Same here on Mac, with the addition of the Neuton font (also from the freebies). I even tried changing the colour of the strikethrough and Underline and this was picked up by the other fonts but had no effect on the Rokkitt or Neuton fonts. All weights were tested.

Same for on my Mac with Rokkitt -- no underline or strikethrough. Also, after toggling a text block to that font & back to others a few times, I somehow end up with this in the context toolbar font dropdown.


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Although 2048 font units per em is recommended for TrueType fonts, other powers of 2 may be used. If the glyphs in the font include a lot of detail, the font designer may choose a higher value to allow for greater precision.

So in both Rokkitt and Neuton the Strikeout and Underline thickness is 1/2048th of an em.

In APub I set the font size to 244pt and zoomed to 800% and still could not see anything.

So now I am wondering what is going-on with FC because I just re-checked both fonts and that is what it says (1). I wonder if they now have some sort of reasonableness check which does not allow a "0" value.

Just tested NexusFont portable and the Rokkitt fonts show up for me.

I am on Windows 7 x64.

Is see you are on Windows 10.

The NexusFont web page has a warning about disabling the Windows 10 font cache.

That could be the issue.

Also some font managers/tools do not see fonts which are not installed in the default Windows fonts folder.

So check where the installed font files are actually located.

This fonts are authors' property, and are either shareware, demo versions or public domain. The licence mentioned above the download button is just an indication. Please look at the readme-files in the archives or check the indicated author's website for details, and contact him if in doubt. If no author/licence is indicated that's because we don't have information, that doesn't mean it's free.

Here at Typ.io, we're revealing designers' decisions for all to see; peeking under the hood of beautiful websites to find out what fonts they're using and how they're using them.If you come across a site you likedrop us an emailabout it. You can also find us on Twitter and Pinterest.

Try to find a font that you consider to be the main one combined with a subtler one. If both of them have too much personality, you risk entering the opposite extreme of being monotonous, and you definitely want to avoid that.

Raleway is a sans-serif font, initially designed by Matt McInerney in just one thin weight, and it will help you create the ideal look in a Montserrat font pairing. The Raleway family expanded into nine weights with the help of Pablo Impallari and Rodrigo Fuenzalida.

So, you can use it in its lightweight for longer text or make it bold and write your headline in this font. It works either way. This font has two other fonts in the Ubuntu font family: Ubuntu Condensed and Ubuntu Mono.

Rubik was designed by Phillipp Hubert, Sebastian Fischer, and Meir Sadan with rounded corners, making this font easily readable in extensive text and versatile, pairing nicely with a great variety of other fonts.

If you want to pair the Spectral font with another font from the same type family, you can choose Spectral SC for the headlines. It will still create one of the most successful Google font combinations.

This font would look good with Avenir font pairing, but since that font is not available in the Google fonts library, the closest alternative to it is to choose the Nunito font, designed by the same Vernon Adams.

Nunito is a sans serif font with rounded terminals that give the casual yet delightful look to a display font. I chose the semibold version of this font, as it works really well with the bold version of the Oswald font, creating an overall lively look for the text.

The Hind font was designed by the Indian Type Foundry for use in User Interface design. The font was constructed with humanist-styled letterforms, with vertical strokes that make a flat and clean distinction between the letters.

Fjalla One is a display sans serif font designed by the Sorkin Type. Its condensed, bold look is perfectly adapted to any screen and print alike, which means it can work in various sizes. Due to its display characteristics, Fjalla One is best to be kept for the headlines.

Pair it with Didactic Gothic, a sans serif font designed by Daniel Johnson and Cyreal to get a simple yet delicate text overall. Due to its increased legibility, this font is used in elementary classrooms.

The bold, display features of this font can be paired with the Playfair Display. This transitional font design marked the shift to printing technology during the European Enlightenment and the change in style from written letterforms to this elegant serif font.

To make an overall spirited text, you can mix the Ultra headline with Slabo 13px font. The latter one is a size-specific font designed by John Hudson. Despite being a serif font, it was destined to be used mainly in the digital space, as its soft, airy look works well on screen.

