Embedded Files
"So taught by love and sorrow, Jo wrote her little stories, and sent them away to make friends for themselves and her, finding it a very charitable world to such humble wanderers, for they were kindly welcomed, and sent home comfortable tokens to their mother, like dutiful children whom good fortune overtakes. " Chapter 42, All Alone
Jo March writes a few pieces of poetry throughout the novel, one about her sister ("My Beth") and another ("In the Garret") in which she remembers the four March sisters as children, each with her own small trunk and filled with treasures, secrets, and the beginnings of their dreams. These trunks, like the “castles in the air” the sisters imagine together, hold the hopes of what their lives might become: travels abroad, fine homes, great art, or astonishing stories.
In our production, the trunks are not only props but the foundation of the world onstage. They open and close to reveal keepsakes, transform into furniture, and carry the stories of the March family across the years. At key moments in the play, they remind us of the girls’ dreams, their growing-up, and the lasting legacy of their love for one another.
By returning to Jo’s image of “four little trunks,” our staging reflects the March sisters’ ability to dream beyond what they have, to imagine castles while living simply and to discover that the truest riches come from family, imagination, and shared love.
Read the full poem below and keep your ears open for the places you'll hear it in the production!
"IN THE GARRET"
"IN THE GARRET"
Four little chests all in a row,
Dim with dust, and worn by time,
All fashioned and filled, long ago,
By children now in their prime.
Four little keys hung side by side,
With faded ribbons, brave and gay
When fastened there, with childish pride,
Long ago, on a rainy day.
Four little names, one on each lid,
Carved out by a boyish hand,
And underneath there lieth hid
Histories of the happy band
Once playing here, and pausing oft
To hear the sweet refrain,
That came and went on the roof aloft,
In the falling summer rain.
“Meg” on the first lid, smooth and fair.
I look in with loving eyes,
For folded here, with well-known care,
A goodly gathering lies,
The record of a peaceful life—
Gifts to gentle child and girl,
A bridal gown, lines to a wife,
A tiny shoe, a baby curl.
No toys in this first chest remain,
For all are carried away,
In their old age, to join again
In another small Meg’s play.
Ah, happy mother! Well I know
You hear, like a sweet refrain,
Lullabies ever soft and low
In the falling summer rain.
“Jo” on the next lid, scratched and worn,
And within a motley store
Of headless dolls, of schoolbooks torn,
Birds and beasts that speak no more,
Spoils brought home from the fairy ground
Only trod by youthful feet,
Dreams of a future never found,
Memories of a past still sweet,
Half-writ poems, stories wild,
April letters, warm and cold,
Diaries of a wilful child,
Hints of a woman early old,
A woman in a lonely home,
Hearing, like a sad refrain—
“Be worthy, love, and love will come,”
In the falling summer rain.
My Beth! the dust is always swept
From the lid that bears your name,
As if by loving eyes that wept,
By careful hands that often came.
Death canonized for us one saint,
Ever less human than divine,
And still we lay, with tender plaint,
Relics in this household shrine—
The silver bell, so seldom rung,
The little cap which last she wore,
The fair, dead Catherine that hung
By angels borne above her door.
The songs she sang, without lament,
In her prison-house of pain,
Forever are they sweetly blent
With the falling summer rain.
Upon the last lid’s polished field—
Legend now both fair and true
A gallant knight bears on his shield,
“Amy” in letters gold and blue.
Within lie snoods that bound her hair,
Slippers that have danced their last,
Faded flowers laid by with care,
Fans whose airy toils are past,
Gay valentines, all ardent flames,
Trifles that have borne their part
In girlish hopes and fears and shames,
The record of a maiden heart
Now learning fairer, truer spells,
Hearing, like a blithe refrain,
The silver sound of bridal bells
In the falling summer rain.
Four little chests all in a row,
Dim with dust, and worn by time,
Four women, taught by weal and woe
To love and labor in their prime.
Four sisters, parted for an hour,
None lost, one only gone before,
Made by love’s immortal power,
Nearest and dearest evermore.
Oh, when these hidden stores of ours
Lie open to the Father’s sight,
May they be rich in golden hours,
Deeds that show fairer for the light,
Lives whose brave music long shall ring,
Like a spirit-stirring strain,
Souls that shall gladly soar and sing
In the long sunshine after rain.
Chapter 46, Under the Umbrella
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