again, again, again
down again
(again)
down again
(again)
again, again, again
woke up on the wrong side of the same score
same court, same door, same floor as before
same four walls closing in, the same war
say more, say what's it for
again, again, again
down again
(again)
down again
(again)
again, again, again
alarm goes off but I don't need it
mirror says quit, I don't repeat it
mind says delete it, soul says easy
body says beat it, feet say meet it
meet the wall I built myself
meet the version of me on a shelf
meet the man who asked for help
meet the man who never did
meet the kid who never slid
into anything that ever fit
meet the gaps between the grips
and all the things that never fit
meet the floor
meet it again
again, again, again
down again
(again)
down again
(again)
again, again, again
drill after drill after drill after drill
hill after hill after hill after hill
still after still after still after still
will is a muscle and muscle is built
guilt is a muscle I already built
ground it to dust, build it again, again again
ground, ground, ground
(ground, ground, ground)
again, again, again
down again
(again)
down again
(again)
again, again, again
not the first time the clock ran out
not the first time I figured out
that figuring out the outside
doesn't figure in to figuring out the inside
just more rounds
more sounds
more downs
again, again, again
down again
(again)
down again
(again)
again, again, again
lost footing, lost ground
lost what I thought I found
lost the up inside the down
lost the crown chasing the crown
lost the sound chasing the sound
lost the round
found the floor
found it again
again, again, again
down again
(again)
down again
(again)
again, again, again
they don't see the reps that failed
they don't see the ships that sail
without me, into something else
they don't see the shelf
where I put the version of myself
that didn't make it
they don't see the weight of
having to replace it
every morning
every morning
every morning
again, again, again
down again
(again)
down again
(again)
again, again, again
not the first time the clock ran out
not the first time I figured out
that figuring out the outside
doesn't figure in to figuring out the inside
just more rounds
more sounds
more downs
again, again, again
down again
(again)
down again
(again)
again, again, again
I hold it together
I hold it together
we hold it together
we hold it together
woke up already running, already done with dreaming, already checking for anything broken or bleeding or needing or leaning on me
already three steps ahead of falling, already stalling the slowing, already going on nothing but needing to be
needed — I need it — to be what the room needs before the room knows what it needs — steady and cool and consumed by roles
already paying with pieces, already losing the lease on the person I was before all of this pressed me from something into someone
and I'm told I should cherish the weight and I do — and I will — but I can’t wait to find out what it means
to be more than the thing that holds everything up — to be more than math — to be more than in-between
that’s when something comes through — not a thought — not quite a feeling — rising up from the waiting and under the weight
and it's not mine and it's not small and it's not me against all after all — it's the pull of the we — and the we — holds — and I — won't break
got so good at carrying I forgot what was carried — got so used to the weight that the weight became weather — became
the condition of breathing — became the permission I needed to prove I was needed — became my whole name
not a role — I am the role — not a person who chose it — I'm the shape of the choice and the choice and the shape are the same
and I'm claiming that's fine — and I'm claiming that's mine — but I keep circling back to the start of that claim
because capable — competent — present — unbroken — those are eulogies nobody's reading out loud
those are words that got carved on the version of you that went quiet inside of the crowd —
I went quiet so long that the quiet started sounding like me — started passing as peace — started — wait
started feeling like something I'd built — something solid — a room I keep renovating with weight
and I know what this room costs — bone knows — densest where once fractured — broken comes back harder than anything that cracked
but hard isn't the same as whole and built isn't the same as full and my keep — I keep — circling back
to the only question that doesn't have a floor — grateful or gutted — giving or gone — and I'm — both — and that's — that
I don't need an answer — I need room — and the room is enough — and the weight built the room — and you — are enough
somewhere under all the holding
something chose this
I forgot I chose this
the weight reminded me
I chose this
we chose this
I want something useless, I want something purposeless; pointless and mine and not borrowed or timed, or assigned to produce anything useful or move anything — wait —
I want hunger that bites and belongs to nobody else, and I want it to live in a place with no rules and no roles and no — wait —
because the role is reason and the reason runs deep and the deep is exactly where something keeps pulling me back to the ground to the weight to the we
to the fact that the wanting I'm running from resides inside the same home as everything I'd give anything just to keep — my keep
so I hold what is breaking, I hold what is healing, I hold what is heavy, I hold what is here — I hold what was given in darkness and carry it forward into the light
and I'm not crushed — I'm alive — and I'm not lost — I'm together — and together is the proof and the proof is the weight and the weight — is love — and I'm — right
and the gift was the weight and the wait was the lesson and the together — the together — the impossible mess we keep building — that is the thing
together — we hold it — together — we hold it — together — we hold it — together — we hold
I hold it together
I hold it together
we hold it together
we hold me
that's enough
I make lunch at dawn
tie shoes by the door
pack little green cups
wipe up juice from the floor
I’m learning small fears
that’s the ink in my skin
monsters under beds
storms always rolling in
my old man was a void
silence was my first scar
the shape of an empty chair
inside a locked up heart
so when I get up I stand
like a man with no map
trying to build a bridge
from the holes in my back
and I know what she wants
I know what she needs
a mind that stays steady
a man with strong knees
but I'm dying in pieces
just to make it through the day
I need her to see it
even when I can't say
I show up
I show up
that's all I got
I show up
I show up
for the little ones
as the prom dance stills
backwoods stars overhead
your hands in my hands
in the glow of the shed
laughing in circles
slow songs in the night
something in the lights say
this is what I'm for
will my baby boy know my face
in the aches of rough weeks?
will my baby girl hear my voice
when the wilds get too deep?
