Music of early 60s and later 60s

Post date: 13-Oct-2009 00:35:55

The Witches Jukebox

There was a jukebox downstairs

This is what Tim and Jane Shearer remember of the discs on it so far

Smokestack Lightening - Howling Wolf

Come on - The Rolling Stones

Memphis Tennessee - Chuck Berry

Swinging on a Star - Big Dee Irwin and Little Eva

Memphis - Lonnie Mac

If you wanna be happy - Jimmy Soul

Walk Right in/Cool water - The Rooftop Singers

Twenty Miles - Chubby Checker

Roscoe James McClain/So Much in Love - The Tymes

Deep Purple - Nino Tempo and April Stevens

He's So Fine/Oh My Lover - The Chiffons

I wanna be your man/Stoned - The Rolling Stones

Da Do Ron Ron/Git it - The Crystals

Be My Baby - The Ronettes

Take Five - Dave Brubeck

The Five Du-Tones - Shake a Tail Feather

Glad All Over - Dave Clark 5

I've added the last track because I remember dancing to it with my Anello and Davide high-heeled boots (called Beatle boots at the time). There's a double beat - I'm feeling (bump, bump) glad all over, which we stomped to. Its a nice little number from 1963 - very beatlesque! See

https://www.youtube.com/watch?v=EipdAjhImrc

At the Roaring 20s club Spring 1962 onwards

we were introduced to and danced to Ska and some soul songs

Prince Buster Al Capone

Prince Buster One Step Beyond

Prince Buster Judge Dread

Prince Buster Enjoy Your Self

Prince Buster 10 commandments –

Prince Buster Burke’s Law

Prince Buster Madness

The Skatalites 007

The Skatalites Guns of Navarone

The Skatalites - Christine Keeler

Pioneers Long shot kick de bucket

Derrick Morgan Tougher Than Tough

Roland Alphonso, Phenix City

Desmond Decker-The Isrealites

Desmond Dekker - Shanty Town

Desmond Dekker- Rude Boy Train

Millie Small, My Boy Lollypop,1964,

Mongo Santamaría, Watermelon Man! 1963

James Brown, Night Train

Isley Bros, Shout

At the Witches Cauldren we heard some of these - or knew them from the radio and parties

1960

"Alley Oop" - The Hollywood Argyles – 1960

"Only the Lonely" 1960 Roy Orbison

"New Orleans" – Gary U.S. Bonds – 1960

"Save the Last Dance for Me" – The Drifters

"Shop Around" – The Miracles

"Stay" – Maurice Williams and the Zodiacs

"Teen Angel" – Mark Dinning

"Tell Laura I Love Her" Ricky Valance

"The Twist" – Chubby Checker

"Walk, Don't Run" – The Ventures

"Way Down Yonder In New Orleans" – Freddy Cannon

"Where or When" – Dion and the Belmonts

"Money (That's What I Want)" - Barrett Strong

1961

"Blue Moon" – The Marcels

"Crying" – Roy Orbison

"Hello Mary Lou" – Ricky Nelson

"Hit the Road Jack" – Ray Charles

"Please Mr. Postman" – The Marvelettes

"Quarter To Three" – Gary U.S. Bonds

"Runaround Sue" – Dion

"Runaway" – Del Shannon

"Shop Around" – The Miracles

"Stand By Me" – Ben E. King

"Walkin' Back to Happiness" – Helen Shapiro

"The Wanderer" – Dion

"Will You Still Love Me Tomorrow" – The Shirelles

1962

"Big Girls Don't Cry" – The Four Seasons

"Breaking Up is Hard to Do" – Neil Sedaka

"Duke of Earl" – Gene Chandler

"Green Onions" – Booker T. & the M.G.s

"He's a Rebel" – The Crystals

"Hey! Baby" – Bruce Channel

"I Can't Stop Loving You" – Ray Charles

"I Remember You" – Frank Ifield

"If I Had a HammerPeter, Paul and Mary

"Let's Dance" – Chris Montez

"The Loco-Motion" – Little Eva

"Love Me Do" – The Beatles

"Mashed Potato Time" – Dee Dee Sharp

"Nut Rocker" – B. Bumble and the Stingers

"Peppermint Twist" – Joey Dee and the Starliters

"P.S. I Love You" – The Beatles

"Sealed with a Kiss" – Brian Hyland

"Sherry" – The Four Seasons

"Stranger on the Shore", Acker Bilk

"The Monster Mash" – Bobby "Boris" Pickett

"TelstarThe Tornados

"The Twist" – Chubby Checker

"Twistin' the Night Away" – Sam Cooke

"The Wah-Watusi" – The Orlons

"Walk Right In" – The Rooftop Singers

"The Wanderer" – Dion

"Your Cheatin' Heart" – Ray Charles

1963

"Another Saturday Night" – Sam Cooke

"Blowin' in the Wind" – Peter, Paul and Mary

"Blue Bayou" – Roy Orbison

"Blue on Blue" – Bobby Vinton

"Blue Velvet" – Bobby Vinton

"Bo Diddley" – Buddy Holly (posthumous hit)

