkomsel – the largest telecommunications service provider in Indonesia. In Papua, Telkomsel is the main player and controls more than 65 per cent of the market for mobile phone services users. When I recently published an article with Suara Papua, dozens of people told me that they could not read it due to the Kominfo block.
Lire la suite sur : http://www.newmandala.org/blocking-papua-truth/
Andre Barahamin is researcher of PUSAKA Foundation, and member of Papua Itu Kita (Jakarta-based solidarity campaign for Papua). He is also serving as editor for IndoPROGRESS, an online platform connecting progressive scholars and activists.
James T. Davies reflects on the challenges to establishing a unified and conflict-free Myanmar.
Inclusion, understanding, autonomy, conflict and poverty – often far from the reach of the state — reflect just some of the challenges, as opportunities and progress, linked to the emergence of an inclusive national identity in Myanmar.
They were also the focus of an excellent panel discussion as part of the 2017 Myanmar Update hosted by the Australian National University on 17-18 February.
Cecile Medail, PhD Candidate at the University of New South Wales, began the panel with a look at the grassroots voices of Mon people in forming an inclusive national identity in Myanmar. The challenges of national identity during transition, and particularly for minority communities, were noted …
Lire la suite sur : http://www.newmandala.org/peace-nation-building-myanmar/
Sometimes fiction tells the truth and history perpetuates a fiction. This blog tells us about how history has been used to serve the creation of a national mythology, while fiction has allowed a space for more difficult histories to be worked out.
Similarly, the bleakest moment in Indonesian history is ignored and silenced. Almost all Indonesian written history skips over the mass killings of the communists and left-wing sympathizers after the aborted coup blamed on the Indonesian Communist Party (PKI) in 1965.
Take the obligatory read for elementary students in the 1990s, Pendidikan Sejarah Perjuangan Bangsa (The History of the National Struggle). We Indonesians were so accustomed to this that we thought the historical events presented in the book were all objectively true. The book instructed students to show admiration for the Indonesian Army for their outstanding success in crushing the September movement of the PKI. It also wanted us to believe that the anti-communist purge was the right thing to do in order to support the national struggle for the just and prosperous society under Pancasila. Furthermore, it created a make-believe world in which Soeharto was a hero who had so much love and respect for his people and his country. As for the massacre, the book remained silent.
In fiction, however, the killings were made (more) clear. Ahmad Tohari in the Ronggeng Dukuh Paruk (Dancer of Paruk Hamlet) trilogy narrates the mass killings in Central Java, and describes the close cooperation between the army and paramilitary groups. Mencoba Tidak Menyerah (Trying not to Surrender) by Yudhistira ANM Masardi vividly portrays the systematic massacre and politics of fear through the eyes of a small boy who is searching for his father after he was made to disappear due to his affiliation with the communists. Ashadi Siregar centers his novel, Jentera Lepas, on students who were massacred by the army after the aborted coup, while Umar Kayam in Bawuk questions how society has been dehumanized for not having the courage to address the issue.
Lire la suite sur : http://www.kitlv.nl/blog-historicizing-fiction-fictionalizing-history/
Andrew Selth outlines why past generations’ accumulated literary and scholarly work on Myanmar is at risk of being lost — and what this might mean for the country’s future.
There is an old Myanmar saying that ‘wisdom is in the literature’. This was particularly the case before 1988, when the country was virtually closed to foreigners and fieldwork of any kind was very difficult. The Internet was still in its infancy and Myanmar-watchers of all kinds were heavily reliant on books, serials and other documentary sources, both to acquire information and to present their findings to a wider audience.
Access to Myanmar is now much easier and the past few decades have seen a flood of foreign officials, scholars and others intent on conducting primary research. As noted on New Mandala, this has contributed to a dramatic increase in the number of books, reports and articles written about the country. A new Griffith Asia Institute study lists over 1,800 monographs published in English alone, and in hard copy, over the past 25 years.
At the same time, however, there is an increasing danger that the accumulated knowledge of earlier generations of Myanmar-watchers will become dispersed, if not actually lost.
Lire la suite sur : http://www.newmandala.org/the-wisdom-in-the-literature/
Séminaires/Conférences
This talk reflects diverse worldviews of different groups towards a cluster of islands in southwestern Thailand, namely Surin Islands in Phang-nga Province. It also reflects how government policies are based on certain set of worldviews about “nature”. Surin Islands have been a home, stopover point, foraging ground and burial site for the Moken indigenous people for centuries. The Moken have mobile homes and their residence are on different islands in the Mergui archipelago, from the present day southern Myanmar to southern Thailand. At the start of Thai state dominant power on the Surin Islands, the surrounding waters fell into a concession of petroleum exploration issued to a private foreign company. Later it was proposed as a site for Indochina refugee camp, but the proposal was rejected by the Royal Forestry Department. In 1984, state power is more apparent as the Islands have been declared a Marine National Park with supporting budget and resources. Later a unit under the Department of Fisheries and another under Royal Thai Navy have been established. Though all of these groups share their lives (or part of their lives) on Surin Islands, their worldviews and their missions/mandates towards “nature” on the Islands are quite different. Through looking at the web of relations, especially the way of giving, taking and reciprocating in the Moken’s world, we can understand the mode of thinking, practicing, and policying of other units and groups undertaking their “duties” on the Islands as well.
Voir : http://www.irasec.com/page200
The collapse of Burma’s final kingdom was devastating for the Buddhist organizations that depended on its royal sponsorship. The nineteenth-century encroachment of the British Raj crippled both the Konbaung Dynasty and its once-powerful monastic establishment, but it also created opportunities for opposition parties. One adversarial Buddhist sect, the Paramats, was particularly active between the Second Anglo-Burmese War in 1852 and the total colonization of the country in 1886. This reformist sect has been something of a mystery in the study of Burmese Buddhism because of minimal references to them in official Burmese materials. This paper examines a previously unstudied collection of documents dating from 1830–1880 found in an American missionary archive to argue that the Paramats were not a kind of Mahayanist group dedicated to propounding emptiness teachings, as scholars have argued, but rather, they were a Burmese Buddhist organization concerned with protesting laxity within mainstream monasteries and excess at royally-sponsored shrines. These archival documents suggest that scholars should attend to politics, as well as philosophy, to understand this particular sectarian development and similar religious reform movements at the end of the Konbaung Dynasty.
