In pursuit of that goal, we've basically made you 123 mixtapes to go with our 123 best songs of 2023, little slices of those infinite possibilities. Don't know where to start? You can narrow the list to our "best of the best" or pick something you like and see what we recommend next. Follow any individual song to a playlist of suggestions that open new doors. (Of course, you can also listen to a big playlist of nearly every song on the list, and check out our 50 best albums of the year too, if that's your speed.) There's enough here to keep making discoveries and connections into 2024.

The Academy Award for Best Original Song is one of the awards given annually to people working in the motion picture industry by the Academy of Motion Picture Arts and Sciences (AMPAS). It is presented to the songwriters who have composed the best original song written specifically for a film. The performers of a song are not credited with the Academy Award unless they contributed either to music, lyrics, or both in their own right. The songs that are nominated for this award are typically performed during the ceremony and before this award is presented.


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The award category was introduced at the 7th Academy Awards, the ceremony honoring the best in film for 1934. Nominations are made by Academy members who are songwriters and composers, and the winners are chosen by the Academy membership as a whole. Fifteen songs are shortlisted before nominations are announced.

The original requirement was only that the nominated song appear in a motion picture during the previous year. This rule was changed after the 1941 Academy Awards, when "The Last Time I Saw Paris", from the film Lady Be Good, with music by Jerome Kern and lyrics by Oscar Hammerstein II, won. Kern was upset that his song won because it had been published and recorded before it was used in the film. Kern was upset because he thought that "Blues in the Night" by Harold Arlen (Music) and Johnny Mercer (lyrics) should have won. Kern's song was actually written in 1940, after the Germans occupied Paris at the start of World War II. It was recorded by Kate Smith and peaked at No. 8 on the bestseller list before it was used in the film.

Kern got the Academy to change the rule so that only songs that are "original and written specifically for the motion picture" are eligible to win.[2][3] Songs that rely on sampled or reworked material along with cover versions, remixes and parodies, such as "Gangsta's Paradise" (which samples "Pastime Paradise" by Stevie Wonder) in the 1995 film Dangerous Minds, are also ineligible.

This rule means that when a film is adapted from a previously produced stage musical, none of the existing songs from the musical are eligible. As a result, many recent film adaptations of musicals have included original songs which could be nominated, such as "You Must Love Me" in the 1996 film Evita (won award), and "Listen", "Love You I Do", "Patience" in the 2006 film Dreamgirls, and "Suddenly" in the 2012 film Les Misrables.

From 1946 to 2011, each member of the Music Branch of the Academy was asked to vote using a points system of 10, 9.5, 9, 8.5, 8, 7.5, 7, 6.5 or 6 points. Only those songs that received an average score of 8.25 or more were eligible for nomination. If no song qualified, there would be no nominees. And if only one song achieved that score, it and the song receiving the next highest score would be the two nominees. This system usually resulted in five nominations each year, except for 2010 when four were nominated, 1988, 2005, and 2008, when only three were nominated; and 2011 when only two were nominated.[5][6]

The first film to receive multiple nominations was Fame in 1980. Only four films have featured three nominated songs: Beauty and the Beast, The Lion King, Dreamgirls, and Enchanted. Dreamgirls and Enchanted lost on every nomination: An Inconvenient Truth original song "I Need to Wake Up" defeated all three of the nominated songs from Dreamgirls, while "Falling Slowly" from Once defeated all three of Enchanted's nominations. After these two consecutive defeats, a new rule was instated in June 2008 that a film could have no more than two songs nominated.[8] While up to five songs from a single film can be submitted, studios sometimes submit only one, for fear that having two nominated might split the vote.[9] By the time "We Don't Talk About Bruno" became the breakout hit from Encanto, the producers had for the 94th Academy Awards submitted "Dos Oruguitas", which was nominated but did not win.[9]

Nominated songs are usually performed live at the televised Academy Awards ceremonies. Although pre-televised ceremonies were broadcast on the radio, the tradition of performing the nominated songs did not begin until the 18th Academy Awards in 1946, in which performers included Frank Sinatra, Kathryn Grayson, Dinah Shore, and Dick Haymes.