"Come On" – The Rolling Stones

"Cry Baby" – Garnet Mimms & the Enchanters

"Da Doo Ron Ron" – The Crystals

"Do You Want to Know a Secret?" – Billy J. Kramer and the Dakotas

"From Me to You" – The Beatles

"He's So Fine" – The Chiffons

"If I Had A Hammer" – Trini Lopez

"I Like It" – Gerry and the Pacemakers

"In My Room" – The Beach Boys

"I Only Want to Be With You" – Dusty Springfield

"It's My Party" – Lesley Gore

"Little Deuce Coupe" – The Beach Boys

"Heat Wave" – Martha & the Vandellas

"Louie Louie" – Kingsmen

"Love Me Do" – The Beatles

"The Monkey Time" – Major Lance

"My Boyfriend's Back" – The Angels

"The Night Has a Thousand Eyes" – Bobby Vee

"Please Please Me" – The Beatles

"Pride & Joy" – Marvin Gaye

"Rhythm of the Rain" – The Cascades

"South Street" – The Orlons

"Sugar and Spice" – The Searchers

"Surfin' Bird" – The Trashmen

"Surfin' U.S.A." – The Beach Boys

"Sweets for My Sweet" – The Searchers

"Twenty Four Hours From Tulsa" – Gene Pitney

"Two Lovers" – Mary Wells

"Up On The Roof" – The Drifters

"Walking The Dog" – Rufus Thomas

"Walk Like A Man" – The Four Seasons

"You'll Never Walk Alone" – Gerry and the Pacemakers

The Beatles, I Want to Hold Your Hand, 1963

The Beatles, She Loves You, 1963

Lesley Gore, It's My Party, 1963

The Ronettes, Be My Baby, 1963

1964

Roy Orbison, Oh, Pretty Woman, 1964

The Animals, House of the Rising Sun, 1964

The Beatles, A Hard Day's Night, 1964

The Beatles, I Feel Fine, 1964

"All Day and All of the Night" – The Kinks

"Anyone Who Had a Heart" – Cilla Black

"Baby I Need Your Loving" – The Four Tops

"Baby Let Me Take You Home" – The Animals

"Baby Love" – The Supremes

"Baby Please Don't Go" – Them

"Bread and Butter" – The Newbeats

"Can't Buy Me Love" – The Beatles

"Chapel of Love" – The Dixie Cups

"Come See About Me" – The Supremes

"Dancing In The Street" – Martha and The Vandellas

"Do Wah Diddy Diddy" – Manfred Mann

"Do You Want to Know a Secret" – The Beatles

"Ferry Cross the Mersey" – Gerry & the Pacemakers

"Gloria" – Them

"I Get Around" – The Beach Boys

"I Just Don't Know What To Do With Myself" – Dusty Springfield

"I'm Into Something Good" – Herman's Hermits

"It's All Over Now" – The Rolling Stones

"Just One Look" – The Hollies

"Leader of the Pack" – The Shangri-las

"Little Red Rooster" – The Rolling Stones

"My Boy Lollipop" – Millie

"My Guy" – Mary Wells

"Needle In A Haystack"- The Velvelettes

"Remember (Walking in the Sand)" – The Shangri-las

"She's Not There" – The Zombies

"Shout" – Lulu & The Luvvers

"(There's) Always Something There To Remind Me" – Sandie Shaw

"Twist and Shout" – The Beatles

"Tobacco Road" – The Nashville Teens

"Walking in the Rain" – The Ronettes

"The Way You Do The Things You Do" -The Temptations

"Where Did Our Love Go?" – The Supremes

"A World Without Love" – Peter & Gordon

"You Really Got Me" – The Kinks

And of course there were plenty of good hits from the 50s

"Rock Island Line" – Lonnie Donegan

"Rock Around The Clock" – Bill Haley & His Comets

"Ain't That a Shame" – Fats Domino

"Tutti Frutti" – Little Richard

"Be-Bop-A-Lula" – Gene Vincent and His Blue Caps

"Blueberry Hill" – Fats Domino

"Heartbreak Hotel" – Elvis Presley

"Hound Dog" – Elvis Presley

"Just Walkin' in the Rain" – Johnnie Ray

"Long Tall Sally" – Little Richard

"Love Me Tender" – Elvis Presley

"Roll Over Beethoven" – Chuck Berry

"See You Later Alligator" – Bill Haley and His Comets

"Tutti-Frutti" – Little Richard

"Twenty Flight Rock" – Eddie Cochran

"Why Do Fools Fall in Love" – The Teenagers featuring Frankie Lymon

"All Shook Up" – Elvis Presley

"At the Hop" — Danny and the Juniors

"Blueberry Hill" – Fats Domino

"Bye Bye Love" – Everly Brothers

"Diana" – Paul Anka

"Everyday" – Buddy Holly

"Great Balls Of Fire" – Jerry Lee Lewis

"I'm Not a Juvenile Delinquent" – Frankie Lymon and The Teenagers

"Jailhouse Rock" – Elvis Presley

"Jim Dandy"- LaVern Baker

"Lucille" – Little Richard

"Not Fade Away" – Buddy Holly

"Oh Boy" – Buddy Holly

"Peggy Sue" – Buddy Holly

"Reet Petite" – Jackie Wilson

"Searchin' " – The Coasters

"That'll Be the Day" – The Crickets, Buddy Holly's group

"Tutti Frutti" – Little Richard

"Wake Up Little Susie" – The Everly Brothers

"All I Have To Do Is Dream" – The Everly Brothers

"Bird Dog" – Everly Brothers

"Born Too Late" – The Poni-Tails

"Breathless" – Jerry Lee Lewis

"Fever" – Peggy Lee

"Great Balls Of Fire" – Jerry Lee Lewis

"Heartbeat" – Buddy Holly

"Hoots Mon" – Lord Rockingham's XI

"I Met Him On A Sunday" – The Shirelles

"I Wonder Why" – Dion & the Belmonts

"It's Only Make Believe" – Conway Twitty

"Johnny B. Goode" – Chuck Berry

"Maybe Baby" – Buddy Holly

"Move It" – Cliff Richard and The Drifters (Original B-side to "Schoolboy Crush")

"Rave On" – Buddy Holly

"Rockin' Robin" – Bobby Day

"Summertime Blues" – Eddie Cochran

"Sweet Little Sixteen" – Chuck Berry

"The Happy OrganDave "Baby" Cortez

"The Purple People Eater" – Sheb Wooley

"To Know Him is to Love Him" – The Teddy Bears

"Tom Dooley" – The Kingston Trio

"Twilight Time" – The Platters

"The Walk" – Jimmy McCracklin

"Well All Right" – Buddy Holly

"When" – The Kalin Twins

"A Wonderful Time Up There" – Pat Boone

"Yakety Yak" – The Coasters

"C'mon Everybody" – Eddie Cochran

"Come Softly to Me" – The Fleetwoods

"Crying, Waiting, Hoping" – Buddy Holly

"Donna" – Ritchie Valens (on my UK copy La Bamba was the B-side)

"Dream Lover" – Bobby Darin

"Dynamite" – Cliff Richard and The Shadows

"The Happy Organ" – Dave "Baby" Cortez

"I Only Have Eyes for You" – The Flamingos

"It Doesn't Matter Anymore" – Buddy Holly

"Kansas City" – Wilbert Harrison

"Living Doll" – Cliff Richard and The Drifters

"Lonely Boy" – Paul Anka

"Love Potion Number Nine" – The Clovers

"Mack the Knife" – Bobby Darin

"Never Be Anyone Else But You" – Ricky Nelson

"Peggy Sue Got Married" – Buddy Holly

"Personality" – Lloyd Price

"Peter Gunn" – Duane Eddy, Ray Anthony and His Orchestra

"Poison Ivy" – The Coasters

"Put Your Head on My Shoulder" – Paul Anka

"Raining in My Heart" – Buddy Holly

"Running Bear" – Johnny Preston

"Sea Cruise" – Frankie Ford

"Sea of Love" – Phil Phillips

"Sweet Nothin's" – Brenda Lee

"A Teenager in Love" – Dion and the Belmonts

"There Goes My Baby" – The Drifters

"(Till) I Kissed You" – The Everly Brothers

"The Twist" – Hank Ballard

"Venus" – Frankie Avalon

"What'd I Say" – Ray Charles

                • Paul Ernest Wow - fantastic! I was trying to recall if I saw Marvin Gaye at the Motortown Revue UK Tour 1965, March 20, 1965 Finsbury Park Astoria, London, but the poster suggests he wasn't on that tour. I do recall Smokey Robinson though!

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                  • Paul Ernest Wow ... I don't know ... probably not sitting near but says hello on the steps ... maybe ...flashes of memory ''' episodic .... I went with Dave Stevens, Tony Barnett, Pete Sayers, Steve Moss, Phil Howe .... Were you at the playhouse when they screened Jazz on a Summers day - there were 50 there from the Witches and the smoke was intense! That was earlier! https://www.youtube.com/watch?v=AlGFwbzGeWo

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                  • Jane Shearer Paul Ernest Ah, that's interesting, you remember who you were with. I looked in the diary and was surprised to read that as well as my usual crew I was sitting with Alan Shoobridge and Sue Barnett. So as you were with Tony we must have liaised on the steps. I'll have to think about Jazz on a Summer's Day. What I can say is I went to the Playhouse most Sundays with a group who usually took over the front row and as often as not we'd have a large smoke cloud hovering over us. xxx

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WHAT ARE THE GREATEST ALBUMS EVER?

A CHALLENGE, A GAME, A CONCEIT!

(Well I was challenged to do this on Facebook by Crispin Kitto!)

I've included discussion comments from Facebook. If you want to bel anonymised - let me know.

I'm going to play the game of naming my favourite albums (in no particular order)! (1)

Van Morrison - Astral Weeks.

Came out in 1968. It has 4 great features.Great expressive singing by Van Morrison. Great melodies .Wonderful poignant and haunting lyrics, and last but not least: wonderful backing musicians, mostly jazz musicians. It really works. There is also great variety among the tracks, and yet it forms a unity. After 52 years it still sounds wonderful. Van Morrison never equalled it, although he has done lots of great stuff!. I still have my original LP (vinyl disc).

These are the tracks

1. "Astral Weeks"

2. "Beside You"

3. "Sweet Thing"

4. "Cyprus Avenue"

5. "The Way Young Lovers Do"

6. "Madame George"

7. "Ballerina"

8. "Slim Slow Slider"

You can hear the whole thing on YouTube

https://www.youtube.com/watch…

Comm

          • s

Another great album (no. 2) from 1968 Dr. John, The Night Tripper. This was so amazing, so original, it needed its own sub-genre classification Voodoo Blues or Voodoo Rock. Great songs, great music, great musicians! It still sounds great!

The tracks are

"Gris-Gris Gumbo Ya Ya"

"Danse Kalinda Ba Doom"

"Mama Roux"

"Danse Fambeaux"

"Croker Courtbullion"

"Jump Sturdy"

"I Walk on Guilded Splinters"

Every titlel is intruiging and mysterious!

