Backing Track: See the i - ♭VI, i - ♭III Chord Loops from Pop Repertoire here.
1) Nelly, “Hot in Here,” chorus
From Nellyville (2002), written by Nelly, Pharrell Williams, Chad Hugo & Chuck Brown.
Audio: YouTube (1:08–1:27)
Em
It's gettin hot in here (so hot)
F
So take off all your clothes
Em F
(I am getting so hot, I wanna take my clothes off)
Em
It's gettin hot in here (so hot)
F
So take off all your clothes
G F#
(I am getting so hot, I wanna take my clothes off)
2) Portishead, “Mysterons,” verse
From Dummy (1994), written by Geoff Barrow, Beth Gibbons & Adrian Utley.
Audio: YouTube (0:23–0:48)
A#m Bm
Inside, you're pretending
A#m Bm
Crimes have been swept aside
A#m Bm
Somewhere
A#m Bm
Where they can forget
Am B♭
Come here, girl (Go 'head, be gone with it)
Am B♭
Come here, girl (Go 'head, be gone with it)
Am B♭
VIP (Go 'head, be gone with it)
Am B♭
Drinks on me (Go 'head, be gone with it)
Am B♭
Let me see what you're twerking with (Go 'head, be gone with it)
Am B♭
Look at those hips (Go 'head, be gone with it)
Am B♭
You make me smile (Go 'head, be gone with it)
Am B♭
Go 'head, child (Go 'head, be gone with it)
1) New Kids on the Block, “You Got It (The Right Stuff),” chorus
From Hangin' Tough (1988), written by Maurice Starr
Audio: YouTube (0:37–0:55)
A♭ B♭ A♭ B♭
You got the right stuff, baby
A♭ B♭ A♭ B♭
Love the way you turn me on
A♭ B♭ A♭ B♭
You got the right stuff, baby
A♭ B♭ A♭ B♭
You're the reason why I sing this song
2) "Epic I,” verse
From Hadestown, written by Anaïs Mitchell
Audio: YouTube (0:45–1:37)
What do you think the tonic is here and why?
Listen past the excerpt to the repeated "la la las." What feels like the tonic there?
Is there something significant about using this shuttle in a song about the Underworld?
B♭sus2
King of shadows
C(add4)
King of shades
B♭sus2
Hades was king of the
C(add4)
Underworld
B♭sus2
But he fell in love with a
C(add4)
beautiful lady
B♭sus2
Who walked up above in her
C(add4)
mother's green field
B♭sus2
He fell in love with
C(add4)
Persephone
B♭sus2
Who was gathering flowers in
C(add4)
the light of the sun
B♭sus2
And he took her home to
C(add4)
become his queen
B♭sus2
Where the sun never shone
C(add4)
On anyone
2) Doja Cat, “Paint the Town Red,” verse
From Scarlet (2023), written by Burt Bacharach, Hal David, Isaac Earl, Bynum, Jean-Baptiste Kouame, Karl Rubin, Ryan Buendia
Audio: YouTube (0:42–1:03)
Instructor Note: |: i7 | ii 7 :| The entire song shuttles between i7 and ii7 (Gm7 and Am7)
Instructor Note 2: This contains explicit lyrics. It's not included in the student anthology.
Gm7
Yeah, bitch, I said what I said
Am7
I'd rather be famous instead (walk on by)
Gm7
I let all that get to my head
Am7
I don't care, I paint the town red (walk on by)
Gm7
Bitch, I said what I said
Am7
I'd rather be famous instead (walk on by)
Gm7
I let all that get to my head
Am7
I don't care, I paint the town red (walk on by)
i7
Yeah, bitch, I said what I said
ii7
I'd rather be famous instead (walk on by)
i7
I let all that get to my head
ii7
I don't care, I paint the town red (walk on by)
i7
Bitch, I said what I said
ii7
I'd rather be famous instead (walk on by)
i7
I let all that get to my head
ii7
I don't care, I paint the town red (walk on by)
Backing Track: See the i - ♭III Chord Loops from Pop Repertoire here (Minor tab)
Gm7 C Gm7 C
You've got to change your evil ways. . . ba-by,
Gm7 C Gm7 C
before I stop loving you.