In the early years, the songs were usually not performed by the original artists, as in the film. For example, in 1965, Robert Goulet performed all the nominated songs at the ceremony. (In the case of "The Look Of Love", sung by Dusty Springfield in Casino Royale, the positive reaction to the performance by Sergio Mendes & Brasil '66 on the 1968 telecast led to their version being released as a single and eventually becoming the bigger hit.) In 1970, this was reversed and only the people who had performed the piece in the film were permitted to perform the song on the live telecast, even if a hit version was performed by another act.

When neither of those is able to do so (or in rare cases where the telecast producers decide to go with someone else), the Academy chooses more well-known entertainers to perform the song at the ceremony. For example, Robin Williams performed "Blame Canada" from South Park: Bigger, Longer & Uncut at the 72nd Academy Awards instead of the film's voice actors, Trey Parker and Mary Kay Bergman (Bergman died a few months before the show). Beyonc Knowles sang three nominated songs (one of which was a duet with Josh Groban) during the 77th Academy Awards even though she had not performed those songs in any of the respective films.

The 84th Academy Awards did not feature performances from either nominated song ("Man or Muppet" from The Muppets or "Real in Rio" from Rio).[13] No reason for this was given by Oscar producers. This was only the third time that Best Original Song nominees were not performed (the others were in 1989 and 2010). At the 85th Academy Awards, only three of the five nominees were performed, with the eventual winner, the theme from Skyfall, being the only one performed separately on its own as opposed to being part of a musical montage sequence by Adele. The 88th Academy Awards also had three of the five nominees performed. Anohni, performer and writer of "Manta Ray", one of the two nominated songs cut from the ceremony, boycotted the ceremony for this reason.[14]

This is only one example, but the paths to creating a great cover song are as wide-ranging as any artist's influences and imagination. In this playlist, we look at a small sampling of successful cover songs from the past six decades, and explore the many ways that artists have made something fresh and memorable from songs we might still remember.

"All cover songs are in dialogue with their source material, and the best ones move the conversation into surprising places," Parys says. "For Lianne La Havas's version of 'Weird Fishes,' originally by Radiohead, that surprise happens immediately. The drums begin in lockstep with Radiohead's beat, but quickly move into half-time to find a looser groove for La Havas to roam through. Both versions end with the refrain 'hit the bottom and escape,' and where Radiohead's version teeters on the edge of chaos, La Havas's vocals soar, not just suggesting an escape, but giving us one."

In the early stages of playing acoustic and electric guitar, learning songs is a fantastic way to develop your skills. Learning songs help you improve your chord changes, your timing, your rhythm and they also just allow you to expand your mind and dig into songs through the eyes of other songwriters.

The obvious songs that came to mind were Sing About Me, Im Dying Of Thirst(Kendrick), Shine On You Crazy Diamond(Pink Floyd), Beach-Life-In-Death(CSH), Storm(GY!BE), Exit Music (Radiohead), Runaway(Ye).

There are so many options to choose from when it comes to picking your first song. In addition to this resource, a good teacher will be instrumental (pun intended) in helping you choose the right song to start with. I have selected 10 songs from different genres and eras that will get you started on the path towards long-term drumming success!

The songs you choose for your wedding day create beautiful moments that you know will stay in your memory forever. Your song choices are also a great way to express who you are as a couple: classical traditionalists, vintage music aficionados, or pure romantics.

This disco classic is all about resilience and empowerment, making it one of the top karaoke songs for the recently single. And if your enthusiasm outpaces your vocal range, you can always do the Cake version.

Looking for the best karaoke songs? Whether you want to hit the high notes with Whitney or sing a duet from Grease, we've got you covered. After all, there's no better feeling than rolling into a karaoke room with your closest friends and a pre-selected list of songs to sing. Better yet, spend some time brushing up on choreography and prepare to wow your audience.

Now about that pre-vetted song list: We know whittling down the thousands of karaoke-approved songs is a nearly impossible task. Ahead, we've gathered up everything: duets, current pop, throwback jams, country classics, boy band staples, ballads, and more. If you can't figure out what to sing at your next karaoke sesh consider this your go-to. Let's get into it. 006ab0faaa

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