To read more about it (stuff I never knew when I got the album) see https://musicaficionado.blog/2017/…/08/gris-gris-by-dr-john/

To hear it go to https://www.youtube.com/watch…

MUSICAFICIONADO.BLOG

The Story Behind The Album: Gris-Gris, by Dr. John

Towards the end of 1965, after their meteoric rise to the top of the charts with I Got You Babe, Sonny and Cher were invited to perform at a private party in the penthouse apartment of mining tycoon Charles Engelhard Jr. at the Waldorf Astoria in New York City. The invitation came after Jackie Kenne...

Comments

                  • Jane Shearer We love this! I nearly put it on mine because it reminds us of an important time in our life as well as being really great.

                  • Brian Green Psychedelic voodoo swamp rock. Dark poetry set to hypnotic rhythms. I remember it well as an outstanding part of the exploding spectrum of creative originality in popular music of the Sixties. Easily his best album. Loved and love it. I commend us both for our good taste!!

                  • Paul Ernest I fully agree Brian - I still have his next album Babylon- not in the same class as this swampedelic one! 😎

                • Paul Ernest I should have said -yes -Sam & Dave are indeed soul greats!

                • Well I've been doing my greatest albums of all time.There's also albums I like a lot!..I love this album because My Guy is great, But it also turned me onto the Great American Songbook! I should say it was my sister Sue's - she always had great taste in music Side two

                • "My Baby Just Cares for Me" (Gus Kahn, Walter Donaldson)

                • "I Only Have Eyes for You" (Al Dubin, Harry Warren)

                • "You Do Something to Me" (Cole Porter)

                • "It Had to Be You" (Gus Kahn, Isham Jones)

                • "If You Love Me (Really Love Me)" (Geoffrey Parsons, Marguerite Monnot)

                • "At Last" (Harry Warren, Mack Gordon)

Another great album (3) is The Velvet Underground & Nico. This was shocking, innovative and a work of great originality both musically and thematically. And it sounded great! It explored the dark side of the 60s hippie revolution and the Beat legacy. It anticipated Punk and Heavy Metal in some of its musical styles and flourishes and influenced so many from David Bowie onwards. Stunning fo hear and own when I first traded the original USA issue, with the peel off banana sticker, with Patrick who brought it back from San Francisco, for some amps of meth (as is appropriate!).

Track listing - All tracks are written by Lou Reed except where noted.

Side A

"Sunday Morning" (Reed, John Cale)

"I'm Waiting for the Man"

"Femme Fatale"

"Venus in Furs"

"Run Run Run"

"All Tomorrow's Parties"

Side B

"Heroin"

"There She Goes Again"

"I'll Be Your Mirror"

"The Black Angel's Death Song" (Reed, Cale)

"European Son" (Reed, Cale, Sterling Morrison, Maureen Tucker)

Listen here

https://www.youtube.com/watch…

Com

                  • Jane Shearer A great choice, Paul. Another one of our favourites, we have the same taste.

                  • 4w

                  • Patrick Alexander Have you still got it? All the meth is long gone. All I have now are memories of Burroughs Welcome.

                  • No, sorry, I flogged it for a pittance to Dave Fry in the early 70s when I thought the future would be audio cassettes 😞 It was pretty worn out - as we all were! 😄

Another magic album (4) is ..... Music from Big Pink, by The Band, 1968.

The songs were so musically perfect, a blend of different sounds expressing a deep melancholy exuberantly. Perfect Americana although mostly they were Canadian. The lyrics were deceptively simple on the surface but had depth of meaning that opened realms of myth and feeling. They were Dylan's backing band and had honed their craft working intensely with him on the road and in the basement of the house Big Pink. Of course the elephant in the room is Bob Dylan, who painted the cover, but stepped back from the album to let the Band establish its own identity. They achieved something magical!

Others' comments from YouTube

"Richard Manual sang like no other. There was so much pain and anguish in his voice and it fit the songs so perfectly."

"Feelings and passions of a long-lost America, combined with incredible musicianship and diversity with the band members make them a one of a kind icon for eternity. Their music speaks of drawing from one life to the next."

"Bliss was it in that dawn to be alive,

But to be young was very Heaven!" (Wordsworth)

The Band

Rick Danko – bass guitar, fiddle, vocals

Levon Helm – drums, tambourine, vocals

Garth Hudson – organ, piano, clavinet, soprano and tenor saxophone

Richard Manuel – piano, organ, vocals

Robbie Robertson – electric and acoustic guitars, vocals

Side one

"Tears of Rage"

"To Kingdom Come"

"In a Station"

"Caledonia Mission"

"The Weight"

Side two

"We Can Talk"

"Long Black Veil"

"Chest Fever"

"Lonesome Suzie"

"This Wheel's on Fire"

"I Shall Be Released"

Listen at: https://www.youtube.com/watch?v=8CprDANYhC

Comments

                  • Dan Pearce Really like your album choices. This is another seminal disc for me...

                  • Laurinda Brown And another for me:) Same generation maybe:)

And my next album (5) is .......

Captain Beefheart And His Magic Band ‎– Safe As Milk

Captain Beefheart was one of the geniuses of modern rock. With his several octave wide voice he absorbed the Blues and made his own styles of music with poignant lyrics and melodies, hard driving rhythms, and many innovations. Trout Mask Replica is cited by many as a Rosetta stone of modern rock. But this first album with its creativity and range of styles is a pleasure to listen to (unlike TMR).Ironically, the track Safe As Milk is not on the album!

The band members were:

Don Van Vliet, aka Captain Beefheart, (Vocals, Harmonica & Bass Marimba).

Alex Snouffer, aka Alex St. Clair, also known as Alexis St. Clare Snouffer. (Guitar).

Jerry Handley (Bass Guitar).

John French, aka John 'Drumbo' French or simply Drumbo. (Drums & Percussion).

Ry Cooder (Guitar, Slide Guitar & Bass Guitar)

(theremin work by Samuel Hoffman).

After this Album the great guitarist Ry Cooder left the group.

If you only listen to one track make it Autumn's Child, still makes the hair on my neck stand up

Tracklist

Sure 'Nuff 'N Yes I Do

Zig Zag Wanderer

Call On Me

Dropout Boogie

I'm Glad

Electricity

Yellow Brick Road

Abba Zaba

Plastic Factory

Where There's Woman

Grown So Ugly

Autumn's Child

                  • Dan Pearce Yes! A seminal album from the Captain, certainly on my list...

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                  • Laurinda Brown I saw Capn Bfheart at the Hippodrome in Bristol when I was living in Exeter - we were supposed to be sitting down but that didn't happen:) Lx

                  • Paul Ernest Lucky you! I may have seen him in London at UFO or Middle Earth but to be honest I can't really remember!

                  • Jane Shearer So you were listening to this at the same time as Dr John as we were! Murray Longstaff, who we mentioned to you, brought them round to our flat in Clapton Square. Where were you living at that time, Paul. xx

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                  • Paul Ernest You care. You love. 💓 That's what counts! (God - am I positioning myself as a guru? I have no credentials, I am no model, just another selfish and greedy pensioner!!! 😀)

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          • Another great one! Perfect choices Paul!

                  • Laurinda Brown I saw Capn Bfheart at the Hippodrome in Bristol when I was living in Exeter - we were supposed to be sitting down but that didn't happen:) Lx

                  • Paul Ernest In reply to Jane Shearer: Absolutely! I regret nothing except acts of unkindness or disrespect! Any damage I did to myself was part of my journey and contributes to who I am. My last act which pushed me over the brink into self reform was spending a month with Alan Shoobridge in Tangier summer 1969. Desperate times, if warmed by companionship. The drugs became a pain, psychic and physical, and as a suspected typhus carrier and with other conditions (hepatitis A, conjunctivitis, crab & head lice) on return I was isolated in Coppetts Wood Isolation Hospital, Muswell Hill. All my visitors were gowned. As the THC slowly left my body fats I found joy in sunrises and Major Tom on the Radio. My mother housed and fed me until I got a job as a computer prorammer Jan 1970 with British Olivetti. I took up yoga, meditation, fell in love with Jill and stepped onto the sunlit plains of the rest of my life!