C Gm7 C Gm7 C
You've go to change . . . ba-by.
Gm 7 C Gm7 C
And every word that I say, is true.
C Gm7 C
You've got me running and hiding,
Gm7 C
all over town.
C Gm7 C
You've got me sneaking and peeping,
Gm7 C
and running you down.
C D7
This can't go on . . .
Gm7 C Gm7
Lord knows you got to change . . . ba-by.
2) Aguilera, P!nk, Mya, Kim, “Lady Marmalade,” chorus
From the film Moulin Rouge (2001), written by Missy Elliott, Lil’ Kim, Kenny Nolan, Bob Crewe
Audio: YouTube (0:24–0:54)
Gm C
Gitchie, gitchie, ya ya da da (yeah-ey)
Gm C
Gitchie, gitchie, ya ya here (here)
Gm C
Mocha Chocolata ya ya (ooh yeah)
Gm C
Creole Lady Marmalade
Gm C
Voulez-vous coucher avec moi ce soir (ah, oh)
Gm C
Voulez vous coucher avec moi (Yeah yeah yeah yeah)
3) Santana, “Oye Como Va,” verse
From Abraxas (1970), written by Tito Puente
Audio: YouTube (0:19–0:55)
Note: The whole song repeats the same progression.
Am7 D7
Oye cómo va, Mi ritmo
Am7 D7
Bueno pa' gozar, Mulata
Am7 D7
Oye cómo va, Mi ritmo
Am7 D7
Bueno pa' gozar, Mulata
6) Gary Jules, “Mad World,” Prechorus
(2001) written by Ronald Orzabal; covered by Micharl Andrews and Gary Jules
Audio : YouTube (0:55–1:11)
Harmonic Rhythm:
| Fm | B♭ | Fm | B♭ | (x2)
Fm B♭ Fm
And I find it kinda funny, I find it kinda sad
B♭
The dreams in which I'm dying are the best
Fm
I've ever had
7) Brandi Carlile, “Raise Hell,” verse 1
From Bear Creek (2012) written by Tim Hanseroth & Brandi Carlile
Audio : YouTube (0:04–0:24)
Harmonic Rhythm (student):
|Am |Am | D| Am|
|Am |Am|Am| D| Am| (x2)
Am
I've been down with a broken heart
D Am
Since the day I learned to speak
Am
The devil gave me a crooked start
D Am
When he gave me crooked feet
Am
But Gabriel done came to me
D Am
And kissed me in my sleep
Am N.C.
And I'll be singing like an angel
Am
Until I'm six feet deep
8) Fanny, “Shade Me,” outro
From Fanny (1970), written by Nicky Barclay
Audio : YouTube (3:51–4:39)
Harmonic Rhythm (student):
|Cm7 | F | (x7)
Cm7
So come on (Shade me)
F
Oh, from the hurting
Cm7 F
Pain of love (I need you baby, come on come on now)
Cm7
(Shade me)
F
From the hurting
Cm7
Pain of love
F
No you've got to (Shade me)
Cm7
Oh no no you all got to (Shade me)
F
Oh no no no baby (Shade me)
Cm7
Oh you've got to shade me (Shade me)
F Cm7
Oh, b-baby (Shade me), Oh, b-baby (Shade me)
C'mon c'mon c'mon c'mon c'mon c'mon c'mon c'mon
F
(Shade me)
1) Gang of Four, “Damaged Goods,” intro and verse
From Entertainment! (1979), written by Dave Allen, Hugo Burnham, Andy Gill and Jon King
Audio: YouTube (0:00–0:42)
Note: The entire song repeats the same progression.
