Other Beat Units

1) “Tokala Wacipi Olowan.” Dance-Song of the Fox Society, Native American Dakota Song, as sung by Wicapi (Star), Pine Ridge. Transcribed by Natalie Curtis. [Image | MuseScore]

2) John Williams, “Hedwig's Theme,” from Harry Potter and the Chamber of Secrets soundtrack (2002) [Image | MuseScore]

Directions: Sing the melody while tapping the bass rhythm. 

3) Martin Luther, “Out of the Depths, I Cry to Thee” [Image | MuseScore]

4) Maria Theresia von Paradis, “Sophia an Siegwart,” No. 2, from 12 Lieder, 1786, mm. 25–31, melody only  [Image | MuseScore]

5) Maria Theresia von Paradis, “Die Tanne,” No. 5, from 12 Lieder, 1786, mm. 1– 7, melody only [Image | MuseScore]

6) Samuel Coleridge-Taylor, 6 Sorrow Songs, Op. 57, No. 6, “She Sat and Sang Alway,” mm. 7–22. (1906) [Image | MuseScore ] 

7) Fanny (Mendelssohn) Hensel, 6 Lieder Op. 1, No. 2 “Wanderlied,” mm. 3–13 (1846)  [Image | MuseScore ]

8) Maria Theresia von Paradis, 12 Lieder, 1786, No. 4, “Das Gärtnerliedchen aus dem Siegwart,” mm. 1–11 (1786). [Image| MuseScore]

9) Samuel Coleridge-Taylor, “Oh, The Summer” (1911), mm. 3–10 [Image | MuseScore]

10) Traditional Song, China, “Wedding Vow” [Image | MuseScore]

11) Florence B. Price, “Ticklin' Toes,” mm. 1– 8, from Three Little Negro Dances (1933) [Image | MuseScore | Braille]

12) Élisabeth Claude Jacquet de la Guerre, Sonata No. 2 in D for Violin and Keyboard (c. 1707),  mvt. 2 (whole movement) [Image | PDF | MuseScore]

13) Isabella Leonarda, Sonata Secunda, mvt. 1, from 12 Sonatas, op. 16 (1683) [Image | PDF | MuseScore]

14) Florence Price, The Goblin and the Mosquito (1951), mm.5-12 [Image | PDF | MuseScore]

15) Barbara Strozzi, Quis dabit mihi (1656), mm. 113–122 [Image | PDF | MuseScore]

16) Silvestre Revueltas, Homenaje a Federico García Lorca, mvt. 1 “Baile” (1936), mm. 7–30, melody [Image | PDF | MuseScore]

17) Juan del Encina, “Levanta, Pascual, levanta,” soprano part only, mm. 1–14 (ca. 1492) [Image | MuseScore | PDF]

19) Dolores White, That Black Reef (2003), mm. 30–37, vocal part only [MuseScore | PDF | Image ]

20) Barbara Strozzi, “Che si può fare” (What can you do?) (1664), mm. 101–109, vocal part [MuseScore | Image]

1) Agustín Fernández, El Anillo (1958), mvt. 2, “Escena,” mm. 23–29 [ Image | PDF | MuseScore ]

2) Barbara Strozzi, Non c'è più fede (1664), mm. 1–4 [Image | PDF | MuseScore]

3) Andrés Wheatly, Scherzino (2008), mm.35–38 [Image | PDF | MuseScore]

4) Francesca Caccini, Te lucis ante terminum (1618), mm.1–8 [ Image| PDF | MuseScore ]

5) Leonora Duarte, Sinfonia a 5 No. 1 (ca. 1625-1650), Canto primo only, mm.1–12 [ Image| PDF | MuseScore ]

6) Claudia Francesca Rusca, Canzon Seconda à4 from Sacri Concerti à1-5 con salmi e canzoni francesci (1630),  mm.1–7 [Image | PDF | MuseScore]

Directions: By yourself, sing the cantus viol part. In groups of 2, sing the cantus and altus together; in groups of 3, the cantus, altus, and tenor; and in groups of 4, all 4 voices.

7) Anna Amalia of Prussia, Sonata for Flute in F, movt. 3, Allegro Ma non troppo, mm. 3–10 (1771) [Image | PDF | MuseScore] 

1) Pérotin, Ave Maria Stella (ca. 1200) [Image | Youtube | MuseScore]

1) Fanny Mendelssohn Hensel,  Die Mainacht  (The May Night), op. 9, no. 6, mm. 4–10 (1850) [PDF | Image | MuseScore]

2) Samuel Coleridge-Taylor, “Lament,” from Two Romantic Pieces, op. 9 (1895) [Image | PDF | MuseScore]

3) Francesca Caccini, Ch'amor sio nudo (1618), mm. 9–13 [Image | PDF | MuseScore]

4) Barbara Strozzi, Amor Dormiglione (1651), mm. 1–16 [Image | PDF | MuseScore]

5) Barbara Strozzi, "Fin che tu spiri" from Diporti di Euterpe (1659), mm. 1–16 [Image | PDF | MuseScore]

6) Lili Boulanger, Pie Jesu (1918), mm. 3–9 [Image | PDF | MuseScore]