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                  • Jane Shearer So you were listening to this at the same time as Dr John as we were! Murray Longstaff, who we mentioned to you, brought them round to our flat in Clapton Square. Where were you living at that time, Paul. xx

                  • Jane Shearer Paul Ernest We can heal and we can move on and we can change our lives which is great, we grow and learn, as long as we don't renege on our younger selves, as long as we don't deny what made us who we are. We haven't and I love that you haven't either.

                  • Paul Ernest The 60s was both Heaven and Hell. Piccadilly Circus station near midnight was like one of the circles of hell. But bliss though acid or meditation was heaven - drawing close to God! (Even thou s/he does not exist! lol). Maybe the real bliss of the 60s was companionship, love, shared times, shared quests. And all that continues, except not at running speed but at the speed of a Zimmer frame! Bliss is also found in the flow - when you find what you love to do, do it well, and get lost in it!

                  • Paul Ernest Lucky you! I may have seen him in London at UFO or Middle Earth but to be honest I can't really remember!

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                  • Jane Shearer Paul Ernest I'll drink to that - companionship, love, shared times and shared quests (only Lucozade, mind you).

                  • Crispin Kitto Mistakes are not to be regretted, but simply learnt from. I agree, Paul Ernest, the times one hurt and contemned are the hardest to reconcile,

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                  • Jane Shearer In my case, Crispin, I'm not sure I even see it as mistakes, nor even quite a learning curve, more an experience curve but, you're right, what keeps me awake at night is remembering the hurtful things I've done and said and it's important never to judge.

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                  • Crispin Kitto You don't see yourself as having made any mistakes? Wow, interesting. As for experience, I think it is the very essence of learning: e.g. I put my hand in the flame--"owch! That hurts! Won't do that again!" Or, in my case, put my hand in the flame. "Owch, but did that really hurt? Let me try again. Wow. Yeah it hurt. Maybe I'll try it from a different ANGLE!" Until the lesson is learned!

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                  • Jane Shearer Crispin Kitto Ha ha, that's a lot of learning. As for mistakes, without getting into semantics, I've walked into situations through a lack of experience but would I call those mistakes when they taught me something, if only not to do that again? We were, well I was, wild and reckless but that was my way of finding out. Also there's the issue of guidance, we didn't have proper guidance for the era we found ourselves in, our poor parents didn't have a clue.

                  • Gaye Meakin Or Schofield I miss judged a good few things, that’s for sure. But you never know what would have happened, if you hadn’t done what you did. And I totally agree, it’s when what i did do, hurt other people that I feel sad. But maybe that taught them something useful!

                  • Paul Ernest You care. You love. 💓 That's what counts! (God - am I positioning myself as a guru? I have no credentials, I am no model, just another selfish and greedy pensioner!!! 😀)

                  • Jane Shearer Paul Ernest Tim says - Don't worry about it, we're all bloody gurus these days. xxx

                  • Jane Shearer Gaye Meakin Or Schofield All our decisions took us somewhere and then we made of that what we could. I think it's all of value to us, Gaisy. xxx

Todays album choice (6) is: Electric Ladyland by the Jimi Hendrix Experience

Jimi Hendrix was the performer I saw most in the 60s. Five times in Brighton and London. He had a great blues background, sang very well, great performer (some of the antics were tedious), good song writer - But the greatest virtuoso rock guitarist ever. He made the electric guitar sing like nobody else ever has! Eric Clapton went pale when he heard him, and he's pretty good himself. All the tracks are good but "All Along the Watchtower" is out of this world. Is the cover vulgar? Yes, and it objectifies women as sex objects. But it also celebrates real womanhood in her every shape and form. Hendrix did not choose the cover.

(YouTube would not let me post the cover - the picture below is from the USA version - you can see the original cover here https://en.wikipedia.org/wiki/Electric_Ladyland )

Side one

"...And the Gods Made Love"

" Electric Ladyland"

" Cross Town Traffic"

"Voodoo Chile"

Side two

"Little Miss Strange" (Noel Redding)

"Long Hot Summer Night"

"Come On" (Earl King)

"Gypsy Eyes"

"Burning of the Midnight Lamp"

Side three

"Rainy Day, Dream Away"

"1983... (A Merman I Should Turn to Be)"

"Moon, Turn the Tides....Gently Gently Away"

Title

"Still Raining, Still Dreaming"

"House Burning Down"

"All Along the Watchtower" (Bob Dylan)

"Voodoo Child (Slight Return)"

Here this track here:

https://www.youtube.com/watch?v=TLV4_xaYynY

The American release cover

This is the UK release cover

                  • Dan Pearce Utterly brilliant and so young. Terrible loss- think what he'd be doing now...

                  • Jane Shearer Ahhh my man, this was one of mine, Paul, and this is my favourite track too. How lucky you were to see him, I never did, it was always the next thing to do, we thought he'd be around for ever and then suddenly he wasn't. I still can't get over it. A…See more

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                  • Simone Karl Borkar A wonderful choice, it’s as good today as when it was first released. Nice introduction too, although you left out the famous story of your relationship with a certain resident of Cholmey Gdns...printed in the local West Hampstead press.

                  • Did you see him play at the Klooks Kleek?

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                • Paul Ernest Oh, you saw that! My relationship with Linda Keith that never got off the ground was before the Hendrix era. I don't think Hendrix played Klooks Kleek. No I saw him at Exeter Uni, Brighton Corn Exchange and maybe Technicolour Dream, UFO and the Olympia all nighters in London. Also saw the Floyd quite a few times! It was something else. The music exploded your head!

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                  • Crispin Kitto That’s right—he got too big too fast for Klooks,

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                  • Cynthia Martin I passed him a joint at the Sussex university gig. Just saying... Though to be fair ( which I was, and v shallow) ,I thought him short and spotty and unalluring , but the music was amazing

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                  • Paul Ernest Did you, Cyn? I wish I could tell that tale! I once passed a joint to the lead in Pretty Things, and to a great folk musician in Kabul, while he was performing, but never to the gods! At Sussex Hendrix announced he had a cold and was a bit ill tempered with the audience, but he still blew us away! When I told the late Neil Winterbottom about seeing Hendrix, and travelling in the back of Neil's mini with Rod Stewart he told me how he drove Hendrix around London when he co-owned Middle Earth. Did you see Cream at Sussex Cyn? I had never heard of them and skipped that gig! Oh shame, Oh idiocy! I also passed on the Doors at the Roundhouse, but at least I had an excuse: too stoned to go! 😎🤩

In my view the greatest album of all time (Album no. 7) is The Beatles Sgt. Pepper's Lonely Hearts Club Band, 1967. It wears this crown because (1) of its huge musical innovation and range, encompassing and combining rock and roll, current popular music, music hall and the colloquial traditions in music, orchestral and experimental traditions (2) it was the first concept album, marking the shift from singles, and collections of singles on LPs, to a unified production employing the full space (time) an LP album affords (3) in addition, the interconnected songs were highly original and rich in melody, harmony and lyrics. The lyrics (and musical effects) encompass the psychedelic experience, daily life, alienation, the good life, the performed life. (4) The use of multi track recording enabled songs to be constructed, layer by layer, rather than recording a single performance, a technical innovation of inestimable significance.

The concept that unifies the album is that the Beatles were transitioning from a physical band playing gigs and concerts to a virtual band only crafting albums in the studio. Sgt. Pepper's Band is the mythical replacement for the Beatles who could no longer tour as the audience reactions overwhelmed and nullified the music. Even when I saw them at the Finsbury Park Astoria around 1963/4 as the lead act of the Liverpool Sound tour, the screaming teen girls ovewhelmed the sound, Sgt. Pepper is a witty song and dance (or is it oompah) band, performing at circuses and elsewhere. It is a signifier for a virtual band that no longer offers its presence. This is signed on the cover by the presence of the Madame Tussauds waxworks of the Beatles costumed as they used to appear in early performances alongside the real Beatles in fantastical marching band costumes in which they never performed (also a trademark of the hippie revolution in fashion of 1967). The cover is overall a blend between the actual (the stage set with 4 live persons and scene props) and the virtual (photos and dummies)

Rolling Stone ranks it as the greatest album of all time.

