Onmyodo, 陰陽道 in Japanese, also known as “the way of yin-yang”, is a field of divination based on Chinese philosophy of Yin-yang and Wu Xing, also known as five phases. Onmyodo originated from China and was further developed in Japan to predict future, to sacrifice, and to perform other rituals. The history of Onmyodo can be traced back to 1500 years ago when the philosophy of Yin-Yang was brought to Japan. However, it did not really prosper until the 11th century which is about early Heian period in Japan.
Although Onmyodo was derived from Taoism, which is a school of philosophy originated in China that was derived from Yin-yang, there is no sign of actual Onmyodo in China since it was actual developed, systemized, and institutionalized later in Japan. Back in 6th century, Taoism was practiced by Chinese to heal, enlighten, and cultivate its followers and it was brought to Japan by war refugee from China. At the time, Japan had already ended the stone age and had rapid advancements in agriculture, ironmaking, and hunting. Such material prosperity also facilitated Japan’s cultural and social progress. Also, the establishment of Sui dynasty assured China’s surging power and dominance in Asia. Japan employed Taoism in order to ally itself to China as well as assuring its independence. Also, Taoism was used to improve Japan’s social structure and bureaucracy to affirm a sustainable growth. Such positive opinion about Taoism and Yin-yang philosophy in general deeply rooted in government officials and the public’s minds, which leaded to future prosperity of Onmyodo (Yujie 2010; Huiying 2018).
During Heian period, the prevalence of natural disasters, the widespread presence of uncanny supernatural stories, and the lack of knowledge in natural sciences forced the officials of the government to employ Onmyodo as an explanation and an alternative to science to appease the public. Presumably, the most famous Onmyodo practitioner, Abe no Seimei, was from the middle of the Heian period. With rapid progress in science, Onmyodo was eventually considered to be contrary to science and opposed; and it is only popular among fewer people.
Onmyoji, 陰陽師, means the “master of Yin-yang” in Japanese and it is used to refer to the practitioners of Onmyodo. Since they perform Onmyodo, they became much more influential and powerful during the Heian period. At the time, Onmyoryo, 陰陽寮, meaning the Bureau of Yin-yang, was well established in the government. Onmyoji, besides being able to predict future, to cast spells, and to summon shikigami, 式神 meaning the god-like spirits summoned from onmyodo, they were also involved in the national government. They performed rituals on behave of the government; they performed fortune-telling for government officials and special events; studying and observing cosmologies was also a part of their job (Yujie 2010).
In terms of popular Onmyoji, Abe no Seimei might be one of the only Onmyoji that most people have heard of since there are numerus stories and folktales about him.
Abe no Seimei, 安倍晴明 in Japanese, born in 921 and passed away in 1005 which was around middle and late Heian period. However, he only became relevant and recognized until his late life. He was praised as the “preeminent practitioner of Onmyodo” and in 1000, he was the first Onmyoji who performed an unprecedented ritual (henbai, 反閇 in Japanese) for the emperor who was moving into the newly constructed palace. He was so preeminent that he could perform such ritual without being involved in the government Onmyoryo at that time. Another reason that the ritual was deemed to be necessary was that people in Heian period believed that any kind of space (residences in particular) can be preoccupied by evil beings and demons (Shinichi 2013).
Speaking of uncanny creatures and demons, Onmyoji like Abe no Seimei were particularly praised for their ability to see and interact with demons and shikigami. Konjaku Monogatarishu and Uji Shui Monogatari both present tales of Abe no Seimei controlling his own shikigami. Similar to other mysterious creatures, shikigami could hardly be seen by common people and only skilled Onmyoji could see them. He used to make paper puppets and summon shikigami from them to serve himself. The most famous shikigami he controls are the Juni Shinsho, 十二神将 meaning the twelve god-like servants in Japanese. They are Mokkun 紅蓮, Kochin 勾陣, Rikugo 六合, Seiryu 青龍, Suzaku 朱雀, Tenitsu 天一, Taiin 太陰, Genbu 玄武, Tenko 天后, Taijo 太裳, Byakko 白虎, and Tenku 天空. Besides commanding shikigami, Abe no Seimei was also depicted to be proficient at casting spells. A famous spell of him is the Taizanfukun no Sai 泰山府君祭. Taizan refers to the lord of Mount Tai which is a mountain located in eastern China with both cultural and historical significance. In addition, Mount Tai is also considered as one of the sacred places of Taoism in China and it is closely related to life span and death. Once a highly ranked old monk became severely ill. However, Abe no Seimei found out that it was caused by bad karma so it could not be simply cured with medicine. He explained the situation to the monks that even Taizanfukun no Sai would not save his life but if someone was willing to trade his life with the monk, Taizanfukun no Sai could be performed to exchange their life spans. Eventually, one of the monks decided to sacrifice himself for the old monk. After performing Taizanfukun no Sai, the old monk was magically cured and the young monk was about to die. However, Abe no Seimei explained that Taizan, the lord of Mount Tai, was so touched and decided that both of them could live instead of having one of them die. Shortly, the young monk also quickly recovered (Shinichi 2013; Ting 2013).
