The Blied family, a prominent and significant cultural influence in Madison, progressed and impacted the W Mifflin street style but eventually became the mode as rentals dominated the block.
What is the relation of 444 W Mifflin to vernacular architecture as the product of the well-known contractor and designer of Fred Hanson and Edward Stark of the Claude and Stark architectural firm? J. H. Blied, the owner and predecessor to Josephine Bradford, held the family home of 444 W Mifflin from its erection in the 1890s to Josephine's death in 1982. He and his family owned multiple businesses, apartment buildings, amassed wealth, and ran for mayor, which inevitably informs the creation of 444 W Mifflin, its long lineage, and the cultural landscape of Madison. This family held the "tradition" of W Mifflin ownership longer than most, but are they much different from the current landlords occupying W Mifflin? How does this lineage anomaly contribute to the ebbs and flows of past and current styles of ownership on W Mifflin?
"The name Blied is known all over Dane County and also in many parts of the state."
In September of 1930, the Blieds were featured in an article about their family reunion titled "42 Members of Prominent Families Gather for Outing Long-Planned."
Alexius Baas, author of the 1951 article on Joseph Blied, sought out historically significant family homes and therefore interviewed Joseph Blied. He goes on to say that his immediate family would be a good subject for another column, "All Around The Town."
The Blied family was incredibly impactful to the Madison community and participated in events and styles that shaped the cultural landscape.
The Blied brothers, Joseph, John, and Frank, are second-generation German-Americans. While they'd seemingly integrated themselves into the American way of life, they also held strong ties to their culture. Frank was the president of Madison's Männerchor, a German male chorus and social club, often helping to host Sängerfests, which were song and culture festivals in Madison.
The Blieds were also devout, active members of the Catholic community in Madison. Near the site of the first Catholic church in Madison lived most of the early German settlers. Franz and Matthias Blied were charter members of Madison's Holy Redeemer Parish.
Interestingly, Frank C. Blied was awarded the medal of Benemerenti by Pope Pius XII in 1949 for his exceptional service for over half a century in the Catholic Central society.
444 W. Mifflin is noted to be built particularly to invoke a sense of "gemuetlichkeit," or warmth and belonging. This would lead us to believe that the Blieds' architectural style is influenced directly by their German roots. As the Blied buildings were erected in the late 19th and early 20th centuries, they would go on to shape the cultural landscape of Madison, perhaps diffusing style from Germany and perpetuating a prominent German-American culture in southern Wisconsin.
Bishop William P. O'Connor and members of the Madison diocese present the medal of Benemerenti to Frank Blied, 1949.
German students part of the Madison Männerchor, 1952.