(For a good critical discussion of its significance see the Wikipedia entry https://en.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band)

https://www.youtube.com/watch?v=zPQwJn1iv5c

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                  • Paul Ernest Thanks Lin! I did try to justify my judgement - but then wondered am I spoiling the game by getting too intellectual? But then I thought why use just one word when ten long ones will do!!! lol

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                  • Lin Holdridge never too intellectual, and keep using all those words! x

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                  • Paul Martin I think Revolver is greater and I am not the only one, you can say that I'm a dreamer!

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                  • Paul Ernest Of course it is a matter of judgement which songs one prefers. But in terms of the power of its cultural impact nothing get close to Sgt Pepper! Ps like your "quote"!

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                  • Matt Johnson I'd challenge you on (2), although I wasn't there at the time. It is widely reported that Animal Sounds paved the way. I agree, there's no comparison, but it was an album of the time as much as it was groundbreaking. As humans, we rarely head into the unknown alone. And, personally, I prefer the white album.

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                • Paul Ernest Hi Matt! When I looked up 'concept album' (after writing my laudation) there were several other contenders mentioned like Woody Guthrie, Frank Sinatra, Pet Sounds; being thematic collections. So my claim is of course contested by others. Moving towards a rock opera is something newer. But of course historically, whenever you look at a breakthrough or revolution, the causal attribution to one heroic figure or group usually dissolves under the microscope and you see a number of different agents and antecedent strands of cultural innovation coming together. So maybe I should say more guardedly (2) it was a significant step forward in the development of the concept album. 😄

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                  • John Hugh Balmford They're one of the few pop groups that mean anything to me at all. In fact at the time I found them deeply disconcerting because up till then I'd always thought of pop music as not worth listening to.

Masha Kolomeitz yes i would have chosen... strawberry fields and all you need is love..... but are they on an album.. still have a trippy effect on me..... the 1967 feeling.

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                  • Paul Ernest Thanks Lin! I did try to justify my judgement - but then wondered am I spoiling the game by getting too intellectual? But then I thought why use just one word when ten long ones will do!!! lol

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Paul Ernest Yes, Masha, those are marvellous songs and among my favourites too. Strawberry Felds and All you need is love fill me with joy whenever I hear them and they are in my top 10 singles (another game!). They are like hymns for the psychedelic era with their uplifting message of love! And for me the peak of the hippie era was a message and feeling of love, the fellowship of all beings and nature, the enlightened mind, letting go of materiality. It was a quasi religious attitude and experience - deeply ethical at its core. It stays with me, and it is something that many people who missed that era and the commitments it brought lack. Of course there are many other ways to embrace the interconnectedness of all things and love of all tlife and nature (biophilia) such as the new environmentalism. (I don't know this album but Bjork has obviously embraced biophilia and it illustrates it - I must get into Bjork!)

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                  • Paul Martin I think Revolver is greater and I am not the only one, you can say that I'm a dreamer!

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                  • Lin Holdridge never too intellectual, and keep using all those words! x

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Lin Holdridge I couoldn't agree more Paul - your eloquent words reinforce the feelings of that time, and are especially welcome now.

                  • Paul Ernest Of course it is a matter of judgement which songs one prefers. But in terms of the power of its cultural impact nothing get close to Sgt Pepper! Ps like your "quote"!

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Laurinda Brown I remember a classmate turning up in class having bought a copy of the newly released album - feels like it must have been 1968 - she was excited about Lucy in the Sky with Diamonds and I think this was my first introduction to LSD ...I can still sing …See more

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Paul Ernest Thank you Laurinda Brown for opening this box of memories. Psychedelia ... the sacrament of acid ... delicately handled opening you up to amazing spiritual experiences! Recently I read the very good account of acid in the UK Albion Dreaming and it inspired me to try to capture my own experiences in a piece called the journey. http://internationaltimes.it/the-journey-2/

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                  • Paul Ernest Thanks so much Lin! It's so heartwarming to know we are singing off the same songsheet! And we are not the only ones ....

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                  • Matt Johnson I'd challenge you on (2), although I wasn't there at the time. It is widely reported that Animal Sounds paved the way. I agree, there's no comparison, but it was an album of the time as much as it was groundbreaking. As humans, we rarely head into the unknown alone. And, personally, I prefer the white album.

                  • Paul Ernest Hi Matt! When I looked up 'concept album' (after writing my laudation) there were several other contenders mentioned like Woody Guthrie, Frank Sinatra, Pet Sounds; being thematic collections. So my claim is of course contested by others. Moving towards…See more

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Paul Burdess Not too sure about some of your other choices, but definitely with you on this one.

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Paul Martin I agree with you, it's just that I find "Within You, Without You" rather a hindrance on the general flow! "Lovely Rita" is well - the pinnacle!

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Paul Ernest But in some ways that song is the spiritual heart of the album - it adds variety and depth - I love it - George Harrison adds something special, extra. I love it! The Link https://www.youtube.com/watch?v=HsffxGyY4ck

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Within You Without You (Remastered 2009)

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Within You Without You (Remastered 2009)

                  • John Hugh Balmford They're one of the few pop groups that mean anything to me at all. In fact at the time I found them deeply disconcerting because up till then I'd always thought of pop music as not worth listening to.

                  • Paul Martin I still have the LP in original sleeve and cardboard cutouts, I expect it is in stereo.

                  • Paul Martin I shall have the advantage of being able to turn the record over half way!

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                  • Masha Kolomeitz yes i would have chosen... strawberry fields and all you need is love..... but are they on an album.. still have a trippy effect on me..... the 1967 feeling.

                  • Paul Ernest You beat me oin that! I just looked through my vinyl collection and I no longer have that one! I have the White Album, Abbey Road, and a couple of earlier albums. I even have 2 copies of the Band's Big Pink. Its a shame because it has one of the greatest covers of all time!

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                  • Paul Ernest Yes, Masha, those are marvellous songs and among my favourites too. Strawberry Felds and All you need is love fill me with joy whenever I hear them and they are in my top 10 singles (another game!). They are like hymns for the psychedelic era with thei…See more

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My next album (my 8th) is Murderer's Home, an album of prisoners' blues and work songs recorded by Alan Lomax at Parchman Farm (Mississippi State Penitentiary, Parchman, USA), 1947. Who knows what happened to the singers but it is pure suffering and longing direct from the human soul. You cannot but be moved by it. Echos of the music run through so much of modern Blues, R&B and Rock. The singers are near anonymous, known only by Lomax's brief annotations. and long departed from this world of woe. It was released in the UK in Pye Golden Guinea Records, 1965, an affordable reissue label.

Tracklist

Jimpson, Road Song (Murderer's Home),

Jimpson, No More, My Lawd,

Unknown Artist, Katy Left Memphis,

B.B. (6), Old Alabama,

B.B. (6), Black Woman,

Tangle Eye (2), Fuzzle Red* and Hard Hair, Jumpin' Judy,

C.B., Whoa Buck,

22 (3), Prettiest Train,

22 (3), Old Dollar Mamie,

22 (3), It Makes A Long Time Man Feel Bad,

C.B., Rosie,

Bama (3), Levee Camp Holler,

22 (3), Little Red, Tangle Eye (2) & Hard Hair, Early In The Mornin',

Tangle Eye (2), Tangle Eye Blues,

Bama (3), Stackerlee,

Alex (78), Prison Blues,

Bob And Leroy, Sometimes I Wonder,

Bob And Leroy, Bye Bye Baby,

If you don't know it you have to listen to it. If you do know it will move you once again! I can't find a single overall link but here are some of the individual tracks - not necessarily the best!

https://www.youtube.com/watch?v=rbuwcBWshtM

https://www.youtube.com/watch…

https://www.youtube.com/watch?v=3qsRdLXaWBY

https://www.youtube.com/watch…

https://www.youtube.com/watch?v=vbm_uWVasNU

https://www.youtube.com/watch?v=4iHpcbTNOrk

You can't help but hear it as the most poignant expression of the suffering of the Black Holocaust as documented in the film 13th, but true art rises above infamy to leave an indelible mark

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                  • Lin Holdridge I couoldn't agree more Paul - your eloquent words reinforce the feelings of that time, and are especially welcome now.

