newsletters

YorVoice Newsletter: July 2024

Announcing the YorVoice conference 2025 - in conjunction with UK and Ireland Speech (UKIS) 2025

We are delighted to announce that York will be hosting the UK and Ireland Speech (UKIS) conference in 2025. We will also host our inaugural YorVoice conference as a satellite event. Stay tuned for more information about the conference, including dates. 

If you’d like to join the organising committee, or be involved in another way, please let us know! 

YorVoice at Festival of Ideas

In May we took part in the Discovery Zone at Acomb Library, part of the family-friendly activity programme at York Festival of Ideas. Our activities helped to demonstrate the individual variability of the voice at power, source, and filter level - as well as making loads of noise!

YorVoice at Dagstuhl

In June, YorVoice representative Amelia Gully and steering group member Helena Daffern were invited to the Dagstuhl Seminar on Computational Analysis and Synthesis of the Human Voice. During an inspirational and productive week we spoke about the importance of understanding individual variation in voice, and how we can work together as an international, interdisciplinary community to promote voice research. The seminar ended with a series of plans and recommendations for sharing expertise between groups. Watch this space for information about how you can get involved with the resulting initiatives. 

Upcoming events - YorVoice Researchers Forum - Last session before the summer break!

When: 24 July, 2 pm to 3 pm. Where: Church Lane building, room CL/A/027. What: Coffee, biscuits, and engaging discussions! 

Please bring your own mug.


We’ll be talking about YorVoice plans for next year, discussing upcoming funding opportunities, and there will be an opportunity for you to update the community on your own research. Sign up here.


Learn more about YorVoice’s interdisciplinary research on the human voice here. 

The Voice of Fate

Shy Singer asks, ‘I’d love to join a choir, but I’m worried my singing voice isn’t good enough, and I’m really self-conscious about it! Can the cards help?’

The Astral Articulator replies: Courage, dear Singer! Your Past card, THE 2 OF FORMANTS, depicts the acoustic feature corresponding to whether a vowel is produced in the front or back of your mouth. Metaphysically, this can represent a desire to move forward, balanced by the temptation to remain cradled in the safety of the pharyngeal cavity. Your Present card, NODULES, indicates what might be holding you back: you associate your voice with hoarseness and pain (physical or emotional), much like one afflicted with vocal nodules. But much like nodules, this can be resolved! Indeed, the YorVoice Research Lab has a team working on just this issue. You don’t have to be good at something to enjoy it and benefit from it- so take that plunge and sign up. The future is bright- you will soon take up THE MICROPHONE and let your voice be heard.


Next time: Crying in the Anechoic Chamber asks, “My funding bid for my dream project just got rejected– what should I do next and how do I heal from this?”

YorVoice Newsletter: May 2024

Research Lab Launches 

On 24th April, the YorVoice Research Lab officially launched, with each of our five projects giving an overview of the exciting work they will be undertaking over the next year. 

We are delighted to welcome the following five projects to the YorVoice family:

You can find out about each project by viewing the recordings on the YorVoice Community Hub. 

Some of our YorVoice research lab members, left to right: James Tompkinson, Eva Kimel, Karen Quigley, Jennifer Chubb, Julie Parker, Peter Harrison, Sarah Knight, Marina Cantarutti and James Cave. 

YorVoice Public Engagement

Members of the YorVoice Research Lab will be at this year’s Festival of Ideas talking to the next generation of voice researchers. We’ll be in the Discovery Zone at Acomb Explore Library on Thursday 30th May between 11am and 2pm, where you can play with a crocheted larynx or calculate the size of your vocal tract. The event is free and open to everyone, so please come along! 


If you would like to be involved in delivering the event, we are running a public engagement workshop on 14th May between 2pm and 3pm. Please sign up via our registration form. 

Support available for all voice projects at York

Are you or a colleague working on a project at York related to the voice? As part of our remit to support voice research, YorVoice can offer a range of support, including:


Get in touch with us at yorvoice-project@york.ac.uk if you’d like to discuss the support we can offer. 

Voice of Fate


Audy O’Gramme, the ASTRAL ARTICULATOR, tunes in to the FREQUENCY OF FATE with the help of her mystic deck of voice research fortunetelling cards. The cards… know all!


Regretful Revise & Resubmit asks Audy, “Reviewer 2 really savaged my paper- how can I turn things around?”

The Astral Articulator replies: Dear Regretful,

My commiserations! I can see from your Past card, THE NEURAL NETWORK, that your paper was the culmination of an elegant series of carefully balanced inputs, leading to a logical conclusion. Sadly, like the inevitability of time and tide, Reviewer 2 comes for us all eventually. There is not much to be done. Your Present card, THE RESEARCH GROUP SOCIAL, suggests drowning your sorrows with colleagues is the best path currently available to you. Yet perhaps there is something to be salvaged here. Your Future card, THE SINE WAVE, represents sound in its purest, simplest form. Once your hangover recedes, take another look at your reviews- the cards suggest to me that they may contain advice that allows you to distil your work into its key messages, creating a resubmission that is beautiful in its simplicity. Good luck!


