By Jyoti R. Pandey
INTRODUCTION
The truth is- people with disabilities especially women with disabilities are more vulnerable to being victims of inequality and injustice. They are seen as "not normal" and hence these negative outcomes of their disability led activists to fight for the rights of the differently abled. The feminist took into consideration the disability of them and hence called it the 'Feminist Disability Movement' which gave rise to the formulation of the theory and the hope that it would be practiced in real life. What is the theory about? What is disability? What is the ability and the disability system? What are the aspects of disability? What are the major domains of Feminist Disability Theory? All questions stand answered theoretically in the Feminist Disability Theory and the following is the explanation of the same.
WHAT IS THE FEMINIST DISABILITY THEORY?
The Feminist Disability Theory addresses the complex intersection of gender and disability. It challenges and resists the existing social relations that shape or normalize particular bodily conjugations (Herndl). This approach fosters complex understandings of the cultural and biological history of the body.
It goes beyond explicit disability topics such as illness, health, beauty, genetic, aging, reproduction, prosthetics, and access issues by taking the ability and disability system into consideration.
Image Credit: Bordo, ITC
It addresses broad feminist concerns as the unity of the category woman, the status of the lived body, the politics of appearance, the medicalization of the body, the privilege of normalcy, multiculturalism, sexuality, the social construction of identity and the commitment to integration.
THE ABILITY/ DISABILITY SYSTEM
Feminist disability theory's radical critique hinges on a broad understanding of disability as a pervasive cultural system that stigmatizes certain kinds of bodily variations. (Heis) At the same time, this system has the potential to incite a critical politics. One d the important premise of the feminist disability theory is that, like femaleness, is not a natural state of bodily inferiority, inadequacy, excess, or a stroke of misfortune. Rather, disability is a culturally fabricated narrative of the body, similar to what we understand as the fictions of race, gender, ethnicity, etc.
Image Credit: Bethel, CT Patch
The system of disability/ ability produces subjects by differentiating and marking bodies, making the comparison ideological rather than biological. It nevertheless penetrates into the formation of culture, making it legitimate to have an unequal distribution of resources, status and power within a biased social and biological environment.
ASPECTS OF DISABILITY
Disability, being a broad term, has four aspects. First, it is a system for interpreting and disciplining bodily variations; second, it is a relationship between bodies and their environments; third, it is a set of practices that produce both the able-bodied and the disabled; fourth, it is a way of describing the inherent instability of the embodied self.
Image credit: Blanca, Researchgate
The disability system excludes the kinds of bodily forms, functions, impairments, changes, or ambiguities that call into question our cultural fantasy of the body as a neutral, compliant instrument of some transcendent will. Moreover, disability is a broad term within which cluster ideological categories as varied as sick, deformed, crazy, ugly, old, maimed, afflicted, mad, abnormal, or debilitated-all of which disadvantage people by devaluing bodies that do not conform to cultural standards.
FUNDAMENTAL DOMAINS OF THE FEMINIST DISABILITY THEORY
A feminist disability theory denaturalizes disability by unseating the dominant assumption that disability is something that is wrong with someone. It mobilizes feminism's highly developed and complex critique of gender, class, race, ethnicity, and sexuality as exclusionary and oppressive systems rather than as the natural and appropriate order of things. To do this, feminist disability theory engages several of the fundamental premises of critical theory: 1) that representation structures reality, 2) that the margins define the center, 3) that gender (or disability) is a way of signifying relationships of power, 4) that human identity is multiple and unstable, 5) that all analysis and evaluation have political implications. In order to elaborate on these premises,
REPRESENTATION
The first domain of feminist theory that can be deepened by a disability analysis is representation. Western thought has long conflated femaleness and disability, understanding both as defective departures from a valued standard. Aristotle, for example, defined women as "mutilated males." Women, for Aristotle, have "improper form"; we are "monstrosit[ies]" (Heis). More recently, feminist theorists have argued that female embodiment is a disabling condition in sexist culture. Even the general public of foreign countries and India associate femininity with disability.
Image Credit: Pixelart
A recent study on stereotyping showed that housewives, disabled people, blind people, so-called retarded people, and the elderly were all judged as being similarly incompetent. Recognizing how the concept of disability has been used to cast the form and functioning of female bodies as non-normative can extend feminist critiques. The gender, race, and ability systems intertwine further in representing conquered people as being pure body, unredeemed by mind or spirit. This sense of embodiment is conceived of as either a lack or an excess. Women, for example, are considered castrated, or to use Marge Piercy's wonderful term, "penis-poor". They are thought to be hysterical or have overactive hormones. People with disabilities are described as having aplasia, meaning absence or failure of formation, or hypoplasia, meaning underdevelopment. (Spelman)All these terms police variation and reference a hidden norm from which the bodies of people with disabilities and women are imagined to depart.
THE BODY
The second domain of feminist theory that a disability analysis can illuminate is the investigation of the body: its materiality, its politics, its lived experience, and its relation to subjectivity and identity. Together, the gender, race, ethnicity, sexuality, class, and ability systems exert high social pressures to shape, regulate, and normalize conquered bodies.
Feminist disability theory offers a particularly sharp analysis of the ways that the female body has been medicalized in modernity. Sickness is gendered feminine. Feminist disability theory suggests that appearance and health norms often have similar disciplinary goals. The standard of what is beautiful and what is normal is changed and is against the stereotypical mindset.