Francois One was designed by Vernon Adams, and it is inspired by various sans serif gothic fonts. But this one was taken one step further and adapted for use on the web and also to look sharp in the bold display format.

Jonny Pinhorn, the designer of the Karla font, managed to create this highly versatile font that is legible even in its extra-bold italic format. For whatever you want to use, be confident that it is a safe bet and created a good font combination.

If you opt for a different kind of title, something thinner, lighter, but still with a great impact, you should go for Nixie One. This gorgeous display font was designed by Jovanny Lemonad, and it reminds us all of a traditional typewriter text but with bigger, rounder letterforms.

A superb Google font combination would be Sacramento with Barlow font. The latter is a low contrast, grotesque typeface that looks almost as delicate as Sacramento when you choose the normal, light, extra light, or thin variation.

Hi Dude! I read your article in depth and it is well written article. I agree with you that pairing combinations of fonts are very important. I am so impressed by your struggle. I like the pairing of Sacramento and Barlow font. I will try to use in my upcoming projects.

As a designer, your creative work is a combination of form and content. You make an effort to present your design in an attractive form to your audience, and that includes paying close attention to the fonts you use.

Rokkitt is a geometric slab serif font. You can use this display font to add character to the headings in your design. Using its Black variation is a great choice for headlines, however, the regular format of this font is suitable for body text as well.

If you want to combine it with another font for body text, choose Hind. Specially developed for user interfaces, this neat-looking font supports Latin and Devnagari scripts. Hence, you can use it to create designs in multiple languages.

To add an artistic look to your design, this font pairing is the right choice. Using the bold variation of Poiret One, you can make your headlines stylish, decorative, and intriguing at the same time. It will surely win the heart of every vintage fonts lover.

Oswald garnered inspiration from Alternate Gothic and Franklin Gothic. Because of its narrow spacing and condensed look, the font looks exceptionally well in headings. It is also suitable for short but impactful body text.

Courgette is a classic italic-script typeface that has low-stroke contrast. This font has an elegant look that works best for large titles or headlines. However, it also looks perfect on the web, making it suitable for concise body text.

You can combine Courgette with the gorgeous Libre Baskerville for a delicate font pairing. Due to its wide counterform, this open-source serif typeface is easily readable on the screen. That's why you can use Libre Baskerville for longer bodies of text as well. If you want a safe but stylish Google Font pairing, go for this combination.

Do you want to add some playfulness to your design? Try using Lobster. This bold and condensed script font will make headlines stand out to your audience. It has an OpenType format, so it's scalable and supports the international character set. As a result, you get diverse variants of the same letter to use on any platform.

Because Lobster is so easy to read, pairing it with Open Sans is the right choice. The regular style of this font comes with an open, round, and clean format. For this reason, readers can pleasantly read this font in print, on the web, and on mobile.

When using this font as your heading, use Roboto as the body text to create a striking pair. Gorgeous Elsie and simple Roboto offers balance to your design, and will immediately capture the attention of readers.

The right font combination is essential for creating a smashing design. These Google Font pairings offer something for every kind of creative project. Experiment with them, and see how they can improve your designs!

Introducing the Rokkitt font family, that seamlessly melds the timeless elegance of geometric slab serifs with the contemporary versatility of variable fonts. Inspired by the iconic type forms that graced the late nineteenth and early twentieth centuries, Rokkitt exudes an irresistible charm that captivates both the eye and the imagination.

Throughout the years, the Rokkitt font family has undergone a series of enhancements and expansions, each iteration raising the bar of excellence. In 2016, the talented Indian type designer Kalapi Gajjar collaborated with Vernon Adams to bring forth a substantial update, gifting us a comprehensive set of 9 weights: Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, and Black. Additionally, this update extended support for an extensive range of Latin languages, ensuring that Rokkitt could effortlessly transcend cultural boundaries.

Ever pushing the boundaries of typographic innovation, the year 2019 witnessed a groundbreaking transformation as the Rokkitt family embraced the realm of variable fonts. This significant advancement allowed users to seamlessly adjust the weight and width of the font along a continuous spectrum, offering an unprecedented level of creative control and adaptability. 006ab0faaa

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