Alexandra Kaloyanides is a Postdoctoral Scholar at the Ho Center for Buddhist Studies at Stanford University. She researches Burmese religions and American religious history. Her book manuscript, “Objects of Conversion, Relics of Resistance,” examines the religious contestations, conversions, and transformations during the nineteenth-century American Baptist mission to Burma.
Voir : https://www.facebook.com/events/1771316929755778/
KITLV in collaboration with Wacana, Journal of the Humanities of Universitas Indonesia, will organize a symposium on the importance of storytelling in Indonesia on 13 May 2017 in Museum Volkenkunde, Leiden, 10.30 – 17.00 hrs.
Indonesia’s oft-overlooked repertoire of storytelling traditions continues to inspire the nation’s arts, cultures and social practices. Inspired by a special edition of the journal Wacana, we investigate some of the archipelago’s diverse story-texts and performance practices.
This broad-scope symposium centers on the characteristics of Indonesian stories, their embedding in storytelling traditions, and the (ritual) contexts in which these are performed. Several presentations explore how stories were – and are – composed and disseminated. Other participants bring to the fore Indonesian perspectives on storytelling beyond the boundaries of the written word, including solo- and group-performances accompanied by music, singing and dance.
We hope that this event will contribute to a renewed attention to the storytelling practices of Indonesia, fostering a more nuanced understanding of “text” in all its forms, the relevance of traditional stories in a rapidly changing society, and ongoing developments in Indonesian literature and popular culture.
Among the presenters are Aone van Engelenhove and Nazarudin (Leiden Institute of Area Studies) who will analyze [hi]stories and storytelling on the island of Kisar, Southwest Maluku, Els Bogaerts (Leiden Institute of Area Studies) with a fresh view on the well-known historical figure of Arya Penangsang in a recent theatre-play from Yogyakarta, Joachim Niess (Goethe-Universität Frankfurt, Südostasienwissenschaften) with a discussion of fiction in early Indonesian newspapers, and Clara Brakel-Papenhuyzen presenting recordings of Malay storytellers in North Sumatra that reflect the relationship between the interior and the coastal areas on that island. The programme also features performances of music and dance by Sundanese ensemble Dangiang Parahiangan and West Sumatran ensemble Archipelago.
Please register if you wish to attend: ln.vltik@vltik
Voir le programme complet sur : http://www.kitlv.nl/event/symposium-stories-storytelling-indonesian-archipelago-leiden-asia-year/
Scholarship on ancient Khmer and Cham art evolved concomitantly with the French colonial project, and has long been grounded in archaeological and epigraphic study. This workshop presents new currents of research expanding the field. Tran Ky Phuong is the leading scholar of Cham art. After a first curatorial career at the Danang Museum of Cham Sculpture, he joined the Vietnam Association of Ethnic Minorities’ Culture and Arts, where he has launched research combining ethnographic and art historical methods. Soumya James represents a new generation of Southeast Asia art historians. Her work examines the representation of the divine feminine in cultural and eco-political landscape of Angkor.
Tran Ky Phuong is a former curator of the Museum of Cham Sculpture in Da Nang (1978-98); currently he is a senior research fellow with the Vietnam Association of Ethnic Minorities’ Culture and Arts; and is a researcher of the Center for Cultural Relationship Studies in Mainland Southeast Asia (CRMA Center) of Chulachomklao Royal Military Academic, Thailand and at APSARA Authority, Siem Reap, Cambodia; from 2012 until the present he has been a consultant of UNESCO World Cultural Heritages at My Son Sanctuary. He has awarded several research fellowships to study at International Institute for Asian Studies (IIAS), Leiden; Asia Research Institute (ARI) of National University of Singapore; Center for Advanced Studies in the Visual Arts (CASVA), National Gallery of Arts, Washington DC.
He has published several books and articles in Vietnamese, English and Japanese, including: My Son in the History of Cham Art (1988); Vestiges of Champa Civilization (2008); Champa Iseki/Champa Ruins (co-author with Shige-eda Yutaku, 1997); The Cham of Vietnam: History, Society and Art (co-editor with Bruce Lockhart), NUS Press (2011); “The Architecture of Temple-Towers of Ancient Champa (Central Vietnam)” in Champa and the Archaeology of My Son, Vietnam (2009); “The Preservation and Management of the Monuments of Champa in Central Vietnam: The Example of My Son Sanctuary, a World Cultural Heritage Site”, in Rethinking Cultural Resource Management in Southeast Asia: Preservation, Development and Neglect (2011);“The new archaeological finds in Northeast Cambodia, Southern Laos and Central Highland of Vietnam: Considering on the significance of overland trading route and cultural interactions of the ancient kingdoms of Champa and Cambodia”, in Advancing Southeast Asian Archaeology 2013, SEAMEO SPAFA Regional Center for Archaeology and Fine Arts, Bangkok, Thailand (2015).
Soumya James is an independent Art Historian who studies premodern South and Southeast Asian art. She received her PhD in Art History from Cornell University. Her dissertation focused on the cultural and eco-political significance of the divine feminine at three Angkor period sites. Her research investigates the relationship between landscape and built form, gender and sexuality, and the art historical links between premodern South and Southeast Asia. Following her graduation, she continued her research while working as the coordinator for the Science and Society Programme at the National Centre for Biological Sciences, Bangalore, India. She was a Postdoctoral Associate at the Franke Program in Science and the Humanities and a Fellow at the Whitney Humanities Center, both at Yale University. She is currently working on a book manuscript and planning her next fieldtrip to Cambodia.