I'm not golden or platinum
I'm made of the gap
between the man I'm becoming
and the one looking back
I'm in the room, I’m in the reach, I’m in the reps, and the rest
I'm the version of my father that broke open his own chest
I’m not trying to be perfect, I'm trying to be present
every morning I show up is a gift I was never given
and I know what she wants
I know what she needs
not the shape of a father
but a father who bleeds
I'm dying in pieces
just to make it through days
I need her to see it
even when I can't say
I show up
I show up
that's all I got
I show up
I show up
for the little ones
if I ever go quiet
don't just call it silence
I'm carrying years
that don't fit on my back
I'm breaking in private
so they can run free
I'm giving them moments
that were never given to me
I show up
I show up
that's all I got
I show up
I show up
for the little ones
for the little ones
I show up
I show up
even when I'm lost
I show up
I show up
for the little ones
why did the chicken cross the road?
(to get to the other side)
crossing over to the other side is costly and I've crossed seas, so don't get lost please
see the cross has been seized — crossed over, walked on, crossed out, and I'm feeling cross eyed from the cross winds
so I spit hot sauce and cross words, forced the horse to water but the water's been poisoned at the source
the source code is in cross hairs, in crossed wires in morse code, in discourse that divorces us from a proper course of action
stuck in the fashion of reacting, no longer asking — what is the crossing for?
crossing over with a criss cross in flip flops like I'm rick ross with a thick—
cock a doodle doo doing kung fu moves at you as I'm coming through
I went so far left they stopped watching right, that's not deception that's just how I fight for the light
euro step, step back, step into anything you lack, lack of direction's got a generation lost standing on the track
tic tac toe but nobody's going, time keeps flowing, everybody's knowing, the game is slowing to a draw
draw back, get back, claw back, watch your back, let's get back to asking why the chicken crossed at all
crossing over with a criss cross in flip flops like I'm rick ross with a thick—
cock a doodle doo doing kung fu moves at you as I'm coming through
wading through weights and worlds on a weekday like a seagull in a dead sea
crossed a line my father never reached and found the ground beneath it
pack light or pack meaning, either way the road doesn't care what you believe in
I believe the cross is two beams and one of them is grieving, one of them is reaching
both of them are bleeding into something past ceilings, past seeing, past being
I’ve crossed through years of teething on dreams of what is gleaming on the other side of breathing
across the court the crowd is seething as I’m squeezing through the thing that had me kneeling
every living thing either crosses or freezes — and that's worth teaching
crossing over with a criss cross in flip flops like I'm rick ross with a thick—-
cock a doodle doo doing kung fu moves at you as I'm coming through
we idolize the cross and lost the crossing
polish up a symbol, pay the cost of glossing
toss it on walls like it's done, like it's finished
like the infinite went finite just to hang there and diminish
took the road and made it art, took the art and sold the frame
took the flame and named it holy, took the holy and made it tame
took the crossing out of the cross and put the cross inside a chain
now nobody moves and nobody asks why everybody looks the same
(why does everybody look the same?)
why did the chicken cross the road?
the question is the answer, the why is why the way is the way it is, it is what it is
so I'm — crossing over with a criss cross in flip flops like I'm rick ross with a thick—
cock a doodle doo doing kung fu moves at you as I'm coming through
(cock a doodle doo)
mid-session, mid-thought, something almost becoming something
words left in a thread that I can't pull back to the beginning
I move like a shark, that's a text, it was sent
we move like a crab on marbles, that was venting, that's a dent
I smashed into us before the afternoon had any weight to it
and then suddenly something gives
something in my lower back just quits
the body keeps score and bills it to your bones
that's the tax on carrying too much in the wrong zone
standing at my desk bent a little to the left
trying to breathe, trying to finish with what I have left
I'm still in it, still in the fight, still holding onto everything I said
sharks and crabs and marble floors and everything unsaid
that's where this afternoon exists
that's the room I'm in
then my phone goes off
screen lights up with her name
and for a half-second my body doesn't know what this is
the fight continuing or something else, something else
she says they were in an accident
she says she thinks everyone's okay
she says she thinks
she thinks
(she thinks)
and the word thinks is doing a lot of work
thinks is a life raft and a sinkhole at the same time
thinks is the space between okay and I don't know yet
thinks is the gap I fall into
and from the outside, I am standing still
completely still
hands on my desk
back still bent
inside I am running
every direction at once
running through what she said the way you run through a dark house
flipping every switch just to find the thing that should be right there
she's got to go
she'll call me back
(call me back)
(call me)
(back)
internal bleeding doesn't knock
internal bleeding doesn't clock in
it doesn't light up on the surface
it needs a machine to find it
I know this because they're going to the hospital
to rule out internal bleeding
to rule out the thing that doesn't show
and there's a version of me that needs to go too
to rule out the same
because I've been bleeding from somewhere they can't scan
from fighting, from my back, from the weight, from the planning
bleeding with the specific quiet of a man who appears
to be standing still
who appears
to be fine
(are you?)