Picture Credit: http://yokai.com/abenoseimei/
Nara period (from 710 to 794) was a particularly short period of time. It was set between the Asuka period and Heian period; it was a time of transition and a time of Japanese culture showing its initial form. In addition, ancient China was exceptionally powerful and had massive influence on the early development of Japanese culture, including Buddhism and Onmyodo. Although not many records of Onmyodo stories are found, it can still be deduced that Nara period played an important role of making Onmyodo into the mainstream (Xiao 2017).
According to Yoro Code 養老律令, released in Nara period, the size of Onmyoryo was increased and the number of faculties also increased compared to the Onmyoryo described in Taiho Code which was released in Asuka period (Xiao 2017).
Moreover, Onmyoji started to have stronger connections with royal power. Yoro Code stated that individuals who studied cosmologies but were not involved in any Onmyoryo should be punished without mercy. This implies that the only way of one becoming an official Onmyoji was to join an Onmyoryo which established and reassured the monopoly of Onmyoryo (Xiao 2017).
The idea of Yin-yang in Japan was also first recorded in a texts in Nara period. Both Kojiki 古事記 and Nihonshoki 日本書紀, two greatly influential books of Japanese history, released in Nara period, mentioned Yin-yang. Kojiki in particularly used the theory of Yin-yang to describe the beginning and the formation of the universe; Yin and Yang are the basic elements of all matters (Xiao 2017).
Heian period (from 794 to 1185) is the last period of classical Japanese history and it was common perceived as the prime time of Onmyodo. The word Heian is named after its capital Heiankyo, 平安京 meaning peaceful capital in Japanese. As mentioned, the stories of uncanny creatures were extremely prevalent due to lack of knowledge of natural sciences during Heian period. The majority deeply believed the presence of demons and they were believed to reside in the cities alongside with regular people instead of hiding in forests and places with few people. As a result, Onmyodo was very popular among royal families which can be observed from records like Midoukanpakuki 御堂関白記 by Fujiwara no Michinaga and Shouyuuki 小右記 by Fujiwara no Sanesuke (Ting 2013). In addition, Konjuaku Monogatarishu also provides further evidence of Onmyoji’s capacity (Yujie 2010). Common people who were unable to perform Onmyodo could only utilize physical measures to avoid demons. For example, they used to simply lock and block all the window, doors, and other openings of the house. Some of them were able to use objects that were considered to be good at exorcising evil spirits like peach-wood, pictures of Shoki, or some other more aggressive creatures. However, Onmyoji tend to show more sophisticated measures and they were able to perform both reactive and proactive measures. Stories illustrate Onmyoji drawing “magical circles” preventively to avoid aggressive demons and reactively when demons when Onmyoji was caught off-guard (Tubielewicz 1980).
Picture Credit: https://www.giantbomb.com/abe-no-seimei/3005-13017/
With advancements in science and education in Japan, people have lost their interests in stories and tales of Onmyodo and Onmyoji. However, the trend has resurged around late 1900s when the popularity of literature and religious study of Onmyodo raised up again. Multiple publications like Nihon Onmyodoshi sosetsu (1981) and Onmyodo sosho (1993) by Murayama Shuichi and other scholars. They are considered to be the pioneers of Japanese Onmyodo studies which made further Onmyodo research much easier and accessible (Makoto & Hayek 2013). Besides academic studies, the idea of Onmyodo and Onmyoji has become more popular and welcomed in Japanese pop culture. Starting with the novel Onmyoji released in 1988 by Baku Yumemakura. A series film adaptations (Onmyoji and Onmyoji 2) were made in 2001 and 2003 respectively. Multiple manga for young readers has also adapted the ideology of Onmyodo and Abe no Seimei, the most famous Onmyoji as the protagonist. Although the reasons behind the resurge still need further investigations, it can be observed that Onmyodo started to appear as a pop culture icon instead of a religion or a practice as it was in history.
