My study of objects through an artist's perspective allows one to see how complex the world of ordinary and less ordinary objects is. The process is influenced by imagery and use of objects in my surroundings, a culture affecting objects consumption, the consumption of objects individually or collectively which reveals the constant engagement of any society's identity, which I transfer into imagery, installation, video, and sculpture. I believe each object is a thing, but everything is not an object, and objects exist everywhere in equal measure. Still, the idea of their being private or public can be different, which gives various forms to deal with them and develop artworks.The transformation of any object does not exist only in the material; it also exists in a change of position, ownership, identity, function, and from becoming public to private or private to people, and my art practice revolves around it. Therefore, my art practice is not fixed to a specific medium, place, or identity; it transforms; it is a process of learning and unlearning.