                  • Paul Ernest Thanks so much Lin! It's so heartwarming to know we are singing off the same songsheet! And we are not the only ones ....

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                  • Laurinda Brown I remember a classmate turning up in class having bought a copy of the newly released album - feels like it must have been 1968 - she was excited about Lucy in the Sky with Diamonds and I think this was my first introduction to LSD ...I can still sing …See more

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                  • Paul Ernest Thank you Laurinda Brown for opening this box of memories. Psychedelia ... the sacrament of acid ... delicately handled opening you up to amazing spiritual experiences! Recently I read the very good account of acid in the UK Albion Dreaming and it inspired me to try to capture my own experiences in a piece called the journey. http://internationaltimes.it/the-journey-2/

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                  • Paul Ernest Oh, yes, I'd forgotten that! Thanks for the memory jog! 😀 Yes, many people would have heard this record back in the day - including Mose Allison - and though it's obviously his own jazz composition in his own unique style its about that very prison farm,. https://www.youtube.com/watch?v=RCpbWLjlrdU

                  • Paul Burdess Not too sure about some of your other choices, but definitely with you on this one.

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Mose Allison Parchman Farm Mose Allison Sings 1959
                  • Paul Ernest Oh excellent - amusingly it is the most controversial one I have proposed! I agree with others that it does not contain the all time best Beatles songs, but I think it is their best and most important album. Another concept album by them is the Magical Mystery Tour (admittedly 2 EPs when I got it). That had the (psychedelic) journey as its theme. Marvellous imagination in songs, lyrics and movie!

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                  • Mose Allison Parchman Farm Mose Allison Sings 1959

                  • Jane Shearer Fantastic choice, Paul, such an important record on many levels, great musical Art and this is such a coincidence. Tim was sorting through our records this week and found we had two copies, this 1965 U.K. issue and a U.S. 1954 copy chillingly entitled Negro Prison Songs, and gave one to Orlando only yesterday. Isn't that strange!!

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                  • Paul Ernest Marvellous! Lucky you! Those songs stay with your forever!

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                  • Gaye Meakin Or Schofield Jane Shearer that’s such a coincidence! I don’t think we ever had this. Either ‘we Dubs’ or ‘We Mike’ ha ha. Although Dubs loved the Mose Allison one.

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                  • Paul Martin I agree with you, it's just that I find "Within You, Without You" rather a hindrance on the general flow! "Lovely Rita" is well - the pinnacle!

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My next album choice (no. 9) is Songs of Leonard Cohen, his first album.

Each song is so skilfully crafted with delicacy and deep enigmatic lyrics and wonderful fresh musical arrangements. Very moving, very poetic, showing univeral truths through particular narratives. There is deep feeling, deep sadness, but also black humour in the songs. Some friends used to complain in the day that he was "so down, man!" overlooking the joy and the black humour in the songs. Probably the only other modern popular musician to be a contender with Dylan for the Nobel Prize in literature.

The tracks

Side A

"Suzanne" – 3:48

"Master Song" – 5:55

"Winter Lady" – 2:15

"The Stranger Song" – 5:00

"Sisters of Mercy" – 3:32

Side B

"So Long, Marianne" – 5:38

"Hey, That's No Way to Say Goodbye" – 2:55

"Stories of the Street" – 4:35

"Teachers" – 3:01

"One of Us Cannot Be Wrong" – 4:23

https://www.youtube.com/watch…

Within You Without You (Remastered 2009)
                  • Paul Martin I will listen again - which is the value of your posts - to help people to rehear things!

                  • Paul Martin I still have the LP in original sleeve and cardboard cutouts, I expect it is in stereo.

                  • Paul Martin I shall have the advantage of being able to turn the record over half way!

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                  • Within You Without You (Remastered 2009)

                  • Paul Ernest You beat me oin that! I just looked through my vinyl collection and I no longer have that one! I have the White Album, Abbey Road, and a couple of earlier albums. I even have 2 copies of the Band's Big Pink. Its a shame because it has one of the greatest covers of all time!

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                  • Lin Holdridge Leonard as a poet and songmaker is, along with Dylan, my absolute favourite. As a human being, I have such admiration for the way he evolved, for his profound spirit, his wit and joy, his grace and humility and many more qualities; all, I am sure, hard won through personal questing and deep reflection. Someone to look up to and aspire to indeed.

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                  • Clare Gabriel My all time favourite Leonard Cohen album. Saw me through many hard times..... :)

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                  • Brian R Lawler This pic looks JUST like Adam Sandler, American comedian. Anyone else see it??

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Heard this on Radio 4 today - reminds me Now that's What I Call Music - get up and dance!! 💃🕺

Music is a great lift - I don't listen enough now. And I plan to dance on my own to it (unless Jill joins in!) to tunes like this

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Arthur Conley ~ Sweet Soul Music (1967)

This great soul song by "Arthur Conley" was released in 1967 and i believe this was the biggest hit song he had.He actually wrote this song with "Otis Reddin...

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                  • Crispin Kitto Arthur was a real highlight in the Stax tour, 50+ years ago!

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My album choice of today (no. 10 is Bob Dylan's Basement tapes. Dylan circulated both tapes and acetate discs in the music business of some of the tracks he had been cutting in 1967 with the Band (who also helped co-write a few). Some tracks were recorded by others to great successL Quinn the Eskimo by Manfred Mann, This Wheel's on Fire by Julie Driscoll and Brian Augur, and many more (Peter, Paul & Mary, Byrds, Fairport Convention). The original recordings were not issued commercially for years. My friend Jerry Goody let us know he was getting a samizdat (bootleg) copy and I was one of half a dozen friends who orderd a copy on a 10" acetate LP disc for around £3 10s. The songs are abolute wonders. They have Dylan in the lead with The Band backing, both vocally and instrumentally. The were recorderd at Dylan's House and also at the the Big Pink house, NY State (same as as my first album choice) after Dylan and Sara's daughter was born. The lyrics, the music, the performances are nothing short of miraculous. I didn't know it then but this selection was the cream of a crop of almost 100 titles and many different versions. 1967 was perhaps Dylan's most prolific year, working 5-7 days a week for 8 months "doing seven, eight, ten, sometimes fifteen songs a day" (Garth Hudson)

The tracks were:

1

Yeah Heavy & A Bottle Of Bread

Please Mrs. Henry

Down On The Flood (Crash On The Levee)

Lo & Behold ("ferris wheel" version)

Tiny Montgomery

Wheels On Fire

Million Dollar Bash

2

Nothing Was Delivered

Too Much Of Nothing

I Shall Be Released

You Ain't Going Nowhere

Mighty Quinn

Tears Of Rage

My acetate had no cover, a plain sleeve and even the label was hand written. In 1975 the following album cover was released with most of these recordings and some other songs. The photo was a mock up from 1975, representing some of the songs. [In 2014 Columbia/Legacy issued 6-CD box set containing 139 tracks which comprises nearly all of Dylan's basement recordings],

Annoyingly YouTube blocks playing the music in UK so I can't provide a link! I could write a page on every song - they are so meaningful but also mysterious, so marvellous, so musical, each is shorn of artifice and is a joy to listen to!

Look at the lyrics to Million Dollar Bash! Give the man a prize!