Em Am/C
The change will do you good; I always knew it would
Em Am/C
Sometimes I'm thinking that I love you, but I know it's only lust
Em Am/C
Your kiss so sweet, your sweat so sour
5) Kendrick Lamar, “Not Like Us,” verse 3
From Bravo: The Hits 2024 (2024), written by Kendrick Lamar, Mustard, Sounwave, Sean Momberger & Ray Charles
Audio: YouTube (0:49–0:58)
Harmonic Rhythm:| Bm . Em Bm | N.C.| (x4)
Bm Em Bm
They tell me Chubbs the only one that get your handmedowns
Bm Em Bm
And Party at the party playin' with his nose now
Bm Em Bm
And Baka got a weird case, why is he around?
Bm Em Bm
Certified Lover Boy?
7) Fiona Apple, “The First Taste,” chorus
From Tidal (1996), written by Fiona Apple
Audio: YouTube (1:10–2:03)
Harmonic Rhythm: | i7 | i7 | iv7 | iv7 | (x4)
D#m7 G#m7
Oh, your love give me a heart contusion
D#m7 G#m7
Adagio breezes fill my skin with sudden red
D#m7 G#m7
Your hungry flirt borders intrusion
D#m7 G#m7
And I'm building memories on things we have not said
Backing Track: See the i - ♭VI Chord Loops from Pop Repertoire here (Minor tab)
1) Kinks, “Tired of Waiting for You,” verse
From Kinda Kinks (1965), written by Ray Davies
Audio: YouTube (0:09–0:29)
G F G F G F G
So tired, tired of waiting, tired of waiting for you
G F G F G F G
So tired, tired of waiting, tired of waiting for you
2) Stevie Wonder, “Uptight (Everything’s Alright),” chorus
From Up-Tight (1966), written by Henry Cosby, Sylvia Moy & Stevie Wonder
Audio: YouTube (0:21–0:37)
Note: The entire song repeats the same progression.
D C/D D C/D
Baby, ev'rything is all right, uptight; out of sight.
D C/D D C/D
Baby, ev'rything is all right, uptight; out of sight.
4) Fiona Apple, “Carrion,” chorus
From Tidal (1996), written by Fiona Apple
Audio: YouTube (3:32–4:02)
C B♭7
My feel for you, boy
C B♭7
Is decaying in front of me
C B♭7 C B♭7
Like the carrion of a murdered prey
C B♭7
And all I want
C B♭7
Is to save you, honey
C B♭7 C B♭7
Or the strength to walk away
5) Dexy's Midnight Runners, “Geno,” intro and verse
From Searching for the Young Soul Rebels (1980), written by Kevin Rowland and Kevin Archer
Audio: YouTube (0:12–0:42)
C♯ B C♯
Back in '68 in a sweaty club
B
Oh, Geno
C♯ B C♯
Before Jimmy's Machine and The Rocksteady Rub
B
Oh, Geno
9) Fanny, “Blind Alley,” verse 1
From Fanny Hill (1972), written by Alice de Buhr & Nickey Barclay
Audio: YouTube (0:42–0:57)
Harmonic Rhythm:
| G | G F . . | G | G F . . |
| G | G F . . | G | G |
G F G F
Take care of yourself, this is your story
G F
Your voice is shakin' the walls,
G
and they're crumbling down
10) Blur, “Advert,” verse
From Modern Life is Rubbish (1993), written by Dave Rowntree, Alex James, Graham Coxon, Damon Albarn
Audio: YouTube (0:28–0:57)
Harmonic Rhythm: | A G | (x16)
A G A G
It's six o'clock on the dot and
A G A G
I'm halfway home
A G A G
I feel foul-mouthed as I stand and wait
A G A G
for the Underground
A G A G
And a nervous disposition doesn't
A G A G
agree with this
A G A G
I need something to remind me that
A G A G
there is something else
5) Fiona Apple, “On the Bound,” Verse 1
From When the Pawn Hits The Conflict... (1999), written by Fiona Apple
Audio: YouTube (0:20–0:52)
Harmonic Rhythm:
| Fm | Fm | E | E | (x4)
Fm E
All my life is on me now
Fm E
Hail the pages turning
Fm E
And the future's on the bound
Fm E
Hell don't know my fury
1) Bing Crosby, “Temptation,” mm. 1–8
From the film Going to Hollywood (1933), written by Nacio Herb Brown
Audio: YouTube (0:12–0:45)
2) Jefferson Airplane, “White Rabbit,” verse
From Surrealistic Pillow (1967), written by Grace Slick
Audio: YouTube (0:26–0:46)
F# G
One pill makes you larger and one pill makes you small
F# G
and the ones that mother gives you don't do anything at all
3) Portishead, “Mysterons,” verse
From Dummy (1994), written by Adrian Utley, Beth Gibbons & Geoff Barrow
Audio: mp3
B♭ C♭
Inside, you're pretending
B♭ C♭
Crimes have been swept aside
B♭ C♭
Somewhere
B♭ C♭
Where they can forget
4) Madness, “Night Boat to Cairo,” verse
From Madness (1979), written by Mike Barson & Graham McPherson
Audio: YouTube (1:00–1:27)
C B♭m
It's just gone noon, half past Monsoon,
C B♭m
On the banks of The River Nile.