(okay?)
(are you?)
are you? are you? are you?
are you bleeding somewhere I can't reach?
are you? are you? are you?
is everyone intact? is everyone breathing?
are you okay? are you okay?
I need more than okay, I need more than seems
are you? are you? are you?
(...are you?)
I am pacing, no, I am standing, no
I am somewhere between both and neither
performing calm for no one because no one is here
alone in this with this back and this phone
and cops are there now, and now she's talking to someone else
and I can't hear the kids, are they crying? are they scared?
is my son okay, the one I lifted with anger this afternoon
is that something I'm allowed to carry right now or do I set it down?
no, I carry it
I carry all of it
I carry the fight and the text and the shark and the crab
and the back that gave out from lifting wrong
and the guilt of lifting wrong
and now this, now this
and nobody can see any of it
here's the part I can't clean up from
I'm already writing this
already filing away the experience
I'm in the middle of it but I'm already here
already shaping cadence out of fear
already thinking chorus, thinking bridge — thinking how this lands
holding a pen I didn't ask for already in my hands
and I can't stop
(stop it)
I need it and needing is the thing
(stop it)
it's the only way I know to make the bleeding mean something
(stop it)
it's the only way this gets to leave my body
(stop it)
if it becomes song then it can live outside me
if it becomes song then it's somebody else's desk
somebody else's back, somebody else's phone, somebody else's
(weight)
it gets a little less lonely
everyone is okay
she calls, she says, everyone is okay
precautionary, just precautionary
they're checking the kids, they're good, she's good
at first the air feels pure, and then
I'm the one with the broken back
I'm the one who needs a scan
and I hate that I went there
I hate that in the same exhale as everyone is okay
some part of me landed there, but it did, and I'm saying it anyway
and I say good, and I say I'm glad, and I mean it
I mean every atom of it
and also
are you okay?
are you?
are you really?
are you okay? not just reflex, not just filler
are you, actually?
because the shark text is still real
and the crab is still on marbles
and my back is still hurting
and the bath's gone cold
and the track is still open
and I'm still standing in the same room
still holding the oldest question I own
are you okay?
are you okay?
are you okay?
are you tired?
are you scared?
are you alone?
are you here?
are you still?
(are you?)
(are you?)
(are you?)
yeah
I think so
how are you?
(are you?)
(are you?)
(are you?)
(are you?)
(are you?)
(are you?)
(are you?)
you know what I mean
don't you?
misery loves a vowel and half-formed consonants
I'm living in the margins of whatever honest meant
miscommunication is a native continent
we're all indigenous, non-immigrants
born into language like broken instruments
tuned by other people for their own environments
I inherited your idiom, you inherited mine
now we're colliding in the overlap wondering why
it feels like translation — always something left behind
something in the saying that the saying never finds
and I keep trying to find it
I say fine and mean the opposite
I say “I'm good” and mean a thing so composite
no word exists for it — that's not a deficit
that's the condition — language is approximate
always has been — always will be — and we forget
every single time we open up and expect
the thing inside to survive what’s being said
intact, but, here’s the thing
something in its saying always clips its wing
(clip)
it stings
miss — mist — midst of the misunderstood
misappropriated meaning like the neighborhood
mistresses of mysteries we’ve kissed
mishaps in the making — misread — misheard — amiss
misled misjudged mistakes
but I simply mean
meaning as it's meant
doesn't exist
and it's been misconstrued — not by you — by word itself
meaning is a tenant living in a house it never built
the feeling dies inside the mouth that made it
the word crawls out and outlives what it meant
ground down
through every set of teeth that held a tongue just to speak
misapprehension isn't weakness — it's what happens when
you use a word that's someone else's origin
someone felt a thing so alive and specific and exact
they reached for the closest sound and that’s all we have
so when it doesn't land right
it was already wrong before it left
already a misprint of the thing that sent it
already a shadow of a thing that lived in full
before the mouth got to it
misjudged the problem — thought it lived between us
thought precision was the cure — thought clear was how you free us
thought if I found the right word I could close the distance
but the distance is the word — it doesn't need assistance
the gap was never ours — it's older than the apparatus
and the reaching — even reaching — is approximate
the want to say is real but the saying mis-carries the wanting
another translation of a translation another mis—
firing — continuously expiring in the space between sent
and what it meant in someone else
inherited
inhabited
and gone
I mean it
I meant it
I meant all of it
you know what I mean
don't you?