My practice began with photography as a way to interpret the connection between my inner world and the shifting external world. I am drawn to the quiet, often unnoticed changes in everyday life — from subtle details to broad environmental transformations. Over time, my work has evolved from close-up portraits to manipulated moving images, installation and in a perception that allowing others to enter the spatial dimension of my perspective.

As a Cambodian artist, my work is deeply shaped by the layers of my surroundings — cultural memory, rapid urban development, and the tension between nature and progress. These experiences are not just subjects, but living forces that shape how I respond to space and time. I often draw from personal archives and local landscapes, using light, shadow, sound, and video as materials to reconstruct memory and emotion.

My installations are often site-responsive, using architecture, environment, and sensory elements to create experiential spaces. I’m interested in how audiences move through and respond to these spaces — how stillness, motion, and perception can shift meaning. Whether working with reflections of water, layered soundscapes, or fragmented visuals, I aim to create works that invite emotional engagement, bodily presence, and quiet contemplation.

Looking ahead, I continue to explore interdisciplinary collaborations and material experimentation — especially with sound, textiles, and movement — as ways to expand the boundaries of my practice. I see my work as an ongoing process of listening and translating, creating spaces that not only hold personal memory but also invite shared reflection on what connects and transforms us.