Picture Credit: https://www.zerochan.net/640002
Onmyoji is actually a novel series written by Baku Yumemakura. The first of the series named simply Onmyoji was released in 1988 followed by 15 sequel releases of Onmyoji: Hiten no Maki 飛天ノ巻, Onmyoji: Tsukumogami no Maki 付喪神ノ巻, Onmyoji: Namanari Hime 生成り姫, Onmyoji: Hoo no Maki 鳳凰ノ巻, Onmyoji: Ryūteki no Maki 龍笛ノ巻, Onmyoji: Taikyoku no Maki 太極ノ巻, Onmyoji: Taki Yasha Hime Jo 瀧夜叉姫 上, Onmyoji: Taki Yasha Hime Shita 瀧夜叉姫 下, Onmyoji: Yakohai no Maki 夜光杯ノ巻, Onmyoji: Tenko no Maki 天鼓ノ巻, Onmyoji: Daigo no Maki 醍醐ノ巻, Onmyoji: Suigetsu no Maki 酔月ノ巻, Onmyoji: Soko no Maki 蒼猴ノ巻, Onmyoji: Hotarubi no Maki 螢火ノ巻, and the last of all Onmyoji: Gyokuto no Maki 玉兎ノ巻 which was released in 2016. Needless to say, Abe no Seimei is the protagonist and plays an important role in the story. The idea of having a white fox giving birth to him brings up a sense of mystery and ambiguity. Baku also cited references from Heian period to prove Seimei’s talent to make him more mysterious and admirable. Although such supernatural power does not seem to be necessary in modern settings, the bizarre stories of demon encounters and fancy Onmyodo spells were definitely successful at attracting readers’ interest. Such unmatched stories did not only succeed as a piece of literature, but also succeeded economically. Multiple adaptations were made in different media and it also spread the theme of Onmyoji worldwide.
Picture Credit: https://pictures.abebooks.com/isbn/9784592731900-uk.jpg
Onmyoji is a series of film adaptation directed by Yojiro Takita in 2001 and 2003 respectively. Since they tell similar stories, just like the novel, Abe no Seimei is the protagonist in both. In addition, Minamoto no Hiromasa, a noble, is another key character in modern Onmyoji adaptations. Together with Abe no Seimei, they protected the capital and the emperor successfully.
The first half of the series was exceptionally successful and it was rated as "most want to see a sequel". It not only visualized Abe no Seimei and other characters, but also added an extra layer of fantasy by the usage and presentation of special effects. Having outstanding special effects played a key role in the success of the film. Eye-catching and flashy effects made Onmyodo spells more mysterious and attractive which were able to target young population and their interests in Onmyoji perfectly (Yang 2011).
Picture Credit: https://www.imdb.com/title/tt0355857/
In 2016, NetEase, a Chinese Internet technology company, released a Japanese style mobile strategy game Onmyoji. In a very short amount of time, it gained immense popularity among Chinese population of all ages. Soon after, this game was awarded "App Store: 10 Best Games of the Year", "Google Play Best of 2017: Most Competitive Game", and "Facebook's 2016 Game of the Year: Best Mobile Games". Such achievement of international impact is unprecedented in the history of Chinese game since regular Chinese players would not be able to have access to Google Play and Facebook at all.
This game has raised the popularity of Onmyoji in China significantly. The game play includes an Onmyoji of your choice (Abe no Seimei (the default protagonist), Minamoto no Yorimasa, Kagura, or Yao Bikuni). Although Seimei appears to be the only real Onmyoji in the list, short stories are provided for each character to explain their origins. Besides Onmyoji, you are able to select multiple shikigami to fight on your side just like what Seimei was capable of. Popular shikigami includes Kaguya, Ootengu, Shuten Doji, Enma, Ibaraki Doji, Yuki Onna, and Nurikabe. Although some of the stories provided for each shikigami not necessarily match the stories recorded thousand years ago, players are able to know their names and appearances at least.
In addition to the film adaption, more advanced special effects were added to this game. Every single Onmyoji and their shikigami have multiple spells that were designed with Hollywood-level special effects which made this game very satisfactory and addictive to young players.
Picture Credit: https://en.onmyojigame.com/index.html