Depth of Field

The Depth of Field film project requires the student to venture into the world of aperture-priority and tripod usage.

Depth of Field teaches the witchery of the correlation between the small passage of light with a large f-stop number versus the large amount of light with and small f-stop number.

Yeah. Read that last sentence over a couple times. You'll get it eventually.

An EXPOSURE LOG was used to note the size of the F-STOP and the SHUTTER SPEED (with a DESCRIPTION to match):

NEGATIVES, after having gone on a wondrous adventure, were crafted following the STRICT PROCEDURES OF PROCESSING FILM:

DEVELOPER. RINSE. STOP BATH. RINSE. FIXER. RINSE. PHOTO FLO. DON'T RINSE, SQUEEGEE.

NEGATIVES were placed onto a SHEET OF PHOTO PAPER underneath an ENLARGER in the DARKROOM to create a CONTACT PRINT:

After selecting the PERFECT SET OF NEGATIVES by referring to the CONTACT PRINT, two (2) TEST STRIPS were produced; one (1) from the SMALL F-STOP (which allowed a LARGE AMOUNT OF LIGHT to pass through the APERTURE) and one (1) from the LARGE F-STOP (which allowed a SMALL AMOUNT OF LIGHT to pass through the APERTURE):

After deciphering the TEST STRIPS for the correct EXPOSURE TIME, I created two (2) FINAL ENLARGEMENTS. While waiting for the FINAL ENLARGEMENTS to dry, I conjured a NOT-SO-CREATIVE DISPLAY:

ONLY HOMESTUCKS WILL UNDERSTAND THE CAPITALIZATION AND GRAY-ISH TEXT.

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