Image credit: Women.org
IDENTITY
The third domain of feminist theory that a disability analysis complicates is identity. Feminist theory has productively and rigorously critiqued the identity category of woman. Feminism increasingly recognizes that no woman is ever only a woman, that she occupies multiple subject positions and is claimed by several cultural identity categories. This complication of woman compelled feminist theory to turn from an exclusively male/female focus to look more fully at the exclusionary, essentialist, oppressive, and binary aspects of the category woman itself.
Cultural stereotypes imagine disabled women as asexual, unfit to reproduce, overly dependent, unattractive-as generally removed from the sphere of true womanhood and feminine beauty. Women with disabilities often must struggle to have their sexuality and rights to bear children recognized. Aging is a form of disablement that disqualifies older women from the limited power allotted females who are young and meet the criteria for attracting men. Depression, anorexia, and agoraphobia are female-dominant, psychophysical disabilities that exaggerate normative gender roles.
ACTIVISM
The final domain of feminist theory that a disability analysis expands is activism. There are many arenas of what can be seen as feminist disability activism: marches; protests, etc. Ther are also two unlikely, even quirky, cultural practices that function in activist ways but are seldom considered as potentially transformative. One practice is disabled fashion modeling, and the other is academic tolerance. Both are different genres of activism. Both are less theatrical, but perhaps fresher and more interestingly controversial ways to change the social landscape and to promote equality, which is the goal of activism.
Images of disabled fashion models in the media can shake up established categories and expectations. Because commercial visual media are the most widespread and commanding sources of images in modern, image-saturated culture, they have great potential for shaping public consciousness-as feminist cultural critics are well aware. A study conducted in the US demonstrated culturally appropriate form independent group living to have a beneficial impact on the women's levels of sociability and their confidence to venture out in public or to social functions (Heis). Living among other women with disabilities and in a non-judgmental environment helped in raising self-esteem and in developing social skills. All of the women who resided in the group house felt accepted, sociable, and confident to venture. Together, confidence in their abilities was strengthened and they could carry out their business with mutual support. Thus, independent group living helps in Social Development (Increased sociability, public confidence and ability to support) and Personal Development (improved self-image, independence and professional motivation).
Despite the most optimistic outlook for change in employment opportunities for women with disabilities, the present reality is that the best hope public representations of disability have traditionally been contained within the conventions of sentimental charity images, unique freak show portraits, medical illustrations, or sensational and forbidden pictures. Indeed, people with disabilities have been excluded most fully from the dominant, public world of the marketplace.
DISABILITY AND ADVERTISEMENT
Just as advertisements contribute to the construction and attainment of norms surrounding a woman's body, they also serve to attain dominant cultural understandings of the (dis)abled body. Traditionally, individuals with physical disabilities and deformities have been presented as flawed able-bodied people, not as people with their own identities (Blood). It is only within the past twenty years that disabilities have been depicted favorably in advertisements. Before the 1980s, there were two types of advertisements depicting disability and deformity. The first group was comprised of line drawings that magnified the disfigurement of the body.
Image credit: Elvis, Pinterest
The second group provided images of children using braces or wheelchairs to elicit pity and donations. These advertisements contributed to public fear of disabled bodies. Images that depicted people with disabilities as deserving of pity created a stigmatizing system that is only now being questioned and replaced.
The presence of disabilities in advertisements has been met with varying degrees of acceptance. For example, because women are often depicted as sexual objects and people with disabilities are traditionally understood to be asexual, viewers expectations are violated when women with disfigurements or disabilities are sexualized in the media.
CONCLUSION
Disability, like gender and race, is everywhere, once we know how to look for it. Integrating disability analyses into the work and education setting is a start to redefine the meaning of normalcy. Moreover, such critical intellectual work facilitates a fuller integration of the sociopolitical world-for the benefit of everyone. As with gender, race, sexuality, and class: to understand how disability operates is to understand what it is to be fully human. Realizing the need to promote the full participation of the disabled in the social life and development of their societies, on 16 December 1976, the General Assembly declared the year 1981 International Year of Disabled Persons (IYDP), stipulating that it be devoted to integrating disabled persons fully into society. Disability is not a curse or a disadvantage, it is a different type of personal ability and women have th eight to flaunt it without facing injustice and inequality.
WORKS CITED
Blood, S. K. Body work: The social construction of women's bodies. New York: Routledge. Accessed 2 July 2022.
Bordo, S. Unbearable weight: Feminism, western culture, and the body. Berkeley, CA: University of California Press. Accessed 2 July 2022.
“Gender and disability: a matter of dignity.” Gender Justice, 6 May 2019, https://www.justgender.org/gender-and-disability-a-matter-of-dignity/. Accessed 2 July 2022.
Heiss, Sarah N. “Locating the Bodies of Women and Disability in Definitions of Beauty: An Analysis of Dove's Campaign for Real Beauty.” Disability Studies Quarterly, https://dsq-sds.org/article/view/1367/1497. Accessed 2 July 2022.
Herndl, Diane Price, and Marie Huet. “Women and Disability: Feminist Disability Studies - The Center on Human Policy – Syracuse University.” The Center on Human Policy, https://thechp.syr.edu/women-and-disability-feminist-disability-studies/. Accessed 2 July 2022.
“Home Feminist Disability Studies.” Indiana University Press, https://iupress.org/9780253223401/feminist-disability-studies/. Accessed 2 July 2022.
YouTube, https://botswanajournal.com/lifestyle/representation-of-youth-women-and-people-with-disabilities-is-poor-in-govt-report/. Accessed 2 July 2022.
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DONE BY:
JYOTI R. PANDEY
AU190090
REPRESENTATION OF GENDER AND SEXUALITY IN LITERATURE
SEMESTER 6
LAST UPDATED: 3 JULY 2022.
Contact: jyo001@chowgules.ac.in