Psycho {1960}: I
"πππ ππππ ππππ π° πππππ...π° πππππ ππ'ππ πππ ππ πππ πππππππ πππππ, πππππππ
ππ ππππ, πππ
ππππ ππ ππ πππ ππππ πππππ πππ. πΎπ πππππππ πππ
ππππ... πππ ππππ ππ πππ πππ, ππππ ππ ππππ πππππ, πππ
πππ πππ ππ ππ, ππ πππππ πππ
ππ ππ ππππ "
"πππ ππππ ππππ π° πππππ...π° πππππ ππ'ππ πππ ππ πππ πππππππ πππππ, πππππππ
ππ ππππ, πππ
ππππ ππ ππ πππ ππππ πππππ πππ. πΎπ πππππππ πππ
ππππ... πππ ππππ ππ πππ πππ, ππππ ππ ππππ πππππ, πππ
πππ πππ ππ ππ, ππ πππππ πππ
ππ ππ ππππ "
ππ§ππ‘π¨π§π² πππ«π€π’π§π¬ discusses the Human Predicament with Janet Leigh in 1960β²s ππ¬π²ππ‘π¨, directed by the mΓ¦stro, ππ₯ππ«ππ ππ’πππ‘ππ¨ππ€. Lifeβs emptiness, the private traps from which we never escape, oneβs mother, and other topics are covered. πππ«π€π’π§π¬, who portrays motel proprietor Norman Bates, delivers a stunning, bravura performance, easily spanning the morass between the eagerness of a lonely man who suddenly finds a companion, and the resignation of one who knows he is utterly beaten.
ππ§ππ‘π¨π§π² πππ«π€π’π§π¬ discusses the Human Predicament with Janet Leigh in 1960β²s ππ¬π²ππ‘π¨, directed by the mΓ¦stro, ππ₯ππ«ππ ππ’πππ‘ππ¨ππ€. Lifeβs emptiness, the private traps from which we never escape, oneβs mother, and other topics are covered. πππ«π€π’π§π¬, who portrays motel proprietor Norman Bates, delivers a stunning, bravura performance, easily spanning the morass between the eagerness of a lonely man who suddenly finds a companion, and the resignation of one who knows he is utterly beaten.
When a well-intentioned and protective suggestion by Leigh's character (Marion Crane) happens to touch a nerve or two with Norman, quite the sea change in atmosphere transpires. Bates's reaction ranges from the utterly incredulous, to a very nearly open hostility, bordering on outright contempt, to a quasi-reassuring resignation and light-heartedness. Further brilliance from πππ«π€π’π§π¬, who shows astonishing command and control.
When a well-intentioned and protective suggestion by Leigh's character (Marion Crane) happens to touch a nerve or two with Norman, quite the sea change in atmosphere transpires. Bates's reaction ranges from the utterly incredulous, to a very nearly open hostility, bordering on outright contempt, to a quasi-reassuring resignation and light-heartedness. Further brilliance from πππ«π€π’π§π¬, who shows astonishing command and control.
ππ¨π«π¦ππ§: "I don't mind it anymore." πππ«π’π¨π§: "You should... mind it." ππ¨π«π¦ππ§: "Oh I do... but I say I don't."
ππ¨π«π¦ππ§: "I don't mind it anymore." πππ«π’π¨π§: "You should... mind it." ππ¨π«π¦ππ§: "Oh I do... but I say I don't."
π¨π π°ππππππππππ? π¨ π΄ππ
πππππ?? π·πππππ ππππππ ππππ π πππ
πππππ "ππππ πππππ". π·ππ πππ ππ "ππππ πππππ."
π¨π π°ππππππππππ? π¨ π΄ππ
πππππ?? π·πππππ ππππππ ππππ π πππ
πππππ "ππππ πππππ". π·ππ πππ ππ "ππππ πππππ."