Voir : https://www.soas.ac.uk/cseas/events/16may2017-approaches-to-the-study-of-khmer-and-cham-art-a-research-workshop-with-tran-ky-phuong-and-.html
Keynote Speakers:
Zane Goebel (La Trobe University)
Hartono Samidjan (Suara Merdeka)
Co-sponsors:
Universitas Dian Nuswantoro
University of Maryland
University of Iowa
University of British Columbia
Co-organizers:
Thomas Conners, University of Maryland
William Davies, University of Iowa
Jozina Vander Klok, University of British Columbia
Programme :
http://jakarta.shh.mpg.de/isloj6_programme.php
It is jointly run by SOAS University of London and Universitas Gadjah Mada (UGM)
Programme Overview
In 2016, a pioneering Summer Programme in Southeast Asian Art History and Conservation focusing on premodern Javanese Art was held in Trawas (East Java). In 2017, the second edition of the Programme will be held in Yogyakarta, the iconic royal city of Central Java. It will focus on Central Javanese Hindu and Buddhist Art History in both its local and translocal dimensions. The period covered is from the early 8th to the late 9th century—the heyday of the Central Javanese civilisation.
Lire la suite sur les carnets du CASE
En Asie du Sud-Est comme ailleurs, les modalités de la co-présence du passé, du présent et du futur donnent lieu à diverses formes d’organisations conceptuelles et pratiques. Un large éventail de dispositifs s’offre ainsi à l’observation, entre une représentation de l’immutabilité des choses – lorsque par-delà l’agitation continue des êtres tout se répète et rien ne change vraiment – et une affirmation de l’irréversibilité de l’altération graduelle et permanente de toutes choses – car si rien ne change rien ne dure non plus. Placés devant ce dilemme, les acteurs s’en accommodent, selon des stratégies elles-mêmes diverses allant de la résignation à la recherche plus ou moins confiante d’une maîtrise de la temporalité – entendue ici comme la perception, à chaque fois particulière, de la durée, cette universelle condition que l’homme ressent par nécessité, où qu’il vive.
Lire la suite sur les carnets du CASE
Appel à contributions
Deadline : 30 April 2017
For Zukin (1982, 1987, 1995) culture has been central to the development of the new ‘symbolic’ or ‘creative’ economy, but she also cautions against its appropriation for urban redevelopment that can lead displacement of local communities. Castells (2010), on the other hand, suggests that cultural materials, including digital media, facilitate social change, especially in relation to social movements, because they enable social actors to redefine their subjectivities and transform the social structure. While local and regional governments are striving towards the ‘rejuvenation’ of urban spaces as a form of city branding, citizens and artists alike are seeking ways to maintain the viability of local arts and culture along with (in)tangible heritage. In many Asian cities, heritage preservation has played an important role in the democratisation of urban spaces and community building. Tensions between different interest groups have been unavoidable but mutual ground is needed for feasible policies and practices to construct inclusive and socially just urban spaces.
With the rise of local governance, and changing state-society relationships, we believe that the full potential of arts, heritage, and cultural production in the social transformation and civic participation has not yet been fully acknowledged. Given differences in urban governance, planning and civic participation in East and Southeast Asia, more nuanced research is needed to identify what kind of cultural policies and creative practices could be developed and how they might provide innovative approaches beyond the Western paradigms of ‘creative’ or ‘cultural’ cities, and gentrification. Similarly, Douglass (2015) has raised policy questions about how to strengthen civic engagement, belonging and community building in cities through the cultivation of civic participation. Innovative forms of civic participation resonate with the ‘worlding practices’ defined by Ong (2011:4) as ‘projects that attempt to establish or break established horizons of urban standards in and beyond a particular city’. The purpose of this multidisciplinary conference is thus to explore both government-led cultural policies and the organically emerging artistic and creative practices aimed at the empowerment of local communities and neighborhoods in contemporary East and Southeast Asian cities.
We invite the submission of papers from early career and established scholars, policy makers, activists, and creative practitioners to explore the role of arts, culture, and heritage in developing more progressive urban societies in East and Southeast Asia cities. We encourage applicants to consider empirical case studies and theories within comparative contexts and to extrapolate policy options for other regions apart from the East and Southeast Asia that explore innovative ways to build co-operation between varied social groups, institutions, and local governance. Questions that will guide the conference proceedings speak to integrated themes across disciplinary and geographical boundaries and include:
How do arts, heritage, and creative practices provide opportunities for ‘creative communities’ to resist the encroachment of the corporate economy (Douglass 2015)? What challenges do they face in asserting their right to urban space?
How and to what extent could ‘gentrification aesthetics’ (Chang 2014) open up new approaches for analysing both positive and negative impact of urban redevelopment?
What kind of innovations in governance are needed to support art communities, heritage preservation, and cultural and creative industries in ways that are socially inclusive, viable, and enhance civil participation? Can an approach based on the interconnectedness of cultural and social sustainability (Kong 2009) benefit the understanding of the collective processes emerging in cities today?
How does public art reflect the ways in which forms of vernacular heritage, culture, and socio-spatial identity are bound up with the representation and (re)shaping of place and landscape in cities? What controversies and political fault lines might emerge through these processes?
What kind of novel forms of ‘art activism’ or ‘cultural activism’ are emerging, and how do they benefit, interact, or hinder the aims of social transformations?
To what extent are arts, heritage, and cultural productions contributing to the development of ‘tourist cities’? How is this being resisted or embraced by local populations?
What new approaches are emerging that transcend purely physical space? Can intangible forms, such as digital networks, forums and sites, benefit the survival of local communities?