Well, that big dumb blonde with her wheel in the gorge

And Turtle, that friend of hers, with his checks all forged

And his cheeks in a chunk, and his cheese in the cash

They’re all gonna be there at that million dollar bash

Ooh, baby, ooh-ee

Ooh, baby, ooh-ee

It’s that million dollar bash

Everybody from right now to over there and back

The louder they come, the bigger they crack

Come now, sweet cream, don’t forget to flash

We’re all gonna meet at that million dollar bash

[chorus]

Well, I took my counselor out to the barn

Silly Nelly was there, she told him a yarn

Then along came Jones, emptied the trash

Everybody went down to that million dollar bash

[chorus]

Well, I’m hitting it too hard, my stones won’t take

I get up in the morning but it’s too early to wake

First it’s hello, goodbye then push and then crash

But we’re all gonna make it at that million dollar bash

[chorus]

Well, I looked at my watch, I looked at my wrist

I punched myself in the face with my fist

I took my potatoes, bound to be mashed

Then I made it on over to that million dollar bash

[chorus]

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                  • Paul Martin I like the 139 track version (well most of it)

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I just counted up my album choices as I reposted the discussion on the Witch's Cauldron website - URL below - see STORIES and the section - Music of early 60s and later 60s (Sorry - I didn't ask! If you commented and don't want your name displayed just let me know and I will anonymise you)

So inadvertently I have used up my 10 choices. I was still struggling to choose between the following

Surrealistic Pillow by Jefferson Airplane (Grace Slick - what a voice - and tracks

                  • Laurinda Brown All 4 - Doors was introduced to me by my sister - Found as she started university and I started 6th form - Jefferson Airplane (first met White Rabbit when they were the Great Society and now Starship!). I can remember thinking I wouldn't reach 30 and s…See more

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                • Paul Ernest Pushing 70 - you're a baby! Some of us were born in WW2! You are right, I left out Country Joe - I did love him in the 60s! When I missed the Doors at the Roundhouse launch of International Times I also missed Jefferson Airplane - those and Cream at Sussex Uni are my memorable sad miss outs! http://internationaltimes.it/

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IT | International Times
                  • INTERNATIONALTIMES.IT

                  • IT | International Times

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                  • Lin Holdridge a Japanese percussionist, keyboardist and composer. He was best known for pioneering and popularising a fusion of traditional Japanese percussive music with Western progressive rock music in the 1960s and 1970s.

                  • In the latter part of the 1970s, he led the supergroup "Go" with Steve Winwood

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NIALL GOODE RECOMMENDS

ACID DROPS, SPACEDUST & FLYING SAUCERS

Psychedelic Confectionery from The UK Underground 1965-69

One of the great things about 1960s music is that there were so many wonderful tracks may not have been huge hits but remain worthy of a listen even now in the 21t century. The advent of the CD has meant that so many wonderful sounds that disappeared for years are now available again, opening up the archives for bands who many had forgotten or never knew in the first place. This is like discovering rare gems. There are songs that certainly deserve a much wider audience and even artists who are well-known now making their first outings. Like the earlier Nuggetts II collection, Acid Drops, Spacedust & Flying Saucers is an absolute treasure trove of frequently less-known music.

Again like Nuggetts II, Acid Drops has a mix of well-known tracks, well-known artists and the blatently obscure. What they have in common is they bring back great music so everyone can listen again or for the first time even.

Disc One starts with Roger McGough and Mike McGear who were also in the Scaffold. So Much in Love sounds totally unlike the Scaffold with a heavier guitar overlain by harmony "psychedelic" vocals. the musician listing for this track is quite awesome: Jimi Hendrix, Dave Mason, Graham Nash, Zoot Money, Paul Samwell-Smith, Mitch Mitchell, Noel Redding and Paul McCartney. Of course, McCartney and McGear are half brothers. Aquarian Age was an offshoot of Tomorrow and thus gain their place in rock history. Flower King of Flies features the electrifying organ sounds of Keith Emerson, later of Lake & Palmer fame. The Nice were initially signed to Immediate as PP Arnold's backing band but their fusion of pop and classical made them unique and, often, controversial. Witness their version of West Side Story's America. Rupert's People were covered by an earlier Making Time review. This is an interesting group that half existed or not as the case may be and whose career was briefly intertwined with Les Fleurs de Lys. Dream on my Mind is a superb track although it was only a b-side to A Prologue to a Magic World. Reputation from Shy Limbs is a further ELP link, not just the classical organ style of the intro but the unmistakable voice of Greg Lake. Tintern Abbey's Vacuum Cleaner is a British psychedelic classic. The song is driven by the steady drums and booming bass guitar. It's a pity there was no album from Tintern Abbey as this track promised so much. The David included James Griffin who was later to form Bread with David Gates. Listen out for the descending guitar during the chorus! The Misunderstood came from California but were managed by one John Peel! Can Take You To The Sun is not as strong as Children of the Sun but is, nonetheless, a hypnotic track with hypnotic cymbal-backed verses and gentle guitar sounds leading into a louder and more explosive chorus. Towards the end acoustic guitar with a clear Spanish accent takes over. Grapefruit claim their place in rock history partly because they were one of the acts signed to the Beatles' Apple publishing. Procol Harum is one of the best-known acts on this disc. Shine on Brightly will introduce many to Procol Harum beyond A Whiter Shade of Pale. Perhaps the downside of making such a great track is that you are frequently only remembered for that one. Shine on Brightly is the title track of the second album. It retains the trademark organ sounds but it is Gary Booker's voice that claims this song. Bamboo Shoot is a real obscurity. The sleeve notes suggest, jokingly, that it could be a Small Faces outtake. To me it sounds more like a young Fergal Sharkey! The Who's Armenia City in the Sky is the opening track of The Who Sell Out. While this is not written by Pete Townshend, it is classic Who with weird guitar sounds showing the band trying to join the psychedelic carousel. Focus Three's 10,00 Years Behind My Mind features gritty vocals and a multi-vocal chorus. Timebox includes future Rutles drummer John Halsey. Meditations from Felius Andromeda sounds like a cross between White Shade of Pale and the Yardbirds' Still I'm Sad. The final track on the first disc is Warm Sounds' Nite is a Comin'. This includes backwards vocals, quite a thing at the time.

The second disc has a more "folky" feel in places. Kaleidoscope's Flight from Ashiya opens the disc. This sounds a bit like the Syd Barrett era Pink Floyd. It lacks the innocence of a Barrett song but should be enjoyed by Floyd aficionados. July's The Way was the work a band that turned from an R&B group to a psychedelic sounding group. The use of Indian instruments made a sound similar to the String Band in places but with Syd Barrett style guitar. The long lead-out brings the two types of sound together in a psychedelic collage. The Incredible String Band themselves are next. Witches Hat is one of the most accessible songs and is found on their top-selling album The Hangman's Beautiful Daughter. This is a typical Robin Williamson song with its lyrics child-like at times. Again a Barrett similarity. Robin's voice takes some getting used to but it truly hypnotic at times, not least on this track. Donovan was often seen as Britain's Bob Dylan but this does him a great dis-service. About all they had in common was the fact they were guitar-playing singer-songwriters. Celeste captures Donovan at his psychedelic best. Ramases and Selket will be unknown to almost everyone. Their story is somewhat sad but it is a nice track all the same. Shades of Orange by The End was produced by Bill Wyman but this is not a Stones sound-alike. Like much of this second disc, the sound is more Barrett-era Pink Floyd. Barclay James Harvest is one of several artists included whose track is an early example of their work in the psychedelic field and they later made a name as a progressive rock outfit. Monday Morning by Tales of Justine is interesting as an early Tim Rice/Andrew Lloyd Webber production although they did not write the track. John Paul-Jones contributed the bass lines on this. This is a superb pop track and a pity that there was little more from this duo. Billy Nicholl's Girl from New York is one of the most powerful tracks on his Would You Believe album. This features blistering guitar work from Steve Marriott and, with Jerry Shirley on drums, is a foretaste of Humble Pie. The Accent's Red Sky At Night was a single. The track is a mix of "black" lyrics against a powerful, heavy backing. Mick Softley was one of the stranger characters of the 1960s music scene. Am I The Red One came from a more folky direction. Starting with piano intro, the song builds with guitar and obscure lyrics. The result is an upbeat track. Laura's Garden from Orange Bicycle did not meet with chart success despite being championed on Radio 1. This is typical late 1960s English pop. Caleb's Baby Your Phrasing is Bad shows what can be done if you discovered a phaser for guitars and apply it to the vocals. Elton John may be playing on this track. Magician by Amazing Friendly Apple has opera-style vocals backed with a Hammond organ and harpsichord sound. This is an unusual track. The Moles were a step on from Simon Dupree & The Big Sound of Kites fame. It remains an interesting curio despite not having the appeal of Kites or even the later incarnation of Gentle Giant. 23rd Turnoff's Michael Angelo is dreamy with swirling musical backing and occasional brass. Bill Fay's Screams in the Ears is a piano based track that starts upbeat but becomes more somber when the vocals arrive.

