In this article, Willow talks about how the Russian author, Fyodor Dostoevsky reflects his own temptations on his titles.
Fyodor Dostoevsky (1821-1881) was a depressive Russian author who is considered to be one of the world's greatest nihilistic writers in his time; moreover, his topics usually dive deep into the concepts of the mortal limit of internal suffering and its psychological impacts. In his titles, such as The Idiot, Dostoevsky reflects his own pain of being captured and thrown into a work camp in Siberia and the harsh treatments that were truly more of a mental horror than a physical scar. It can be concluded by his experience that physical wounds heal more quickly than the trauma of absurd suffering. Due to his own horrific past, he used his books as a reflection of himself to add another layer of depth into the universe of his writings. This form of Realism delves considerably deep into the place of the human role and how it should act.
Spoiler Alert: The next section gives a vague spoiler for one of his titles, Crime and Punishment
In Crime and Punishment, one of Dostoevsky’s most famous pieces of work, a rising need for materialistic items to reach an idealized utopia (which can also be seen as ‘freedom from being a poorman’) is desired by the main character. In said story, the character decides to kill an old woman, as he believes that society would be better off without her. The protagonist comes quickly to the conclusion that killing her would be better for everyone, including himself. As she has more money than him, he could use the money she had hidden away. As a result, he would be helping others along with himself in his "unselfish" course of action. The main character then proceeds with his plan so that he would not have to work day by day in a repeating cycle without any obtainable pleasure. This way, instead of the point of his life being to survive, it could transform into spending that money on his own education. His unflattering, impoverished appearance that makes up first impressions would not chain him to the world. The mindset of the protagonist can be seen as contradictory when he wishes to be free, but with a perspective of a poorman who yearns to be wealthy so that he can fill the empty hole within him. To give meaning to life other than to survive, as it is thought by him, the idea of simple coin and materialistic items can help fill what is missing within him. Quite possibly, it can even "fix" him. This realization occurs from the political and economic idea that power is built from coin and respect, and that power means freedom from those who also have status, in addition to those below.
Of course, his original plan does not go as he wishes and he is then stuck in a loop of guilt and madness. When he killed the old woman, a part of himself also died. Such an action chains him, rather than sets him free. Despite his intellect, the will of temptation took over far too swiftly, meaning that the main character reached beyond the moral/ethical boundary, forcing him to eventually lose his mind. Such a book teaches the outcome of temptation if such intellectual policies are not settled to discipline free will. Unfortunately, despite writing such a lesson, it did not keep Dostoevsky from his own spirals of materialistic obsession rooted from envy, which he at first tried to achieve through his own hard work.
As Dostoevsky wrote of such tales, he lived them in a much more mellowed version. Of course, such a lonely man (despite having a wife and kids) who was always constantly shrouded in fear, could have not passed such a moral boundary himself; however, the lesson lies solely within the temptation and the answer to freedom. Similarly, within Crime and Punishment, the protagonist searches for material wealth to feed his ego and ascend to a form of superiority, where the consequences of his actions can be vaguely identified. Such ascension can be looked at without the observation of needed justice, due to the clouded vision that is brought by currency, as shown from historic past events to modern occurrences.
Like his own creation, Dostoevsky searched to fill the massive hole inside of himself with materialistic items like alcohol, chainsmoking, and gambling (such first-hand experience also greatly influenced the title of one of his books, The Gambler). When he gambled, it was easy to imagine himself in a future full of wealth; however, as a result of such high hopes, Dostoevsky ended up gambling all of his and his wife's money away for a number of years, making their lives even more miserable than before-- well, at least until he reached his so-called “enlightenment”.
During his most productive era, Dostoevsky just so happened to be in his most self-destructive one. His addiction continued for a solid eight years before he finally received support by making a final bet with a publisher. During his eight years of terror, he wrote the comedy, Notes from the Underground, a story about a reflection towards enlightenment; Demons, a story about the unknowable catastrophic outcome of actions and how it reflects onto politics; all along with The Gambler, The Idiot, and Crime and Punishment, which were the all stories dealing with problems rooted by money.
Money is constantly seen as the solution to our problems, but also the problem in itself, as it’s become such an important part of society. Thus, by exercising such free will, like the protagonist in Crime and Punishment, we expand our own freedom, which is often seen as irrational and impulsive since problems are more likely to be caused by it. At the same time, by keeping such free will within a box, we also limit our own freedom, which implies to ourselves that we are inferior toward the flow of time and scared of outcomes that may negatively impact us. Such a statement defines the concept that there is no such thing as freedom, for humans will always desire more purely by a form of comparison. To be free is to be unfree. The only way out of such a loophole would be to reach an unmarked path toward self-enlightenment and learn to be satisfied with the life you’re living. Such an unmarked area could potentially be summed up to one complete word: gratitude. It can be seen commonly that such financial necessities are desired by the physical body but, on many accounts, the spiritual idea of emotional acceptance can help resolve issues. (This can be seen in The Notes of the Underground.)
"Nothing is more seductive for man than his freedom of conscience, but nothing is a greater cause of suffering.”
Fyodor Dostoevsky, 1880
The Idiot
The Gambler
Crime and Punishment
Demons