Plus d’informations sur : https://ari.nus.edu.sg/Event/Detail/f767b24e-9d53-4d4b-9f72-0ec54a53689b
Theme of the conference : People in and out of place
Abstract / proposal submission: 30 April 2017
The 33rd Biennial Canadian Council for Southeast Asian Studies (CCSEAS) conference theme, “People In and Out of Place,” represents a long standing and yet often forgotten dynamic of a region known as the crossroads of different peoples, histories, cultures, and politics.
We welcome panels or roundtables to discuss the meaning of this condition by exploring the conflicting formation and transformation of institutions, knowledge, ideologies, identities, places, and practices in the rural, urban, and peri-urban spaces of the region, and in diasporic Southeast Asian communities. We also welcome submission of fiction and documentary films for consideration for screening.
Click here to submit an abstract: http://laps.apps01.yorku.ca/machform/view.php?id=220691
Plus d’informations sur : https://ccseas.ca/
Conference theme : Consuming Asia
Paper and panel proposals may be submitted via the online form between January 15, 2017 and May 1, 2017 (DEADLINE EXTENDED!).
Scholars in New York, neighboring states, Canada, and elsewhere are cordially invited to submit proposals for individual papers, panels, and roundtables. Panels, papers, and roundtables may focus on the conference theme “Consuming Asia” or other aspects of East Asia, South Asia, Southeast Asia, or Asian American Studies. Submissions within the conference theme might focus on how “Asia” is both the object of consumption and the consumer.
Paper and panel proposals from graduate students and established scholars are equally welcome. We will make every effort to assemble a program that represents Asia and Asia scholars in all of their diversity.
Voir : https://nycas2017.wordpress.com/call-for-papers/
Supported by the Urban Knowledge Network Asia (UKNA), Airlangga University, and the International Institute for Asian Studies (IIAS), Leiden, the Netherlands
Conveners: Dr Paul Rabé, Adrian Perkasa (M.A.) and Dr Rita Padawangi
Deadline: 1 May 2017
Introduction
Cities and water can be said to have a love-hate relationship (1), and this is especially true of rivers in cities in Asia. Many Asian cities, like their cousins in the rest of the world, owe their locations to rivers and the trading opportunities and water sources these rivers provided. In recent years, cities across China are beautifying their water fronts, and cities as diverse as Singapore and Seoul are turning their rivers into assets as part of urban redevelopment schemes or restoring them in an effort to bring nature back to the city. But many other cities in Asia have their backs turned to their rivers. Where rivers were once trading and transport arteries, nowadays many of them have suffered neglect as roads and evolving trading patterns have supplanted the rivers’ economic and social functions. Their decline has been accompanied by environmental destruction, as their waters have become polluted and serve as the dumping ground for solid waste. Moreover, riverbank settlements evolved into legally ambiguous spaces, as old settlements were detached from land formalization regimes and were subjected to environmental deterioration from the rivers. Far from being an asset, these rivers have become an eyesore—and occasionally also a threat, owing to flooding exacerbated by poor planning and a poor understanding of the place of these water bodies in the wider regional eco-system.
Symposium objectives
This symposium seeks to uncover the relationship between rivers and cities from a multi-disciplinary perspective in the humanities and the social sciences. The symposium welcomes both scholars and practitioners. It aims to contribute innovative ways of thinking about how to better integrate rivers, creeks and canals—including their environmental, historical, social, political, cultural and economic dimensions—into the fabric of contemporary cities. The focus is on cities in Asia, but papers on other parts of the world will also be considered if they make explicit their relevance to Asian cities.
Papers are welcomed in four categories of investigation:
Rivers and cities in historical perspective (history, heritage, culture, and geography)
Neighborhoods and social life of riverine communities
Evaluating experiences with riverfront and riverbank settlement and design interventions in Asia
Urban policy perspectives and innovations
Plus d’informations sur : http://iias.asia/event/river-cities-water-space-urban-development-history
Submit your panel or paper proposal by May 1, 2017
Recent global upheavals have turned world attention to the plight of refugees, such as Syrians and the Rohingya of Myanmar who have chosen dangerous sea voyages to escape conflict and persecution. These dramatic images raise larger questions about the control over mobile bodies in the broader context of maritime Asia, pointing to phenomena that are by no means limited to our contemporary moment. For centuries, people have moved in and across the maritime world that stretches from the Indian Ocean to the western Pacific as refugees, slaves, and under other involuntary circumstances, as well as in the pursuit of trade, war, and religion. But this mobility has always been historically controlled, driven and regulated by larger forces. Religion, ecology, state power, and social hierarchies constrain and inform individual choices.
With a keynote lecture delivered by Amitav Ghosh, this interdisciplinary conference will explore the mobility of individuals across maritime Asia with an interest in disaggregating different types of bodies and different types of travel. What sorts of bodies endeavored to cross the water between and along the coasts of Asia in the past and more recently? What does a 20th century Somali pirate have in common with a 16th century Javanese pilgrim heading to Mecca, or the Chinese residents of Dutch Batavia with the Filipino domestic workers in Dubai? What is the role of cooperation, violence and control in historical and contemporary Asian maritime travel? How has biopolitical control over travel been effected in the past and through modern technocratic interventions? How are the material findings of nautical archaeology changing our understanding of the movements of goods and people in maritime Asia? The goal of this conference is to pair contemporary and historical experiences of travel and mobility to understand continuities and changes experienced and brought about by traveling bodies in and across maritime Asia.
We welcome papers that address a broad range of themes, with particular interest in the following topics:
*Labor flows and recruitment
*Voluntary and involuntary movement, including slave and refugee communities
*Cultural meanings and representations of maritime travel and pilgrimage
*How travelers have mobilized nautical technologies and knowledge transfer across oceans
*Uses of force across maritime Asia
*Uncertainties and vagaries of sea travel
*Shifting contours of of trade diasporas
*Identity and community formation among seafaring groups
*Geopolitics of the ocean and its frontiers
Plus d’informations sur : https://docs.google.com/forms/d/e/1FAIpQLSdDko81MfjecqvGgElqO8YK7nDD1YH2lLpmEvqIXizilZFzw/viewform
Deadline for abstract submission : 15/05/2017
The Center for the Study of Islam and Society (PPIM) of Syarif Hidayatullah State Islamic University (UIN) Jakarta will carry out an international conference in August this year. This conference is dedicated to promoting Studia Islamika, an international journal published by the Center. This is the second Studia Islamika conference, and this event is expected to be held regularly in the future. In the coming conference, scholars and students on Southeast Asian Islam are invited to present their papers, research and posters. Relevant themes and topics have been selected to accommodate different research interests of the participants.
