The Scar Test (2017) tells the story of people detained at Yarl’s Wood Immigration Removal (formerly Detention) Centre in England. The detainees struggle to survive in the prison-like complex while they fight for their right to stay in the UK.
Some people came to England to escape horrors abroad. Some were brought to England on false pretenses. And some have lived in England for most of their lives. All of them face a complicated immigration system.
Inspired by interviews conducted by the playwright Hannah Khalil, The Scar Test asks us to confront the harrowing reality of immigrant rights in the UK.
Hannah Khalil titled the play after "a procedure used to determine whether detainees have undergone torture in their home countries." According to UK laws, a victim of torture cannot be detained at a facility like Yarl's Wood. But what about the forms of torture that don't always leave external scars? If a detainee can't show the scars of their trauma to the naked eye, they are at a disadvantage when it comes to seeking asylum. Often their invisible traumas are minimized or outright denied by the officials performing the test.
Hannah Khalil is a Palestinian-Irish writer based in the UK. Khalil has written over a dozen plays that have been produced across the UK and US. She has worked closely with prestigous theatres such as the National Theatre Studio in London, the Royal Court Young Writers' Programme in London, and the Tinderbox Theatre in Belfast. Her writing challenges Eurocentric narratives about Arab culture, immigration, women, and human rights. She creates theatre that confronts the enduring violence of colonialism.