1) The Beatles, "I am the Walrus"
From The Magical Mystery Tour (1967), written by John Lennon and Paul McCartney
Audio: YouTube: (0:20–1:04)
Directions: Listen to the first 2 verses and chorus. The lyrics are provided as a guide.
Verse
I am he as you are he as you are me
And we are all together
See how they run like pigs from a gun
See how they fly
I'm crying
Sitting on a corn flake
Waiting for the van to come
Corporation T-shirt, stupid bloody Tuesday
Man you've been a naughty boy
You let your face grow long
Chorus
I am the egg man
They are the egg men
I am the walrus
Goo goo g'joob
1) The Beatles, "A Hard Day's Night"
From A Hard Day's Night (1964), written by John Lennon and Paul McCartney
Audio: YouTube
2) Rihanna, “Diamonds”
From Unapologetic (2012), written by Sia Furler and Benjamin Levin
Audio: YouTube
2) Porcupine Tree, “Collapse the Light Into Earth”
From In Absentia (2002), written by Steven Wilson
Audio: YouTube (0:11–1:25)
Directions: Listen to the first verse and chorus. The lyrics are provided as a guide.
Verse 1
I won't shiver in the cold
I won't let the shadows take their toll
I won't cover my head in the dark
And I won't forget you when we part
Chorus
Collapse the light into earth
Collapse the light into earth
3) Radiohead, “Idioteque”
From Kid A (2000), written by Radiohead, Paul Lansky, and Arthur Kreiger
Audio: YouTube (0:57–5:00)
Directions: Listen to the first couple verses. The lyrics are provided as a guide.
Verses 1–2
Who's in a bunker? Who's in a bunker?
Women and children first
And the children first, and the children
I'll laugh until my head comes off
I'll swallow 'til I burst
Until I burst, until I
Who's in a bunker? Who's in a bunker?
I have seen too much
I haven't seen enough, you haven't seen it
I'll laugh until my head comes off
Women and children first
And children first, and children
4) Outkast, "Hey Ya"
From Speakerboxxx/The Love Below (2003), written by André 3000
Audio: YouTube
Directions: This song uses a regular hypermeter, but each loop incorporates a change in meter. Most of the of phrase is in 4/4, but one measure is different. Count the number of beats that repeat, then try to determine where the odd measure is in the phrase.
Verse
My baby don't mess around
Because she loves me so
And this I know fo sho (uh)
But does she really wanna
But can't stand to see me walk out the door? (Ah)
Don't try to fight the feeling
Because the thought alone is killin' me right now (uh)
Thank God for Mom and Dad
For sticking two together
'Cause we don't know how (c'mon)
Chorus
Hey ya! Hey ya! (x4)
5) Foo Fighters, “Everlong,” verses 1–2
From The Colour and the Shape (1997), written by Dave Grohl
Audio: YouTube (0:32–1:26)
Directions: Listen to the first 2 verses. The lyrics are provided as a guide.
Verses 1–2
Hello, I've waited here for you
everlong
Tonight, I throw myself into
And out of the red
Out of her head, she sang
Come down and waste away with me
Down with me
Slow, how you wanted it to be
I'm over my head
Out of her head, she sang
6) Willie Nelson, “On the Road Again”
From Honeysuckle Rose (1980)
Audio: YouTube
Directions: Listen to the first couple verses and chorus. The lyrics are provided as a guide.
Verses 1–2
On the road again
Just can't wait to get on the road again
The life I love is making music with my friends
And I can't wait to get on the road again
On the road again
Goin' places that I've never been
Seein' things that I may never see again
And I can't wait to get on the road again
Chorus
On the road again
Like a band of gypsies we go down the highway
We're the best of friends
Insisting that the world keep turning our way
And our way
7) The Beatles, “The Continuing Story of Bungalow Bill”
Audio: YouTube (0:08–0:24)
1) The Beatles, “Eleanor Rigby”
From Revolver (1966), written by John Lennon and Paul McCartney
Audio: YouTube
Directions: The hypermeter in the verse is different from what's heard in the intro and chorus. Listen to each, using the lyrics as a guide.
Intro
Ah, look at all the lonely people
Ah, look at all the lonely people
Verse 1
Eleanor Rigby
Picks up the rice in the church where a wedding has been.
Lives in a dream
Waits at the window
Wearing the face that she keeps in a jar by the door
Who is it for?
Chorus
All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?
2) Tame Impala, “Let It Happen,” verse 1 and chorus
From Currents (2015), written by Kevin Parker
Audio: YouTube (0:15–1:21)
Directions: The hypermeter in the verse is different from what's heard in the chorus. Listen to each, using the lyrics as a guide.
Verse 1
It's always around me, all this noise, but
Not nearly as loud as the voice saying
"Let it happen, let it happen"
(It's gonna feel so good)
"Just let it happen, let it happen"
Chorus
All this running around
Tryin' to cover my shadow
A notion growing inside
Now all the others seem shallow
All this running around
Bearing down on my shoulders
I can hear an alarm
It must be morning
3) The Beatles, “Yesterday”
Single, 1965, written by John Lennon and Paul McCartney
Audio: YouTube
Directions: The hypermeter in the verse is different from what's heard in the intro and chorus. Listen to each, using the lyrics as a guide.
Verses 1–2
Yesterday, all my troubles seemed so far away
Now it looks as though they're here to stay
Oh, I believe in yesterday
Suddenly, I'm not half the man I used to be
There's a shadow hanging over me
Oh, yesterday came suddenly
Bridge
Why she had to go I don't know she wouldn't say
I said something wrong, now I long for yesterday
Verse
Sheets of empty canvas, untouched sheets of clay
Were laid spread out before me as her body once did
All five horizons revolved around her soul as the earth to the sun
Now the air I tasted and breathed has taken a turn, ooh
Prechorus
And all I taught her was everything
Ooh, I know she gave me all that she wore
Chorus
And now my bitter hands chafe beneath the clouds
Of what was everything
Oh, the pictures have all been washed in black
Tattooed everything
"Among the Fuchsias," by Laurence Hope
Call me not to a secret place
When daylight dies away,
Tempt me not with thine eager face
And words thou shouldst not say.
Entice me not with a child of thine,
Ah, God, if such might be,
For surely a man is half divine
Who adds another link to the line
Whose last link none may see.
Call me not to the Lotus lake
That drooping fuchsias hide,
What if my latent youth awakes
And will not be denied?
Ah, tempt me not for I am not strong
(Thy mouth is a budded kiss)
My days are empty, my nights are long.
Ah, why is a thing so sweet so wrong,
As thy temptation is?
Paula Maust, Expanding the Music Theory Canon: Compound Meter
Music by Women: Asymmetrical Meters, Changing Meters
Rosenberg, From Rock Music to Theory Pedagogy, Appendix B (includes a list of popular music examples with irregular meters, changing meters, and polymeter.
Yale Musical Examples Database: See the "Meter/Rhythm" tab at the bottom.