Next time:  Shy Singer asks Audy, ‘I’d love to join a choir, but I’m worried my singing voice isn’t good enough, and I’m really self-conscious about it! Can the cards help?’

YorVoice Newsletter: March 2024

Research Lab Launch 

Wednesday, April 24th, from 2-4 pm 

Following the success of the YorVoice sandpit in January, we're thrilled to announce that YorVoice will be backing five exciting research initiatives this year.

You're invited to join us in launching the YorVoice Research Lab. Come along for an engaging session where each project team will introduce their work, covering topics including Voice Rights of the Individual, Perception of Atypical Voices, Breathing for Speech App, Self-perception of singing voice, and Vocal authenticity.

Come mingle, enjoy wine, non-alcoholic beverages, and nibbles while learning more about these projects and networking with fellow enthusiasts. 

To RSVP, please fill out the sign-up form to help us arrange catering and ensure accessibility for all attendees. If you can't make it but wish to stay connected, please complete the YorVoice Community Membership form. 

Grant Writing Workshop

We are planning a grant writing workshop for the YorVoice Community. We'd really appreciate it if you would complete our feedback form about the challenges you experience in grant writing, so that we can tailor the workshop to the community's needs. 

Public Engagement & Events workshops

Wednesday, 1 May 3-4 pm; or Tuesday, 14 May, 2-3 pm  

The YorVoice Team will be running family-friendly activities at the Festival of Ideas on Thursday 30th May. We're excited to offer a diverse range of experiences, from exploring a 3D virtual reality speaker space to crafting vowel articulators. This workshop will include an introduction to public engagement, and developing activities for the Festival of Ideas.

If you have an innovative engagement activity in mind, please get in touch. 

Choose from two sessions by completing the sign-up form:

Highlights:

Project highlights

In the run up to the launch of the YorVoice Research Lab on 24th April we wanted to pique your interest about some of the projects we have selected to fund!


Vocal Authenticity: A Documentary Approach is a collaboration between Hasmik Gasparyan (ACT), James Cave (Business & Society) and Ben Gibb-Reid (Language & Linguistic Science), with North East Opera


This project explores the ways in which singing and performance activities with marginalised groups can enhance or impede a person’s relationship with their own voice– their ‘vocal authenticity’. Community singing and acting activities have been shown to have a wide range of benefits from improved respiratory health and cognitive function to better social functioning, confidence and positivity. But do these activities also alter the relationship between a person and their voice for the better?


‘Funding from YorVoice has given me the opportunity to work with amazing creators and researchers from across the university and beyond, to shed new light on the amazing work carried out across the North East in helping marginalised people find their voice. This grant will enable us to use documentary making in an innovative way, and reach out to audiences far beyond the usual research community’.


Voice Rights of the Individual is a collaboration between Peter Harrison (York Law School), Jennifer Chubb (Sociology), James Tompsinson (Language and Linguistic Science).


The project aims to explore the legal, linguistic and ethical issues around artificial intelligence (AI) voice cloning, Despite emphasis on the legal and ethical implications of rights pertaining to both image and voice (the recent SAG  “Actors strike” being one notable example), the legal and ethical implications of this are relatively under-explored. Many of the existing intellectual property tools which have been successful in protecting intangible concepts fail when it comes to protecting the voice - particularly the voice of the ordinary person. Through our work on this project, we aim to understand how the voice could be better protected by combining legal, linguistic and AI ethics expertise. Our goal is to explore how a framework could be developed to more robustly protect an individual's right to their own voice, and how such a framework could be implemented in practice.


'The YorVoice sandpit event provided the time, space and environment for the development of this hugely exciting interdisciplinary project. We're hoping that by combining expertise in Law, Linguistics and Sociology, and with the financial backing of YorVoice funding, we'll be able to take a big step forward in addressing what we believe will be a real societal challenge in the future. We can't wait to get started and will look forward to updating everyone with our findings as the project develops.'


Enhancing self-perception of singing voice is a collaboration between Karen Quigley (ACT), Julie Parker (ACT), and Eva Kimel (Psychology).


Anecdotally, significant numbers of people feel or think that they cannot sing. Research (e.g., Hutchins 2012) into problems with basic singing skills suggests that only around 2% of people struggle to perceive pitch, which impairs their ability to differentiate between musical notes, and so to sing them. However, not all of the remaining 98% have confidence in their singing voice, or even in their ability to sing at all. There is reliable evidence for positive effects of singing on well-being in adults (Campbell et al 2022, Daykin et al 2017), and thus those who do not sing because they think they cannot, do not have access to the same well-being potential outcomes as those who do sing.


Our project, therefore, aims to create a pilot study with a small group of participants (N = 10) who self-identify as unable to sing. We will work with them via group and individual interventions, analysing their self-perception of their own singing voice before, during and after the series of interventions, with the hope of increasing their self-confidence in their singing voice, overcoming their negative beliefs about their voice. We will also assess whether the intervention leads to a more general enhancement of self-confidence, potentially resulting in an increased well-being, ability to communicate personally and professionally.