The 2nd Studia Islamika International Conference 2017 will be held as a reflection on many different aspects related to Southeast Asia. It is to look at current political trends, religious radicalism, the development of democracy, and global trends. Southeast Asia has experienced tremendous changes since its formation until today. It achieved one of the highest economic developments in the world while faith and ethnicity still play an important role in the political field. This conference will explore these various developments in the context of globalization and democratization. Theories and new research findings on Southeast Asia will be explored and discussed during the conference. The conference features research addressing the following topics:
Religious Radicalism: Approaches, Trends and Methods
Democracy, Citizenship and Identity
Religious Radicalism and Education
Globalization and Transnational Movements: Southeast Asian Islam and ISIS
Contemporary Islamic Economics and Tourism
Philanthropy and Civil Society
Women, Society and Representation
Social Media and the Contestation of the Public Sphere
Challenges of Urban Life: Food, Culture and Life Style
The Rise of Islamic Populism? Sectarian Politics in Contemporary Indonesia
Plus d’informations sur : http://conference.ppim.uinjkt.ac.id/
Deadline : 2 june 2017
Migrant labour has been viewed as an important factor in growth, productivity and poverty reduction in Asia where rapid economic development has raised many to middle income countries. However, parallel to the growth of these economies has arisen new challenges and tensions as well as continuing underdevelopment (Rigg 2015). This includes what some scholars have identified as the formation of a labour surplus population in many parts of the world, where a decline in small agriculture and new industries generating less employment has resulted in a labour over supply that has made many “redundant” in the global production system (Ferguson 2015, Li 2010). Instead, distributive practices and “relations of dependence” (Ferguson 2015) have increased in the context of not only diminishing employment opportunities but also in uncertain and precarious employment, as is in the case of migrant labour which has often been linked to abuses over working conditions and wages.
In this sense, religious aid is one significant and diverse form of distributive practice. This is particularly the case where the rise in global civil society and non-state actors make up for many of the “structural holes” (Faist 2009) in social services neglected by the State. The absence of the State in this area, particularly in the global South, has led to an opening up of a space for alternative actors to ‘fill in the gap’, including faith-based actors where religious spaces have become simultaneously humanitarian and development spaces. This is particularly the case for migrants, refugees and asylum seekers, who as ‘non-citizens’ are often marginalised in their access to formal work and social services.
The conference will engage with Ferguson’s concept of distributive practices (Ferguson 2015) to interrogate whether it is applicable to religious aid in the Asian context as a significant form of contemporary labour. This is in recognition of the fact that cultivating the social relationships which make distributive flows possible is not a passive condition, but rather the outcome of a particular type of labour (Ferguson 2015, 97). Although having always existed in the form of remittances, kin-based sharing, patronage, “corruption” and relations of dependence on others such as NGOs and corporations, distributive practices have taken on a new amplitude with the decrease in the availability and increasing precariousness of waged labour.
Lire la suite sur : https://ari.nus.edu.sg/Event/Detail/f3f0722f-8b9f-4bd6-9414-57662eb74901
Co-hosting organizations: University of Social Science and Humanities – Vietnam National University Ho Chi Minh City and University of Hawai’i at Manoa, USA
Conference Co-Chairs and Co-Convenors : Prof. Dr. Phan Lê Hà (University of Hawai’i at Manoa), Associate Prof. Dr. Liam C. Kelley (University of Hawai’i at Manoa), Associate Prof. Dr. Võ Văn Sen (President, University of Social Sciences and Humanities, Vietnam National University Ho Chi Minh City), Assistant Prof. Dr. Jamie Gillen (National University of Singapore)
Deadline for proposal submission: 31 August 2017
The 9th Engaging with Vietnam conference with three joined parts will bring about a completely new experience to those who have so far participated and will participate in our conference series. With the theme of exploring “development,” “tourism,” and “sustainability” in/of Vietnam from multi-disciplinary and multi-directional perspectives, the 9th EWV conference will introduce various activities, ranging from keynote sessions and academic presentations to exhibitions, idea contests, a policy forum, Q&A sessions, curriculum development, sightseeing, field observations, and music performances that are all integrated to offer participants opportunities to feel, think, engage, try out and live the conference theme.
Other distinctive features of EWV9 are its length and location. Its length is innovative, as the complete experience will take place over a period of almost 10 days, from December 27 2017 to January 4 2018. Its location is also innovative, as the conference will be held at two places and participants will “tour” from South (Ho Chi Minh City) to Central Vietnam (Tuy Hoa, Phu Yen), a connection that will entail an enjoyable evening tour on the Thống Nhất (Reunification) express train. Participants will celebrate together New Year’s Eve and welcome 2018 on “tàu Thống Nhất,” whereby their explorations of and engagement with Vietnam’s “development,” “tourism” and “sustainability” will continue.
As usual, our keynote sessions and featured panels with speakers from several disciplines will lay out larger (re)conceptualisations, interdisciplinary bodies of scholarship, contradicting arguments, methodologies, and questions that invite everyone to (re)think about “development,” “tourism,” and “sustainability.” Examples include:
How has the past been packaged in terms of history, heritage, and memory?
In what ways have tourism and development always been tied up with the past?
What is the relationship between education, development, and sustainability?
