Félix Resurrección Hidalgo
(1855–1913)
(1855–1913)
Félix Resurrección Hidalgo was a Filipino painter and one of the leading figures in Philippine art during the Spanish colonial period. Born on February 21, 1855, in Binondo, Manila, Hidalgo studied at the prestigious Real Academia de Bellas Artes de San Fernando in Madrid, where he developed a strong foundation in European art styles, particularly in the academic traditions of Romanticism and Realism. His works often blended historical and allegorical themes, drawing inspiration from both European classical art and Filipino cultural narratives.
Hidalgo gained international recognition for his masterpieces such as La Barca de Aqueronte (The Boat of Charon), which exemplified his mastery of light, detail, and emotional depth. He was awarded numerous accolades, including a gold medal at the 1889 Exposition Universelle in Paris for his painting Venus. Hidalgo was also active in the nationalist movement, and his art became an important part of the Filipino intellectual elite's advocacy for reforms during the Spanish colonial period. He died on March 13, 1913, but remains celebrated as one of the key figures in the development of Philippine art during the late 19th century.
Las Virgenes Cristianas Expuetas al Populacho
Las Vírgenes Cristianas Expuestas al Populacho (1887) This painting portrays Christian virgins being humiliated in public, depicting the suffering of innocent figures in the face of pagan cruelty. The dramatic depiction of emotions is enhanced by Hidalgo’s mastery of classical techniques.
La Barca De Aqueronte
La Barca de Aqueronte depicts Charon, the mythological ferryman of the underworld, transporting souls across the Styx. Hidalgo’s dramatic portrayal of this mythological scene captures both the grandeur and the eeriness of the afterlife.
La Laguna Estigia
La Laguna Estigia (The Stygian Lake) depicts the river Styx, reflecting the journey between life and death in Greek mythology. The artist’s handling of light and dark is particularly striking, creating a tense, foreboding atmosphere.
The Masterpiece of Félix Resurrección Hidalgo
La Pintura
La Pintura (The Painting) symbolizes the art of painting as a woman, illustrating the reverence and feminine qualities associated with the creative process. Hidalgo uses allegory to elevate the status of painting as an art form.
Reference: Mendoza, J. (2012). The Legacy of Filipino Art: Exploring Nationalism and Aesthetic Expression. University of the Philippines Press.
La Pariesienne
In La Parisienne, Hidalgo captures a stylish Parisian woman, exemplifying his ability to depict European subjects with elegance. The painting portrays the modern and sophisticated lifestyle of the time.
Joven Filipina
Joven Filipina (Young Filipina) is a portrait of a Filipina woman in traditional attire, showcasing Hidalgo’s delicate attention to cultural details and his skill in portraiture.
La Vendora De Lanzones
La Vendedora de Lanzones (The Lanzones Seller) features a Filipino woman selling lanzones, celebrating Filipino daily life. The painting highlights Hidalgo’s skill in depicting Filipino subjects with dignity and naturalism.
Las Vírgenes Cristianas Expuestas al Populacho
Lanuza, J. (2004). Félix Resurrección Hidalgo: Masterworks of a Filipino Artist. National Commission for Culture and the Arts. Retrieved from https://ncca.gov.ph
La Barca de Aqueronte
Philippine Daily Inquirer. (2012). A look into Hidalgo’s La Barca de Aqueronte. Philippine Daily Inquirer. Retrieved from https://inquirer.net
La Pintura
University of the Philippines Press. (2016). Allegorical themes in Hidalgo’s La Pintura. Retrieved from https://press.up.edu.ph
La Laguna Estigia
National Commission for Culture and the Arts. (2004). Hidalgo’s Greek inspirations: La Laguna Estigia. Retrieved from https://ncca.gov.ph
Joven Filipina
Flores, P. (2010). Hidalgo’s Joven Filipina and the representation of women in Filipino art. Philippine Art Journal. Retrieved from https://philartjournal.org/