Rokurokubi/
Nukekubi
By: Riza Swartz
By: Riza Swartz
If you have ever felt intense neck pain at some point in your life, with no known causation, chances are you may be a Rokurokubi or a Nukekubi. By breaking down the name Rokurokubi (ろくろ首 ), the description of the creature itself appears. ろくろ is loosely translated into Pulley, or wheel, while the second half, -首 kubi, means neck/head (Foster 263.) Nukekubi (ぬけ首 ) has quite a similar definition, comprised of one of the same Kanji. Nukekubi is a combination of ぬけ, which comes from Nukeru meaning to prowl or creep and -首 (kubi) again meaning neck/head (Hearn 63.) Both the Rokurokubi and the Nukekubi are quite similar creatures. Each having their own defining qualities, but still sharing similar familial traits. The adaptation of the Rokurokubi and the Nukekubi have changed over time, once taking a more intimidating form, now has widen to take a more comedic and endearing presence within Japanese Culture.
Picture is from Toriyama Sekien
The defining characteristics to a Rokurokubi include a long, winding, snake-like neck (Yasui 4.) Able to peer over objects and around bookcases, it makes it a hard to have a conversation without feeling like something is watching and listening. In traditional Japanese Literature, the Rokurokubi tend to primarily be women (Foster 263.) They are usually products of either their own wrongdoings, or their husbands. A couple reasons why one may become a Rokurokubi include: infidelity to their husbands, prostitution, too much eavesdropping/snooping on others' lives, or their husbands have done something out of what ordinarily be acceptable in Japanese/Chinese tradition. Unfortunately, if you are turned into this yokai, there is absolutely no way to reverse it. Once you are cursed, it will last until you die; which is what happens to most people who are turned into them. There was a story involving a woman who was cursed but tried to reverse it. In this story, she was turned into a Rokurokubi. Her husband was told in a dream that she would be cured if he killed their pet dog and fed her the liver. Naturally he did, and his wife ended up dying in childbirth while birthing a Rokurokubi, which was then killed by the ghost of their dog. The Lesson to be learned—don’t kill innocent animals, and once someone is turned into a Rokurokubi, there is no way to reverse it.
The Rokurokubi are not known to be scary or violent creatures, but pivot more-so around the lines of a dishonorable creature. When one is turned into this yokai, it is considered to be shameful to not only the woman, but also her family. There are many stories involving Rokurokubis where they were prostitutes in their former human form, or they became prostitutes after transforming (Hearn 425.) In the Japanese culture, prostitution is looked down upon, and families may even disown their children who become one. There are many ways in which the stories of Rokurokubi are integrated into the views of Japanese culture. In some ways, they are used to implicitly to deliver a deeper ethical agenda. There is a story detailing a man's sexual experience where he ended up sleeping with a Rokurokubi because he had done something wrong. In "Rekkoku Kaidan Kikigaki Zōshi" by Jippensha Ikku (written in the late Edo period), a monk named Kaishin and a woman named Oyotsu got married. Oyotsu ended up getting very sick and they didn't have the money to take care of her so Kaishin killed Oyotsu. After his experience with Oyotsu, he ended up finding a woman that he liked and they slept together in a Ryokan. After sleeping together, the girl's neck started to stretch and her face molded into Oyotsu's face and scolded him for killing her. If the girl did not have sex with the man, even if he was the one in the wrong, she wouldn't have turned into a Rokurokubi. Rokurokubis in these stories serve a more warning-like purpose. You do not give into these sexual desires because it does not align with Japanese ethical and moral values, so your punishment includes being used as a vessel to exploit male transgressions.
Does one know if they have changed into a Rokurokubi? It may be initially hard for someone to recognize that their loved one has formed into this creature. Rokurokubis usually only transform after sunset, making them nocturnal creatures. When an individual goes to sleep is when they mutate into what they truly are. Some people have absolutely no idea that they are becoming a Rokurokubi at night. Although, there are signs one can look for. They say that Rokurokubis tend to have stretch marks on their neck which they hide with scarves during the daytime. The physical transformation is not the only change that these beings incur, legend says that it is also a mutation of the soul. Once an individual has committed a misdeed of great magnitude, they say that their soul has permanently changed. The negative expansion of their soul is what helps to characterize the Rokurokubi; someone of impure decisions . Pretty harsh analysis, I know.
The Rokurokubi was discovered by artists and storytellers in the Wakan Sansai Zuebp of 1713. This document pictured to the left was one of the first known written works documenting the existence of this creature. Although hard to make out, in the diagram on the left, you can see the outline of an elongated neck emerging from an individual. The Wakan Sansai Zuebp of 1713 is a compilation of works based on the Ming encyclopedia. In these stories exist the rokurokubi. It is said to inhabitant the imaginary land called Daishaba (大司馬).
