Exploration of Homosexuality in Indian History
by MUGDHA PRABHUGAONKAR
by MUGDHA PRABHUGAONKAR
I N T R O D U C T I O N
Homosexuality was always celebrated in Indian culture and seen as equal to heterosexuality. The mention of its existence maybe little in the literature but the representation is very much there and respected. The title of 'unnatural' was given to it by British who passed a law against homosexual relationships. This attitude towards non-hetero relationship then remained in Indian culture even after British freed India. One of the reason they called Indians uncivilized is because of the acceptance of homosexuality which went against Victorian beliefs. After the formation of Section 377, homosexuals kept fighting for their rights, representation and a respectable place in India.
Queerness existed in ancient India, proof of which can be found in epics, scriptures, prose, poetry, art and architecture. Hindus were taught through mythology that homosexuality is a manifestation of Karma, no one can fight it, and it should be regulated just like heterosexual desires. Gods can be frequently seen shifting genders, showing gender fluidity. In epic, Ramayana there is a mention of two female rakshasa kissing each other and King Bhagiratha who was son of two women. In other epic, Mahabharata represents transgender person through Shikhandi. Ancient Hindu medical text, Shushruta Samhita talks about how a couple can give birth to a 'third gender' kid. This is also mentioned in ancient texts on astrology, architecture and music written in India. Dharmashastras mentions non-vaginal sex very casually. Though it acknowledges homosexuality, it favours heterosexual marriages as they result in birth of a son. It tries to restrict queer sex by using penance and fines. Arthashastra of Kautilya asks for small fine to be paid by those involved in queer sex, mostly without consent. Manusmriti states that those who involved in such sex should purify themselves by fasting overnight, bathing with clothes on and activities involved with cow products; but heterosexual sex before marriage has worse punishments. Kamasutra mentions about sex between two males, two women and more, accepting all sexual desires and providing guidance in fulfilling those. The text acknowledges eight types of marriage, including Gandharva Vivah which approved of gay or lesbian marriage. The important thing to remember is these text do not represent every culture present in India because there are many tribes and communities within India who has different views on homosexuality which are hidden or not spoken much about.
tathā nāgarakāḥ kecidanyonyasya hitaiṣiṇaḥ |
kurvanti rūḍhaviśvāsāḥ parasparaparigraham ||
And, in the same way (tathā), certain city-dwelling-men (kecid nāgarakāḥ) who desire for one another’s welfare (anyonyasya hitaiṣiṇaḥ) and have established-trust (rūḍha-viśvāsāḥ) do (kurvanti) this service [oral sex] for one another (paraspara-parigraham).
— Verse 2.9.36
strīyo’pi kurvanti | yathoktam – ‘antaḥpuragatāḥ kāścidaprāptabhāṇḍakāḥ(?) striyaḥ | bhage hyanyonyaviśvāsātkurvanti mukhacāpalam ||’ iti |
Women, too, can do this. As it is said: ‘Certain women in the harem, unable to get any tools, trusting in one another, excite one another with their mouth on the vagina.’
India has abundance of graphic representation of homosexuality through art, paintings, sculptures scattered all over India. One of the prominent once is the Khajuraho temple sculptures which was commissioned by Chandela dynasty and built around 1000 AD, showcases men exposing their genitals to other men and women in embrace of each other, which are interpreted as acceptance of same-sex relationships and homosexuality as whole. The Sun temple of Konark in Eastern Orissa was there since 13th century, it is the one which showcases erotic scenes from Kamasutra. Temples of Puri, Tanjore, Rajrani temple in Bhubaneshwar and many others have sculptures representing homosexuality very openly and are definite proof of queer existence in the history of India.
The attraction towards same sex started with the first Mughal ruler who founded the empire. Babur mentions a boy named Baburi, he was attracted to him and wrote a poem in his memoir, "May none be as I, humbled and wretched and love-sick; No beloved as thou art to me, cruel and careless." There are some Sufi poetries too, depicting homosexual behavior. Muslim rulers often had harems which were flooded by eunuch or transgender-females, and queens pleasured each other or had their female servants pleasure them in the absence of male. Sufi Saint Bulleh Shah wrote about his sexual fluidity and the love he felt towards murshid named Shah Inayat. There is also a story about Sarmad Kashani who fell in love with a Hindu boy, Abhai Chand who was his student. He was later beheaded by Aurangzeb. There is also a gay love story between Sufi Saint Shah Hussain and Madho Lal who were buried together in Lahore, it is mentioned in several texts. Gay relationships were also documented by a Dutch traveller, Johan Stavorinus, in his book 'Voyages to the East India.' Though Islam does not support homosexuality, homosexual relationships were very much present in the India ruled by Islamic rulers, and some rulers themselves were involved in such relations.
“The sin of Sodom is not only universal in practice among them, but extends to a bestial communication with brutes, and in particular, sheep. Women even abandon themselves to the commission of unnatural crimes.” - Stavorinus
The colonizers from West felt the sculptures representing exotic scenes between heterosexuals and especially between the homosexuals were depiction of 'perverse' sex. Their conservative way of looking at queer community was then adopted by Indians and is now ingrained deep into our societal values. British declared homosexuality to be against the 'order of nature' only in 1860. In India, Thomas Macaulay was the one who introduced Section 377 through the Penal Code which is modeled after the English Buggery Act of 1533. This made oral and anal sex punishable offence. This Victorian mentality was then accepted by Indian nationalists in exchange for 'respectability' for Indian culture.
This short story collection was written in 1920. This book was criticized for writing about homosexual desire, although it did not paint them in good light.
The first openly queer film released in Indian theaters was made by Indo-Canadian filmmaker Deepa Mehta. It depicts a lesbian love story. It caused huge protests by those who felt it was against Indian culture. Queer community members too fought for their right to be represented in film industry.
The famous mathematician wrote about homosexuals after she realized her husband is gay. Her curiosity about homosexual relationship led her to study and write about her findings. This book was released in late the 70s, when no one talked about such issues. Thus it was forgotten until recently, as more people accepted homosexuality and dug up the hidden literatures about queer community.
Ancient texts focused more on birth of queer, sexual desires and sex between same sex. The romantic relationships are not documented but can be found in folktales. In the later ages, mostly during the Mughal era, the romantic relations between same sex were documented and popularized for good or bad reasons. When India transitioned into its colonial era is when the queer community had to go into hiding because of the laws and small mentality of Victorian era brought by British. The representation found in Indian history can help LGBTQ+ community to gain back the respect and position in the society they lost decades ago. The ignorance towards them will be decreased and the notion of homosexuality being a Western influence will be eliminated for good.
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Mugdha Prabhugaonkar
AU190023
SEM VI
Representation of Gender and Sexuality in Literature
mug001@chowgules.ac.in