How and to what extent do the globalisation, regionalisation, internationalisation and nationalisation of “development,” “tourism,” and “sustainability” pose challenges and create new knowledge(s) and discourses for academic disciplines, legal practices, and policy making?
Why and in what ways have (foreign) language policies and educational reforms been used to justify development?
What are some major responses from schools, higher education institutions, think tanks, and relevant organisations to such challenges, discourses, policies and reforms raised in the above questions?
We expect to showcase several featured exhibitions highlighting community-engaged projects dedicated to well-rounded “development,” “tourism” and “sustainability” values and practices. We also envision another joint exhibition from artists, students and academics that showcases the various stages of modern Vietnam’s heritage and traditional festival making processes. All of this is really exciting, isn’t it?
Plus d’informations sur : http://www.engagingwithvietnam.net/home
L’éditeur Brill vient de fonder une nouvelle collection, Global Southeast Asian Diasporas: Memory, Movement, and Modernities across Hemispheres, dirigée par Richard T. Chu ( University of Massachusetts), Augusto F. Espiritu (University of Illinois at Urbana-Champaign) et Mariam Lam (University of California, Riverside) et lance un appel à contributions pour l’alimenter.
Attendant to the rise of the Southeast Asian diasporas, Global Southeast Asian Diasporas (SEAD) provides a peer-reviewed forum for studies that specifically investigate the histories and experiences of Southeast Asian diasporic subjects across hemispheres. We especially invite studies that critically focus on the Southeast Asian experience from a transnational, comparative, and international perspective. SEAD welcomes submissions from a wide array of disciplinary fields (including history, sociology, political science, cultural studies, literary studies, and anthropology, among others) that innovatively interrogate themes such as refugees, political asylum, gender/sexuality, colonialism, globalization, empire, nation/nationalism, ethnicity, and transnationalism.
Plus d’informations sur : http://www.brill.com/global-southeast-asian-diasporas-memory-movement-and-modernities-across-hemispheres
The SPAFA Journal is the annual publication of the Southeast Asian Ministers of Education Organization (SEAMEO) Regional Centre for Archaeology and Fine Arts (SPAFA) in Bangkok, Thailand. It carries original research papers and multimedia articles on the archaeology, visual arts, performing arts, traditional arts, heritage conservation and cultural heritage of Southeast Asia. Submissions are currently accepted for the 2017 issue.
Voir : http://www.spafajournal.org/index.php/spafajournal/index
La nouvelle version, en ligne, du SPAFA Journal comportera dans chaque livraison des résumés de thèse avec parfois des accès à l’intégralité du texte :
Pour cette édition :
Local supremacy in ancient Javanese cultural development : reassessment of the ‘Indianisation’ concept using Dieng plateau as a case study by Rizki Putri Rezna Hassan (Anthropology, Durham), septembre 2016
The Plain of Jars of North Laos – Beyond Madeleine Colani by Lia Genovese (History of Art and Archaeology, SOAS University of London), April 2014 – Full Text
Vous trouverez l’ensemble des archives du SPAFA Journal disponibles en accès libre sur le site du SEAMEO-SPAFA : http://www.spafajournal.org/index.php/spafadigest/issue/archive
This is a website about the music and music-related academic research that has been undertaken on the island of Timor.
Voir : http://aaronpettigrew.com/music_of_timor/
You can browse the site in a few different ways:
The University of Washington Libraries collaborated with Anthropology Ph.D. student, Evi Sutrisno, who was conducting her dissertation field research on Chinese Indonesian Confucianism, to digitize the rare and fragile Sino-Malay literature owned by two temple libraries in Java. The first project was conducted in Boen Bio (Wen Miao) – a Confucian temple of Surabaya, East Java – in 2010-2011. The temple was founded in 1907 and had a collection of religious books and magazines in Chinese and Malay languages in its abandoned library. The second project was conducted in the Hok An Kiong temple, Muntilan, Central Java in 2014-2016. The temple was founded in 1898 and had became the religious, social and learning space for the Chinese in the area. As in the case of Boen Bio, the Hok An Kiong also has an abandoned library, where popular Sino-Malay novels and magazines were collected.
Between 1967 and1998 Confucian practices and Chinese identity were severely repressed under the Indonesian New Order regime, so these materials were hidden away in the corners of dark and humid storage rooms to avoid state confiscation. Due to climate conditions, biological pests, and lack of appropriate storage facilities, the collection was in great danger and in urgent need of preservation. These projects are parts of a larger effort to identify materials in all known collections belonging to temples and private collections in four cities: Jakarta/Tangerang, Bandung, Solo, and Pontianak, where the Confucian communities during the period of 1900s to 1940s were vibrant. The first project consists of about 5,000 pages scanned from the collections of the Boen Bio temple and three other private collections in Surabaya. The second digitizes about 12,500 pages from the collection of the Hok An Kiong temple in Muntilan. Each project has been done in collaboration with other scholars and the temple communities who are interested in preserving the precious documents and history of the Chinese-Indonesians. For the second project, Evi Sutrisno would like to thank Sutrisno Murtiyoso of Tarumanegara University, Jakarta, Endy Saputro of State College for Islamic Studies, Surakarta and Elizabeth Chandra of Keio University, Tokyo for their supports and collaborations. Thanks also to Laurie Sears for her decision to provide funding. For further description of the project and the importance of the materials preserved, see: Evi Sutrisno. Forgotten Confucian Periodicals in Indonesia, CORMOSEA Bulletin, no 34 (Summer 2016): 8-14.
Vous pouvez faire des recherches dans la collection et consulter la liste des deniers documents mis en ligne sur : https://digital.lib.washington.edu/researchworks/handle/1773/21474
The newly-opened Malaysia Cartoon And Comic House, nestled in leafy Taman Botani Perdana in Kuala Lumpur, is set to be a major attraction for comic book enthusiasts and the more curious-minded. The building, which is now home to the nation’s cartoon and comic book story, is practically packed out, wall-to-wall, with original comic book art, editorial cartoon strips, storyboard sketches, studio notes and vintage youth culture magazines, all dedicated to chronicling Malaysian comic book history and culture.