This picture is from the scroll Bakemono no e
The cousin of the Rokurokubi, the Nukekubi, is different from the Rokurokubi in many ways. It has a different demeanor, appearance, and use within different spoken and written stories. The Nukekubi may be much more frighting than the Rokurokubi at first glance. Considering that the head of the Nukekubi is only attached to its body in daylight means that the encounters in which you will recognize the Nukekubi, it is merely a floating head. Nukekubi are both male and female, and tend to group together with another. There are stories where a traveler may encounter a family of Nukekubis, which is extremely dangerous. The most famous version of a story involving a Nukekubi is by Lafcadio Hearn inside of The Kwaidan: Stories and Studies of Strange Things. This story about the Rokurokubi starts with a Samurai-wandering-priest who stumbles across a a woodcutter-family’s home. The family offers to bring the priest in after a long day of traveling. After the priest finishes his nightly prayers, he gets up to get water and sees the family laying in their sleeping room with no heads. He soon realizes that he had been lured into the dwelling of a Nukekubi, and overheard them talking about how excited they were to eat him and drink his blood. He realizes that he has to act fast and remembers how to destroy these monsters. In order to destroy a Nukekubi you have to hide their bodies, so that once their heads return, they have nothing to latch back onto. He ends up hiding the bodies and saved himself from being dinner. The priest escaped and took a head as a trinket for the rest of his travels (Foster 264.)
The nature of the Nukekubi presented here is extremely violent. They are known for trapping people in locations and having a diet consisting of human flesh and blood. They are also nocturnal creatures which only appear within the darkness. The only way to kill a Nukekubi, and prevent it from killing someone, is to hide its body. If one successfully hides the body of a Nukekubi and disables it from reattaching itself before sunrise, it will die. The Nukekubi is comparable to the American version of a vampire. (Hearn 63.)
Previously I mentioned how there is a direct connection between the Rokurokubi and its spirit transforming. There is a similar idea regarding the Nukekubi as well. It is said that the spirit plays into a philosophical concept explored by this myth. It is said that once the head of the Nukekubi leaves its body, the spirit travels with the head. Philosophically, it is kind of posing the question: Where does the soul exist within the body? Is it the head, body, or a combination of both? (Foster 264.) In this case, the soul can only remain in existence if the body and the head remain combined. This concept is also seen within other works about other Yokai. Ikiryo is a narrative that includes a story about creatures that detach their head to wreak havoc. You can see this in a story by Murasaki Shikibu in the Tale of Genjii. A character and fellow Yokai named Lady Rokujo left her body to torment others, which she has no conscious memory of doing.
The picture displayed on the left is from the anime Gegege no Kitaro. Rokurokubi appeared mostly in this anime in 2007 as one of Kitaro's friends. She would dress in yellow and purple robes when she was in her Yokai form, but when posing as a human she would wear modern clothes. She is featured in many anime adaptations that feature her such as: Ghost Train, Mysterious Yokai Hunting Tour, The Yokai Apartment Secret Story, and many more. In most of the anime's she is relatively friendly, befriending most of the main characters. The only form where she still shows signs of her negative nature are primarily within live action movies and plays. It is even said that in today's anime scene she has even picked up the ability to become invisible. In Gegege no Kitaro she is able to hide herself from a priest that threatens her. In no story that I have researched has she appeared to be invisible. As time changes, so do stories.
(Picture from Gegege no Kitaro)
The Nukekubi is still horrifying as ever. Appearing in many darker manga's and animes, it still retains its violent nature. In some ways, the violence of the Nukekubi has been amplified. The picture on the right is of Kubinashi from Nurarihyon no Mago. In this anime Kubinashi is very rude, easily irritated and slightly vulgar, often resorting to violence to solve his problems. As soon as Kubinashi became a yōkai, he was bent on revenge against all yōkai and believed that his friends were nothing more than hindrances to him. Not someone you particularly want to mess with. This theme still remains present from the stories told centuries ago.
Picture from Nurarihyon no Mago
This is another example of how the Rokurokubi has been morphed into a warm and friendly creature. This picture is from the anime Yokai Watch. The picture alone speaks for itself. In this anime series it represents a lot of famous Yokai as children. Lady Longnek is innocent and charming in this series as she is in many others.
Picture from Yokai Watch
Both creatures share similar representative qualities. Usually when one of them is mentioned, the other is also brought up, or becomes an immediate afterthought. They will continue to grow together in the realm of Yokai and hopefully their stories will get even more intricate as they are explored and developed by many others.
Drawing I found from an artist on twitter from this website: http://japanlover.me/