Living World Series - Air Force
Living World Series - Air Force
About Living World Series - Air Force
"Living World Series - Air Force" includes the four themes of the anti-war heroes and the modern army, navy and air force. The overall creation time lasted four years. It accompanies the viewer from the outdoor entrance of the museum to the Human World Square. The work the total number of works is as high as 330, making it the most widely distributed and numerous series of works in the Juming Museum. The creation of "Living World Series - Air Force" was Ju Ming's attempt to use the single theme of "army" to simultaneously combine three art forms: sculpture, installation, and action to demonstrate his ceaseless challenging spirit and abundant artistic energy. The origin of "Living World Series - Air Force". The configuration between the IDF fighter jets and the hangar creates a scene like an air force base. Therefore, the "Living World Series - Air Force" combines the basic characteristics of the "group" expression of the Human World series with the language of quantity, allowing the work to break away from the single and independent form of traditional sculptures, leaping into the field space of the environment, allowing the two to reinterpret a new look
Living World Series - Air Force
The work depicts a flying officer who has returned triumphantly, wearing an orange flight suit and carrying flight equipment on his back. He looks forward, takes steps, and moves his hands and feet full of energy and majesty, showing the calmness and wisdom contained in his chest.
Living World Series - Parachute
The Three Armed Forces Works are sculptures depicting the modern army, navy, air force and anti-Japanese forces, is a theme that continues to be used in the creation of the Human World series, continuing Ju Ming’s observation of ordinary people in the world and rumination on his own life experience. Ju Ming once said that the creation of the Three Armed Forces comes from the memories accumulated during the military years and the understanding of reading materials about the Broadsword Troops. The Broadsword Troops were heroes during the Anti-Japanese War, and the personnel of the Three Armed Forces usually shoulder the heavy responsibility of defending people's lives and property, deeply recognized their efforts, Chuang Sanjun expressed their affirmation and admiration for the scenery, and used this to practice the three-in-one art concept of sculpting art, installation art, and action art.
Living World Series - Navy
About "The Human World Series One and Three Armies"
"The Human World Series One and Three Armies" includes the four themes of the anti-war heroes and the modern army, navy and air force. The overall creation time lasted four years. It accompanies the viewer from the outdoor entrance of the museum to the Human World Square. The work The total number of works is as high as 330, making it the most widely distributed and numerous series of works in the Juming Museum.
The field nature of naval warships is particularly exciting, Ju Ming uses stainless steel tubes to create interlaced hollows and a sense of penetration, reflecting the capes and sea levels behind the warship, giving viewers a visual shock as if they were sailing on the sea. Ju Ming said: "Every soldier I sculpted, after being arranged by the artist, is not just a soldier, but a troop, but also a meaningful and outstanding actor, which in turn produces multiple effects to complete the artist's interpretation of the concept. ” Therefore, "Human World Series 1 and 3 Army" combines the basic characteristics of the "Human World Series" performance
In the late 1990s, the establishment of the Juming Museum of Art made "space" an important element influencing artists' creations. The "Human World Series - Three Armies", which took four years to create, embodies the relationship between "space" and sculpture, of which the navy is a specific representative. Standing in the Human Square, the navy in white uniforms is a group of life-size sculptures made from Styrofoam carvings and then molded. The sense of presence of the naval team was further highlighted by the huge warship Quanta. The entire ship is made of staggered stainless steel lines, and the use of linear structure prevents the ship from being visually oppressive due to its huge size, and allows the viewer to directly penetrate the ship and see the blue sky and coast behind it. While Ju Ming uses the environment to highlight the theme of his work, he also demonstrates the significance of sculpture to space through the penetrability of shapes.