Over 500 cartoon and comic book works – spanning mid-1930s to the late 1990s – are on display now at the gallery, with Tazidi revealing that less than 10% of the Malaysia Cartoon And Comic House archive has been made public in this opening exhibition.
Lire la suite sur : http://www.star2.com/culture/books/book-news/2017/04/03/larger-than-life-comic-book-malaysia/
For a better Borneo, new map reveals how much terrain has changed, 15/02/2017, Forests News, CIFOR blog
New atlas displays 40 years of human impacts on forests – from fires to logging to industrial plantations and more
Incorporating 40 years of maps of Borneo (the world’s third largest island), the tool reveals both the forest remaining and what is being reshaped due to degradation and extraction industries. With the ability to search by oil palm or pulpwood concessions, and view the locations of intact peatland, as well as determine the speed with which forest is converted to plantation, the atlas offers the first significant opportunity to distinguish companies that are avoiding deforestation to a large degree.
CIFOR scientist David Gaveau, who developed the atlas, said, “The tool is an open platform for researchers, advocacy groups, journalists and anyone interested in deforestation, wildlife habitats and corporate actions.”
The data provided by the atlas is free to download, and informs whether a particular oil palm concession is certified by the Roundtable on Sustainable Palm Oil (RSPO)- the organization that implements a global standard for sustainability in the palm oil industry.
Lire la suite sur : http://blog.cifor.org/48167/for-a-better-borneo-new-map-reveals-how-much-terrain-has-changed?fnl=en
Le site indonésien Genosida 1965-1966 propose une bibliographie des thèses et des mémoires consacrés aux massacres de 1965 en Indonésie qui vient s’ajouter à la liste d’ouvrages et de vidéos en ligne sur la question déjà parue sur le même site sous la rubrique Rumah Baca (Pustaka) Genosida 1965.
Voir : https://genosida1965wordpress.wordpress.com/2016/05/29/kumpulan-tesis-dan-disertasi-terkait-genosida-1965-thesis-and-dissertation-on-1965-massacre/
Dr Ronit Ricci, The Australian University
Archival partner: National Archives of Sri Lanka
Project Overview
This project aims to create a digital archive of Malay writing (including manuscripts, printed books, letters, other documents) held in private collections in Sri Lanka. Written for the most part in Arabic script (but also in the Roman, Tamil and Sinhala scripts) by descendants of exiles, convicts, and soldiers from the Indonesian archipelago and the Malay Peninsula between the eighteenth and twentieth centuries, these rare and fragile documents attest to social and cultural aspects of the community’s life, allow for an expansion of our definitions of the ‘Malay World,’ and provide insight into local forms of Islam. There is urgent need to document and preserve such collections, endangered not only by tropical weather and the ravages of time, but also by their owners’ lack of knowledge in archival preservation and a contemporary ignorance regarding the manuscripts’ content and significance …
The project will result in the creation of a digital archive freely available to all. Copies will be accessible via the National Archives of Sri Lanka, the British Library and the library at the Australian National University.
Project Outcome
The project encompasses a range of materials written in the Malay language, in Sri Lanka, from around the mid 19th century to the late 20th century. It includes manuscipts, printed books, prayer booklets, wedding invitations, personal letters, family records, poems and songs. These diverse materials testify to the variety of ways in which Malay was, and is, used in Sri Lanka. The majority of older materials are Islamic in nature, including theological manuals, poems in praise of the Prophet, and tales and histories written in the hikayat genre. These are written in gundul (Malay-Arabic script) and/or romanised Malay. The collection also includes modern examples of Malay written in the Tamil and Sinhala script, as well as older materials in Arabic and Arabu-Tamil owned by Malay families, testifying to the lingusitic and orthographic diversity of the community’s writing practices.
Plus d’information sur : http://eap.bl.uk/database/overview_project.a4d?projID=EAP609;r=41
Voir les textes : http://eap.bl.uk/database/results.a4d?projID=EAP609;r=41
Expositions/Iconographie/Blog/Cinéma
Zai Kuning will be showcasing Dapunta Hyang: Transmission of Knowledge at the Singapore Pavilion of the 57th Venice Biennale from May 13 to Nov 26, 2017.
After18 years criss-crossing South-east Asia, Zai Kuning’s artistic journey is now going beyond the region to make a stop at the most important art event in the world: the Venice Biennale.
There, at the Singapore Pavilion in Arsenale, Zai is constructing a massive Phinisi ship out of rattan, string and beeswax. It will be 17 metres long – a metre perhaps for each year he’s spent exploring the history of Malays in South-east Asia – and it will be surrounded by 100 books that have been dipped in wax, never to be opened and read again, a metaphor for lost histories.
Since 1999, the artist has been obsessed with the meta-historical questions of: « Who am I? Where do I come from? Whom do I belong to? Whom do I answer to? » He’s less interested in issues of national identity and family genealogy than the broader field of the ethnogenesis and migration of Malays. The central figure in his research is Dapunta Hyang, the first ruler of the Srivijaya kingdom that dominated the Malay Archipelago from the 8th to the 12th century. As a Malay Buddhist, Dapunta Hyang also helped spread Buddhism throughout his kingdom.
At the Venice showcase, Zai will be putting up 30 photographic portraits of living mak yong performers on a facing wall running parallel to the ship. An audio recording of a mak yong master speaking in an ancient Malay dialect will also be played on loop.
Lire la suite sur : http://www.businesstimes.com.sg/lifestyle/arts/recalling-a-forgotten-kingdom-in-venice-biennale
Il Museo d’Arte Orientale di Venezia, presenta la mostra Rāmāyaṇa. The divine poem as revealed by the Rājbanśī masks, Museo d’Arte Orientale di Venezia, 8 aprile – 10 settembre 2017, prodotta da ICI Venice – Istituto Culturale Internazionale e dall’Association pour le Rayonnement des Cultures Himalayennes, a cura di Marta Boscolo Marchi e François Pannier, con il contributo scientifico di Stefano Beggiora.
