Date - April 2019
Venue - Reagan Theatre, Stamford American International School, Singapore
Director - Andy Tear
The Caucasian Chalk Circle was the first exposure to the plays and works of Bertolt Brecht. Outside academic learning, I had never before engaged with Brechtian works, and although this particular production was not staged in an extremely Brechtian manner, it still contained the quintessential elements that make Brechtian work so unique (narration, breaking the 4th wall, multi-roling, etc).
This production was a valuable lesson in collaboration and trust, both in oneself and in one's castmates. It was a mix of adapting one's own body to playing different characters believably, while working together as an ensemble when needed. For instance, I had to play 6 roles at different points, work as a musician accompanying the several songs, and form part of a human bridge that a character walked down on.
This experience exposed me to the multi-faceted aspects of Epic/Brechtian Theatre. The socio-political side, that provokes thought. The theatrical side, which admits that the spectacle on stage is merely an illusion, and not reality, and the emotional side, where we are transformed by a story. While many academic sources try and spin Brecht's works as lacking emotion, Brecht himself said that "it would be quite wrong to try and deny emotion to this kind of theatre. It would be much the same as trying to deny emotion to modern science". (Bertolt Brecht)
Taking on this show, while juggling academic work on the side was a challenge, but I, along with the rest of the cast rose to it magnificently, and I'm tremendously proud of the work we have all achieved.
Photos courtesy of Stamford American International School, Singapore.
Every direction and note matters.
The deposed Grand Duke (left), accepts a snack from the scrivener Azdak.
One of the show-stopper scenes - 8 people holding 4 sticks of bamboo (me in the second row on the left), simulating a treacherous bridge crossing.
Me (right) next to a fellow cast member, preparing for year another role switch, going from an architect into a Lawyer.
Warm ups led by both our director and cast members were a great way to boost morale, and sharpened my ensemble-building skills, instilling a sense of single-mindedness and cooperation between all cast members.