The museum has a rich and colorful permanent collection, including Ju Ming's oil paintings, watercolors, drawings and other works of art. These wor ks represent Ju Ming's creative style and evolution in different periods.
The museum has a rich and colorful permanent collection, including Ju Ming's oil paintings, watercolors, drawings and other works of art. These wor ks represent Ju Ming's creative style and evolution in different periods.
Through the aesthetics and creativity of sculpture art, we promote inspiring and participatory art education, and work with children to build a better world full of humanistic care.
A Gentleman from the Living World Series
Tai Chi Series - Flying
In the 1983 Five Elements Sculpture Collection exhibition at the North American Pavilion, "Tai Chi Series - Flying" was one of the works exhibited by Ju Ming, but at that time it was directly displayed in Styrofoam and hung in the lobby of the North American Pavilion. In the 1980s, Ju Ming chose Styrofoam as the sculpture medium for large-scale sculptures and outdoor environments, and then cast it into copper for display. In the work, one of the two people is flying upwards, attacking the opponent with a spinning side kick, while the other is blocking with his hands, his right foot is ready to kick, and his left foot becomes the support of the entire work. In terms of shape, the artist exaggerated the length of the limbs of the two people, allowing the hands and feet to interlace with each other, and cut small arcs on the surface to reduce the rigidity of the long strip. The entire work uses unbalanced suspended air momentum to create a sense of intense fighting.
The work is taken from the movement of a single whip in the Tai Chi stance. It is processed with a rough block area, omitting the details of human body movements, simplifying the complex, concise shape, and enhancing the sense of body. Forming a grand style, without deliberately modifying it, to express natural charm. Take its meaning and focus on its energy. The loose center of gravity of the work expresses the sinking energy in the Dantian, which slowly and calmly transmits the power to the lower limbs and spreads to the tips of the extended hands and feet. Although the center of gravity is quite low, the arms raised in order to balance the limbs, But it provides an upward and balancing force, and between the sinking and the rising, it plays the harmony of the shape and perception.
Tai Chi Series - Single Whip Down
Tai Chi Series at Juming Museum
Tai Chi Series - Tai Chi
Tai Chi Series - One Cross Hand
Living World Series - Mona Ludo
This work is Created to commemorate the 60th anniversary of the Wushe Incident, the artist used gestures of movement and stillness to balance the layout of the painting. The one on the right with an arrogant and unruly face, a hunting knife in his hand, and an excited expression that seems a little under control is Bihoshapo, which is in sharp contrast to Mona Rudo who is silently meditating and has a wise expression. This work was reproduced in a set and presented to Deng Xiangyang, a cultural and historical worker. He had in-depth research on the Wushe incident and was committed to the preservation of cultural relics. Ju Ming took this work as encouragement and hoped that he could continue to devote himself to Taiwan's cultural and historical work.
Quan Wu
Fan Chengzong created the eighth quan house at the Juming Art Museum in Jinshan District, New Taipei City. Influenced by the works of the sculptor Ju Ming in the park, he composed the shape with several sections to form the entrance, walls and windows of the quan house. The bamboo houses he created were not used to catch fish, but to capture people's curiosity and attention, and to attract people to swim inside like fishes.
Photo by our group
In Ju Ming's new work "Beauty", he uses a new aesthetic concept that emphasizes the characteristics of the material. First, he used wire to establish the basic structure of the work, then added Styrofoam, and finally used grains of bread soil to stack up the character's body. In particular, he retained traces of stacking, highlighting the richness of muscle changes when the body exerts force. Ju Ming used the bendability of wire and the plasticity of bread soil to skillfully adjust the postures of the characters to express the ultimate beauty of the female body in various stretching and twisting movements. This "Beauty" exhibition includes more than twenty new works ranging from small to life-size. It also displays the original model of bread soil, allowing the audience to actually feel the texture and texture of the creative material. Overall, this exhibition presents Ju Ming's unique creative style, allowing people to deeply experience the artist's ingenious use of materials.
This painting "Living World Series - Ballet" was completed in 2014. Through the movements of the characters, the painter transforms the skills originally belonging to dance into the balance of sculpture. In this painting, the figure stands with one leg stretched out to the side, the arm bent forward, and one hand raised upward. Such movements not only constitute the axis of body balance, but also highlight the softness of the character's body. The painter skillfully expresses the shape and movement of the characters. Through the shapes of the limbs and skirts, the audience can more strongly feel the visual extension and understand the ballet dancer's pursuit of perfect posture.