'This feels like an exciting opportunity to meaningfully and genuinely collaborate on a project from scratch with interdisciplinary partners. Our core project team had never spoken before January 2024, and now we're embarking on a year-long exploration of a research question we've co-designed and will co-research. This would be completely impossible without YorVoice's 'sandpit' methodology, which drew colleagues together from across the University and encouraged them to find common ground, be creative and vulnerable, and come up with research ideas in collaborative and collegiate space. In terms of the project, we're deeply invested in exploring the complex question of facilitating people who believe they can't sing to work with their voices, and we can't wait to recruit our participant group and dive in!'

A word from the Voice of Fate

What does the future have in store for YorVoice?

Audy O’Gramme, the ASTRAL ARTICULATOR, tunes in to the FREQUENCY OF FATE with the help of her mystic deck of voice research fortunetelling cards. The cards… know all!

Vexed Voice Researcher asks: How can I stop participants fiddling with the microphone during my recordings?”

The Astral Articulator replies: Dear Vexed,

The cards sense your vexation: your Past card, THE SCREAM, is metaphorically symbolic of frustration and in a more literal sense depicts non-verbal sounds that can really mess up a recording. 


When seeking guidance on how to proceed, your Present card, THE COCHLEA, represents a delicate and complex system that can be damaged by loud noise. To preserve the delicate system (your experiment) you must suppress your urge to scream and instead use your cochlea to listen. Instead of asking how you can stop your participants messing with your equipment, ask them why they are doing so- is it uncomfortable? Do they need something to do with their hands? 


Unfortunately, I see no easy path out of this dilemma for you: your Future card, THE UNFILLED PAUSE represents hesitation, a break in the flow of things; we can only hope that after the pause, things will be swiftly resumed. 


Next time: Regretful Revise & Resubmit asks Audy, “Reviewer 2 really savaged my paper- how can I turn things around?” Tune in to find out what the cards can tell us!

YorVoice Newsletter: November 2023

Come to our Sandpit for YorVoice funding!

SAVE THE DATE: 9th, 11th & 18th January 2024

Do you want funding for exciting, interdisciplinary research into the human voice? Do you want to meet voice researchers from across the University and find out more about the equipment and resources available for your research?

YorVoice has money to commission around 4 to 6 interdisciplinary research projects of around £20k each. Funding will be allocated via a Sandpit event which will take place across two half days online (9/11th January) and one full day in-person (18th January). More details about the event are available on our website. We’ll also send out the information in a separate email to follow.

Our website

We now have an internal-facing website for YorVoice where we will share information about the project, events, and resources, as well as information about members of our community.

Researcher Panel from October

At the end of October, we held an in-person Researcher Panel where members of the YorVoice community gave a short presentation on their research. We had nine really interesting talks from across Linguistics, Psychology, Computer Science, Archaeology, ACT, and IT services. For those who couldn’t make it, information about our speakers and their slides are available on the YorVoice research community page.

Upcoming events


December 1st (2-4pm, online): Researcher Panel

Following the success of our event in October, we are holding another Researcher Panel, this time fully online. The Panel meetings are an excellent way to find out what’s going on in voice research across the University, to share information about your own research, and to network. Please complete our sign up form, if you’d like to attend (and indicate if you would be willing to do a 5 minute talk).


December 15th (1-3pm, hybrid): Research Culture Workshop

Graham Gill and Iain Larmour from the "Valuing Voices for Equitable and Responsible Research" project will be joining us to share the results of their work on research culture and run an interactive workshop. We will discuss best practice in working on interdisciplinary projects, and reflect on how best to build and nurture collaborative research relationships. Sign-up here.

And finally… the voice of fate

Audy O’Gramme, the ASTRAL ARTICULATOR, tunes in to the FREQUENCY OF FATE with the help of her mystic deck of voice research fortunetelling cards. The cards… know all!

Amelia asks: What can the cards tell us about the YorVoice project?

Tarot Cards showing The Past card as Full Economic Costing meaning everything must be accounted for. The Present is The Fundamental Frequency which relates to building foundations. The Future card is The Sandpit and relates to embracing your creativity.

The Astral Articulator replies: I have drawn a three-card fortune for you, representing THE PAST- where you have come from- THE PRESENT- the here and now- and THE FUTURE- that which is yet to come.


Your first card, FULL ECONOMIC COSTING, symbolizes the importance of attending to details and learning of the Deep Mysteries, such as how overheads are calculated. Drawn as the Past, this represents the period of preparation essential to being awarded funding and beginning work. I sense that spreadsheets were of critical importance to you during this period.


Now your hard work is coming to fruition, the Present is represented by THE FUNDAMENTAL FREQUENCY. Just as the frequency with which the vocal cords vibrate shapes our perception of many vocal features, so too is the work you are doing now crucial to developing the public face of the project. Now is a time to focus on the foundations, with a view to building a community of researchers that complement and boost each other, akin to resonances in the vocal tract.


Finally, the Future reveals THE SANDPIT. Metaphorically, this is a space for creativity and free play- the exploration of new ideas and exciting outcomes. On a more literal level, this is a reminder to sign up for the sandpit event coming in January. See you there!


Next time: a vexed voice researcher asks Audy, “How can I stop participants fiddling with the microphone during my recordings?” Tune in to find out what the cards can tell us!