Disc Three is the most commercial of the four featuring well-known brands such as the Small Faces, the Yardbirds and the Hollies. Granny Takes a Trip was naturally banned by the BBC for its drug connotations. This is an upbeat track with the unusual combination of piano, washboard and kazoo. The Smoke's My Friend Jack was banned for the same reason. The version here is with the shorter guitar intro. The longer version is better. The Idle Race are present with one of the rare gems of this compilation. Imposters of Life's Magazine was also on the Nuggets II compilation and begs the question about possible Idle Race releases. The Pretty Things' Talking About the Good Times comes from the SF Sorrow project that demands a wider listen. The beginning of this song does sound a little like the Hollies' On a Carousel but, apart from that, it is totally different. There is even a Beatles touch with the drums and a smorgasbord of instrumentation. Donovan's Hurdy Gurdy Man is one of his best-known tracks. Time Seller was the Spencer Davis Group after Steve and Muff Winwood had left. While this line-up did not enjoy the same commercial success, they were fairly prolific. This track even features Graham Nash on backing vocals. Denny Laine had found some fame with the Moody Blues' Go Now and was later to gain Wings with Paul McCartney. Say You Don't Mind did not have the success it deserved although it was later a solo hit for the Zombies' Colin Blunstone. The Move's superb I Can Hear The Grass Grow makes the listener wonder if they are referring to lawn maintenance or other forms of grass. This is a Roy Wood classic and was the Move's second single. The Kinks were also a controversial group with gay allegations that See My Friend did little to dispel. A rare delight included is Peter Cook & Dudley Moore's the LS Bumble Bee. They may be better known for their comedy but LS Bumble Bee is widely seen as a psychedelic classic! The Yardbirds' Happenings Ten Years Time Ago is one of the three tracks recorded with the Jimmy Page / Jeff Beck dual guitar line-up. While this is one of the band's most powerful tracks, it was less successful in the charts than the previous few singles. Nevertheless, it remains as powerful a guitar piece today as ever. Green Circles is one of the Small Faces concessions to psychedelia. It is a Ronnie Lane track from the second album. The Hollies were one of the country's top pop bands. By King Midas in Reverse Graham Nash was already starting to push the band into a more "serious, adult" direction. However, it did not do the trick. The Hollies returned to their pop songs and Nash headed off to California. David McWilliams is a classic track that was, surprisingly, not a hit in the UK (although Marc Almond did chart with it many years later.) It is an enchanting track with swirling strings around the chorus. The Herd's From the Underworld was the first of three classic singles by the group headed by Peter Frampton. This is a moody track based on the opera Orpheus and the Underworld and was followed by Paradise Lost which also had a classical feel. However, the Herd never really made the big time before Frampton linked with Steve Marriott of the Small Faces to form Humble Pie and later "came alive." His post-Animals (original) career was patchy but there were some superb tracks recorded such as San Franciscan Night. However, Eric Burdon's Sky Pilot was one of his best solo tracks and was in the spirit of the (Vietnam) times. Paper Sun was one of Traffic first few singles. Steve Winwood had formed the group after leaving the Spencer Davis Group looking for a more adult and laid-back feel than the r&b of the previous group. Simon Dupree & the Bid Sound were also one hit wonders with the unique Kites.

The fourth disc is Roundhouse Ghosts. The Attack's Colour of My Mind is the result of a brief career that promised much but they were beaten by Jeff Beck in having success with Hi-Ho Silver Lining. The band recorded three singles and almost released an album. Very little is known about Allen Pound although the track has been used to head freakbeat compilations. My Father's Name was Dad by Fire is another track that was also on Nuggetts II. This is a powerful pop track that may have fared better with a different title. The Orange Machine hailed from Ireland and had previously recorded a couple of Tomorrow tracks. Indeed, the band does sound somewhat like Tomorrow. The Penny Peeps' Model Village is another unusual track in its choice of subject matter but is a powerful pop track with driving guitar sounds. Much of this disc is taken up with bands that had short careers and consequently there is little to say about them but much to enjoy in their music. An exception to this is The Status Quo who are present with When My Mind is not Live. This was the b-side of the single Ice in the Sun. it has the same trademark guitar sounds as the a-side and the earlier Pictures of Matchstick Men. The Poets were signed to Immediate by Andrew Loog Oldham. Syd Barrett Octopus comes from his solo The Madcap Laughs album that was completed after he head left Pink Floyd. Both this and Barrett show glimpses of his rare talent but also show a musician who is disintegrating. Octopus was launched as a single. The Flies Steppin' Stone is a much heavier version of the Monkees' original, almost a Vanilla Fudge working of the great song. Tomorrow featured Steve Howe, later of Yes, and Keith West who was to have a massive hit with Excerpt from a Teenage Opera. Revolution is not the Beatles song but a psychedelic masterpiece that was released as a single. The Sorrows are best known for Take a Heart but You've Got What I Want deserves a listen. Its driving drums and piercing guitar sounds make it very different from Take a Heart.

All in all, this collection may overlap with Nuggetts II for some tracks but it provides a large number of other tracks that are not available elsewhere. Essential for fans of late 1960s music.

Track Listings

DISC ONE : DOWN TO MIDDLE EARTH

So Much In Love - McGough & McGear

10,000 Words in a Cardboard Box - Aquarian Age

Flower King of Flies - The Nice

Dream on my Mind - Rupert's People

Reputation - Shy Limbs

Vacuum Cleaner - Tintern Abbey

Light of your Mind - The David

I Can Take You to the Sun - The Misunderstood

Dear Delilah - Grapefruit

Shine on Brightly - Procol Harum

Fox Has Gone to Ground - Bamboo Shoot

Armenia City in the Sky - The Who

10000 Years Behind my Mind - Focus Three

Gone is the Sad Man - Timebox

Peter's Birthday (Black and White Rainbows) - World of Oz

Subway (Smoky Pokey World - The Tickle

Meditations - Felius Andromeda

Nite is a Comin' - Warm Sounds

DISC TWO : GANDALF'S GARDEN

Flight from Ashiya - Kaleidoscope

The Way - July

Witches Hat - Incredible String Band

Celeste - Donovan

Mind's Eye - Ramases & Selket

Shades of Orange - End

Love - Virgin Sleep

Pools of Blue - Barclay James Harvest

Monday Morning - Tales of Justine

Girl from New York - Billy Nicholls

Red Sky at Night - The Accent

Am I the Red One - Mick Softley

Laura's Garden - Orange Bicycle

Baby Your Phrasing is Bad - Caleb

Magician - Amazingly Friendly Apple

We Are The Moles - Moles

Michaelangelo - 23rd Turnoff

Screams in My Ears - Bill Fay

DISC THREE : MUSHROOM SOUP

Granny Takes a Trip - Purple Gang

My friend Jack - Smoke

Imposters in Life's Magazine - Idle Race

Talkin' About the Good Times - Pretty Things

Hurdy Gurdy Man - Donovan

Time Seller - Spencer Group Davis

Say You Don't Mind - Denny Laine

I Can Hear the Grass Grow - Move

See My Friends - The Kinks

LS Bumble Bee - Peter Cook & Dudley Moore

Happenings Ten Years Time Ago - Yardbirds

Green Circles - Small Faces

King Midas in Reverse - The Hollies

Days of Pearly Spencer - David McWilliams

From the Underworld - The Herd

Sky Pilot - Eric Burdon & The Animals

Paper Sun - Traffic

Kites - Simon Dupree & The Big Sound

DISC FOUR : ROUNDHOUSE GHOSTS

Colours of My Mind - Attack

Searchin' in the Wilderness - Allen Pound's Get Rich

Father's Name is Dad - Fire

Dr Crippin's Waiting Room - Orange Machine

Model Village - Penny Peeps

Run and Hide - Fairytale

Strange Walking Man - Mandrake Paddle Steamer

When My Mind is Not Live - Status Quo

In Your Tower - Poets

Listen to the Sky - Sands

Octopus - Syd Barrett

The Other Side - Apple

I'm Not Your Steppin' Stone - Flies

Machines - Herbal Mixture

Revolution (phased version) - Tomorrow

You've Got What I Want - Sorrows

Royston Rose - Koobas

Escalator - Sam Gopal Dream

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