Rhythms in simple time that include rhythms with whole, half, quarter, and dotted half notes and rests. No divisions of the beat.
1) Béla Bartók, Mikrokosmos Vol. I, No. 2a (1939) [Image File | MuseScore | Youtube 0:22–0:42]
2) Richard Rodgers & Oscar Hammerstein, “My Favorite Things,” from the film The Sound of Music [Image File | MuseScore | Youtube 1:13-1:19]
3) Traditional Song, China, "Wǒ Hé Nǐ (You and Me)" [Image File | MuseScore ] Song info, translation, and video recording here.
4) Béla Bartók, Mikrokosmos Vol. I, No. 2b (1939) [Image File | MuseScore | Youtube 0:42–1:02]
5) Béla Bartók, Mikrokosmos Vol. I, No. 3 (1939) [Image File | MuseScore | Youtube 1:04–1:35]
6) Ethel Barns, “Sleep, Weary Heart,” mm. 3–14 (1911) [Image File | MuseScore | PDF]
7) Anonymous, Carol (Bohemia) [ Image File | MuseScore ]
1) Béla Bartók, Mikrokosmos Vol. I, No. 1 (1939) [Image File | MuseScore | Youtube 0:00–0:20]
2) Rogers & Hammerstein, "Oh, What a Beautiful Morning," from Oklahoma!, mm. 48–60 [Image File] [MuseScore] [PDF] [Youtube 0:46-1:01]
3) Béla Bartók, Mikrokosmos Vol. I, No. 13 (1939) [Image File | MuseScore | PDF | Youtube 6:29-6:59]
4) Béla Bartók, Mikrokosmos Vol. I, No. 31 (1939) [Image File | MuseScore | PDF | Youtube 17:01-17:36]
Directions: Sing the rhythm as a duet with a partner or sing the top staff while clapping the rhythm on the bottom staff.
5) Laurindo Almeida, Lament in Tremolo Form (1967), mm. 1–16, outer voices only [MuseScore | PDF | Image File]
1) Gussie L. Davis, “The Fatal Wedding: Descriptive Waltz Song,” mm. 70–77 (1893) [Image Link | MuseScore | Youtube 1:53–2:05]
2) Béla Bartók, Mikrokosmos Vol. I, No. 21 (1939) [Image File | MuseScore | PDF | Youtube 10:58–11:22]
5) Nobuo Uematsu, “Chaos Temple,” mm. 1–4, from the video game Final Fantasy (1987) [Image File | MuseScore]
Toby Stewart, Foundational Sight-Singing
Examples with and without rests and ties, p. 28
Benjamin Crowell, Eyes and Ears: An Anthology of Melodies for Sight Singing:
"Whole, Half, and Quarter Notes," p. 13
"3/4 Time, and Dotted Half-Notes," p. 14