La mostra, patrocinata dall’UNESCO, dall’Università Ca’ Foscari Venezia e dall’ICOO, Istituto di Cultura per l’Oriente e l’Occidente, offre un suggestivo percorso tra Nepal, India e Indonesia, seguendo la diffusione del Rāmāyana, testo sacro dell’induismo.
Tradizionalmente attribuito al saggio Vālmīki (fine II – inizio I sec. a.C.), il nucleo originario del grande poema venne composto in realtà tra il VI e il III secolo a.C. e trovò la sua definizione nei primi secoli della nostra era. Analogamente ai poemi omerici, il Rāmāyana è un insieme organico delle conoscenze e dei modelli culturali di un’intera civiltà.
In esposizione alcune splendide maschere in legno dipinto della collezione di Alain Rouveure, che rappresentano alcuni dei numerosi personaggi della saga di Rāma, avatāra (discesa) di Viṣṇu e furono realizzate per le sacre rappresentazioni che si tenevano nei villaggi, testimoniano il radicamento di questa tradizione presso l’etnia Rājbanśī, tra il sud del Nepal, il Bihar e il Bengala indiano.
Come si potrà vedere nel docu-film girato da Anne e Ludovic Segarra nel 1975, nel Mithila le donne continuano a dipingere le loro case con scene sacre, e nei villaggi di quella regione gli attori mettono in scena il Rāmāyana col volto semplicemente dipinto.
Dall’India il Rāmāyana si diffuse anche in Indonesia: la sua messa in scena nel teatro di figura indonesiano e in particolare nel wayang kulit, il teatro delle ombre, lo ha reso una delle storie più popolari e note del paese. Nell’ultima sala del percorso espositivo, le marionette della collezione del Museo d’Arte Orientale raffigurano molti degli stessi personaggi delle maschere Rājbanśī, creando un suggestivo legame culturale tra India e Indonesia.
Pour plus d’informations : https://icivenice.wordpress.com/2017/03/14/ramayana-the-divine-poem-as-revealed-by-the-rajbansi-masks-exhibition-museo-arte-orientale-di-venezia-exhibition-08-04-2017-10-09-2017/
Evolution of Thai northern city into creative hub fuels hopes of gaining UNESCO status.
The millions of tourists who flock to the ancient, mountain-ringed city of Chiang Mai in northern Thailand might not immediately notice, but the alleys, riversides and Bohemian cafes here are percolating with striking imagery, innovative design and digital wizardry. It is a heady brew that has prompted some to predict a real explosion — a creative one, that is.
The city is already home to more than 40 art galleries and a world-class contemporary arts museum, with others planned. It hosts design and arts festivals and was listed on a widely consulted digital nomad website as No. 1 of 991 places in the world for roving techies to plug in their computers. A creative resource guide to the city runs to 199 pages, focusing on venues ranging from the Wandering Moon Theater to Chiang Mai University’s College of Arts, Media and Technology.
Among a growing base of arts enthusiasts, Chiang Mai has become Thailand’s Left Bank, a part of Paris long known for its artistic and intellectual community.
Lire la suite sur : http://asia.nikkei.com/Life-Arts/Arts/Chiang-Mai-Thailand-s-modern-day-Left-Bank?page=1
Payut Ngaokrachang was a Thai cartoonist who worked for most of his career with the United States Information Service (USIS). He was originally from a rural background, born in Wako, in the province of Prachuap Khiri Khan. In 1955 Payut created his first animated short film, Haed Mahasajan [The Miracle Incident] in which a traffic policeman causes a pile up due to some questionable dancing on the job. According to Jonathan Clements, Payut was subsequently spotted by USIS who awarded him roughly $400 and the opportunity to spend 6 months either at the Walt Disney Studios in California or Toei in Japan. He chose the later, meaning he was in many ways there at the very start of the Japanese anime industry. His time there resulted in his first (and as it happens last) propaganda film, completed in 1957.
Hanuman in Danger
Hanuman Phachoen Phai [Hanuman in danger], takes its principal character from the Ramayana, a classic Hindu epic that is also the basis for the classic Thai text the Ramakien. Hanuman, who is the God-King of the apes, was one of major characters who fought with Rama [Phra Ram] against the Devil King Ravana [Totsapak], and is therefore highly revered. In the propaganda film, Hanuman is depicted with a white face, and is based in the countryside. The film starts with him at home as his sons watch the television. They are watching a dancing competition, commenting on the prettiness of female dancer, when her partner the screen morphs from a handsome young man into a brutal looking dictator, who begins to spout what is supposed to be Communist ideology. He instructs the audience that they no longer need to respect their mothers, fathers, religion or King Rama [Phra Ram].
Lire la suite sur : https://propagandainsoutheastasia.wordpress.com/
Au programme, un long poème narratif en prose : « Confidences de Pariyem. L’univers d’une femme de Java » de l’indonésien Linus Suryadi AG (1951-1999).
« Confidences de Pariyem » a paru en 1981 à Jakarta. A travers les confidences de l’héroïne au jeune Païman, c’est une description rare et puissante de la vie quotidienne et des états d’âme d’une jeune fille de la fin des années 60 qui transparaît.
Embauchée dans une vieille famille noble de Yogyakarta, dernier bastion de l’héritage culturel des cours javanaises, Pariyem nous offre avec candeur, fierté et humour un saisissant voyage.
La lecture sera ensuite prolongée par une rencontre littéraire animée par Etienne Naveau, qui donnera quelques clefs sur Java, les femmes, l’Islam et la place proéminente des écrivaines sur la scène littéraire de l’archipel.
Etienne Naveau est professeur de langue et de littérature indonésienne à l’INALCO.