Hinshelwood is an artist and designer based in London, working in hand-made textiles, her style is colourful, illustrative and holds a huge amount of symbolism. Her work translates two-dimensional motifs and patterns into three-dimensional qualities and embellishments. She takes an interest in how textile can be used as a method of communication to convey personal and social history. Hinshelwood is greatly inspired by folk art and tradition, the natural world, the labour of craft and incorporates traditional textile techniques such as hand-rendered pattern-making in her practice.
Her collection for 'The New Craftsmen', shows her interest in "flora and fauna", it's also very figurative whilst having a contemporary edge. Each piece of fabric is hand-dyed before being screen-printed using dyes- a complex process called colour discharge printing, which allows you to work on coloured grounds. After printing, the fabrics are steamed to make the colours react and fix them. she creates her screens by hand painting or using paper cut-outs. The main material she uses is silk because of the way it takes dye and the vibrant colours that can be achieved, but she sometimes uses wool, linen and cotton. The finishing is really important to Hinshelwood; from hand-rolled edges to contrasting cushion backs and well-chosen zip colours and trimmings.
https://www.thenewcraftsmen.com/makers/caitlin-hinshelwood/Solo show Kissing the Shuttle at Cecil Sharp House in London.
The most exciting day, learning the process of raku firing for the first time. Very scary and hands on, but amazing. I love the way we have no idea or control over how the pots will turn out once we put them in the sawdust bins- it's all left to chance.
naked raku
burning my hair onto the pot
I love the simplicity of this and I would be eager to do it again.
There were some very interesting products in Cassia by independent designers and illustrators.
Molly Parks enjoys painting at 'Arthouse' especially birds such as peacocks, herons and pheasants. Group projects really inspire her and the cushions with her designs on in her home make her very proud.
The intricate gold detailing and neon pink characterises 'Arthouse' and is delicately balanced in a way that elevates the design and creates a sense of grandeur without looking tacky.
Arthouse is a charity set up by Stephen Thompson sales go directly to supporting their work. A collective of artists with complex neuro-diverse and physical support needs are supported by instructors. The works are sold as designer products such as cards and T-shirts. The belief is that this project helps to instil a sense of purpose and treats them as equals. The charity is forever growing and spreading to offer support across the UK.
I love the idea and purpose behind the organisation. But I also love the work; it reminds me of illustrators like Lauren Child. The confident mark-making and bright colour choices along with the hand written text throughout gives a cohesive style to the collaboration. There's an effortless joy to the drawings which I think is felt by the artists and customers which is what makes Arthouse so brilliant in my opinion.
Louise Palmer suffers from epilepsy but hasn't had a bad seizure for ten years. She likes to draw birds and polar bears.
Jimbobart was founded by James Ward in 2009. Ward works as an illustrator collaborating with various UK companies printing his work on different types of products. The subversive and humorous nature of his work reminds me of Wes Anderson's 'Fantastic Mr Fox'.
Founded by Emily Sugihara; passionate about colour and making a bold statement. Sugihara creates functional pieces such as totes, backpacks, hats with bold eye-catching pattern to bring joy to the everyday errand experience. Some of her recent designs have a 70s' look and feel to their colour scheme and imagery reminiscent of designers working with 'TYPO'.
The use of contrasting colours as well as ditsy florals and warm tones give a joyous, inviting 70's charisma to the products.