a longer version of the upcycled garment
Being sustainable in fashion is crucial nowadays. The fashion industry is one of the leading causes of pollution, so by recycling pieces of clothing, we can help mitigate its impact on the world. I chose to experiment with this idea and went to find something to work with. I landed on a pair of acid-wash denim overalls, which I decided to turn into a dress. It was also important to me to practice various methods of construction with this project, so there are elements of many different advanced techniques in the garment itself.
The first step in creating something upcycled is actually destroying it. Seam ripping is the action of removing the stitching that holds a garment together so that new pieces can be put in or alterations can be made. (Note: This varies from piece to piece).
The next step for me was to put panels into the empty space created by the seam ripping. I carefully measured out each part of the triangle-shaped hole, ensuring that the measurements were precise. This is where I learned that math is a significant aspect of garment construction, and precision is necessary to avoid creating larger problems for yourself down the line. Each panel was then cut out of ripstop, which is a plastic-like material that was to be ruched and inserted into the garment.
The first alteration I made to the panels to practice a construction technique was adding a drawstring to the bottom of the panel so it could be adjustable. With the ability to be adjustable, the entire shape of the dress could be altered and changed. To accomplish this, a string is inserted into the bottom of the ripstop panel and then rolled up to secure it. Then, a hole is made in the center of the tube and then sewn shut and secured at the sides. By pulling the string in the center of the garment, the bottom of the dress can be tightened.
In addition to the drawstring that I added to the panel, I also decided that I wanted to add an elastic bungee so that the wearer could cinch the garment up if it was too long or for a style choice. The casing was made out of ripstop and was placed at a measured point in the middle of each panel. After an elastic cable was placed in the casing, it was then sewn to lock it in. A stopper was added at the end of the elastic to lock the desired amount of tension on the dress in place.
Ruching was by far the most challenging part of this piece for various reasons. For context, ruching involves making a straight stitch and then pulling one of the threads to distort the fabric. The end result creates a ruffling effect that adds body and texture to the piece. This caused a lot of trouble for me because I was already stitching together two fabrics that did not want to be stitched together, and now one of them is also puffy when the ideal situation is for it to be flat. Although I struggled with the technique, I am glad that I learned how to do it because it adds depth to the garment that a normal flat panel would not achieve.