18''x9''
Purpose
To understand how a line can be used to create a three-dimensional form
To create a sculpture that considers balance and repetition, variety and emphasis
To learn about sculpture artists and where they find their inspiration
Artists Studied
Ruth Asawa, Mark di Suvero, Mia Pearlman, Martin Puryear, Richard Serra, Sarah Sockbeson, Stephan White
Reflection
For my first step, I grabbed the seven-foot-long strip of reed that had been soaking in the water so that I could work with it and bend it. Next, I grabbed my reed and began to bend it around into multiple loops and curves. I bent it around so no tails were sticking out. Once I was done with my prototype I completed the same steps again but with different designs until I had a second rough draft. For my third step, I started to make my final draft. Before I did that I posted my first two rough drafts to my google sites. So I started my final draft by combining the things I liked from my first two and excluding the things I didn't like to make a good combination of the two. I then added my first point of emphasis and used paper clips to hold everything together. For my final step, I glued all the contact points together and added tissue paper to a couple of small triangles.
I see variety in my sculpture because I have many different shapes and different sizes of shapes in my sculpture. I have some pieces of reeds that are curved around and some big and small circles or ovals. To show emphasis I added a sort of latter-type structure in between a large triangle. I think the latter added a nice bit of emphasis on the sculpture and added something else for the eyes to look at. I also decided to add some light blue tissue paper in some smaller triangles to add a burst of color. It looks really nice when the light shines through the paper and it adds a nice bright color.
I learned that a sculpture does not have many boundaries. Sculptures use space to add some very interesting perspectives. Sculptures are kind of hard to describe because their beauty is in the eye of the beholder. Most sculptures really emphasize their negative space. I thought it was very interesting to see that sculpture uses other aspects of space such as light that a normal painting does not use. An example is that in the reed sculpture it was very beautiful when a ray of light would shine through the tissue paper and it would light up a lot and we could see the structure of the tissue paper and it really came to vibrant life showing off the beautiful bright colors.
Before we could begin our final drift we had to brainstorm two rough draft sculptures to see what we liked. for the first one, I went for sort of a more even sculpture with most of the loops and circles being similar sizes just in different shapes. for the second sculpture, I went for a bit of a more uncontrolled sculpture with many different shapes and sizes of openings. I experimented with the technique to wrap one of the reeds around another reed which was something that I really liked and carried over into my final draft. Then for my final draft, I combined the things that I liked about the two rough drafts and excluded the things I didn't like to create a great combination of the two.
Artists Who Work With Space Document
https://docs.google.com/document/d/1Q8NQrRgyjNMSH11SnR2UrASemi2qx6zBqPd-rXzKYTo/edit