C B♭m
Here comes the boat, only half-afloat,
C B♭m
Oarsman grins a toothless smile.
C B♭m
Only just one more, to this desolate shore,
C B♭m
Last boat along The River Nile.
C B♭m
Doesn't seem to care; no more wind in his hair,
C B♭m
As he reaches his last half mile.
5) Stone Temple Pilots, “Long Way Home,” verse
From Shangri-La Dee Da (2001), written by Scott Weiland & Dean DeLeo
Audio: YouTube (0:02–0:34)
G
Leave me out, get away, I've got to go
F#
Long way home, can't see through the trees
G
Leave me alone, get away, better run
F#
Fast as I can, from the man, the dirty man, the old man
6) America, “A Horse with No Name,” verse 1
From American (1971), music and lyrics by Dewey Bunnell
Audio: YouTube (1:32–2:04)
Em9 Dmaj9/F#
I've been through the desert on a horse with no name
Em9 Dmaj9/F#
It felt good to be out of the rain
Em9 Dmaj9/F#
In the desert you can remember your name
Em9 Dmaj9/F#
'Cause there ain't no one for to give you no pain
Em9 Dmaj9/F# Em9 Dmaj9/F#
La, la, la lala la la la, la, la, la, la, la.
Em9 Dmaj9/F# Em9 Dmaj9/F#
La, la, la lala la la la, la, la, la, la, la.
7) The Doors, “Break on Through,” verse 1
From The Doors (1967), written by John Densmore, Robby Krieger, Ray Manzarek & Jim Morrison
Audio: YouTube (1:32–2:04)
Em D Em D Em D
You know the day destroys the night
Em D Em D Em
Night divides the day
D
Tried to run. Tried to hide
F G
Now here you go again
F G
You say you want your freedom
F G F G
Well, who am I to keep you down?
F G F G
It's only right that you should play the way you feel it
F G F
But listen carefully to the sound
G F G
Of your loneliness, like a heartbeat, drives you mad
F G F G
In the stillness of remembering what you had
F G
And what you lost
F G
And what you had
F G
And what you lost
11) Fiona Apple, “On the Bound,” chorus
From When the Pawn Hits The Conflict... (1999), written by Fiona Apple
Audio: YouTube (0:51–1:26)
Harmonic Rhythm:
| Fm | Fm | Dm | Dm | (x4)
Fm Dm
You're all I need, you're all I need
Fm Dm
You're all I need, you're all I need
Fm Dm
You're all I need, you're all I need
Fm
You're all I need
Dm
And maybe some faith would do me good
The NYU Chord Progression spreadsheet includes additional examples of shuttles for aural ID. (See the tabs at the bottom of the spreadsheet).
Philip Tagg, Everyday Tonality: See the tables of examples in Chapter 12: Chord Shuttles on pp. 374, 376–77, 383–85, and 389.