Planning and Production - Problems and Solutions
Initially, I planned to write a seventh article for my project that focused on fashion and oppression, particularly looking at women in certain countries at the moment, and their freedom and rights being taken away by restricting what they wear. While I was excited about the concept and had already started some research and created a plan, it quickly became clear that the topic would require more time than I had available. The complexity of the subject meant I’d need to speak to multiple sources in order to make it as authentic as I would like, including designers and possibly women facing said oppression, to ensure the piece was well-informed and sensitive to cultural context.
Rather than rushing the article and producing work I wasn’t confident in, I made the decision to get rid of the idea for now. I refocused my energy on refining my lead article about the resurgence of traditional dress, which had a clearer direction, more accessible sources, and stronger links to my overall project theme. I also repurposed some of the research I had already done on fashion and protest by weaving elements of cultural resistance into my traditional dress article. This problem that I tackled reminded me that part of being a good writer is knowing when to adapt, and while letting go of the original idea was frustrating at first, it ultimately helped me deliver create a more focused and polished piece. In future projects, I’ll take more time for research-heavy topics, or consider narrowing my ideas earlier in the planning process to avoid last-minute compromises.
At the start of my design production, I encountered a technical issue that delayed my production process - I struggled to install iDesign on my home computer due to limited storage space. This was frustrating, as it meant I couldn’t begin experimenting with layout designs or visual concepts as early as planned.
I tried to free up space by deleting old files and clearing unnecessary apps, but the installation still wouldn’t go through. Eventually, I moved a large portion of media files to an external hard drive, which created enough room for the software. Although this set me back a few days, the delay taught me the importance of preparing my workspace ahead of time and ensuring that all tools are fully functional before a project begins.
Going forward, I’ll be checking my device storage and running test installations well before any production deadlines to avoid similar interruptions.
During the planning stage, I hoped to include first-hand quotes from real people (stylists, students, or designers) to bring a more personal and authentic tone to my articles. I reached out to several individuals through social media and email, but due to tight schedules, a lack of responses, and time restrictions on my end, I wasn’t able to secure any interviews in time for my deadline.
To work around this, I relied more heavily on online research, drawing from published interviews, social media posts, and video content. I made sure to select sources that felt credible and relevant, and I used direct quotes when possible to keep the tone personal. Although I was disappointed not to have original interview content, this solution allowed me to maintain depth in my articles while still capturing a range of perspectives. In the future, I’d build in more time for outreach and perhaps prepare a short survey or template to make it easier for people to respond quickly.
When I began writing, one of my biggest challenges was figuring out the "angle" or main story behind each piece. I knew the topics I wanted to explore, like shock fashion or Japanese subcultures, but it was harder than expected to turn broad themes into clear, focused articles. I found myself writing too generally at first, and some early drafts felt more like essays than engaging features.
I went back to my research and started highlighting the most striking or surprising insights. From there, I asked myself: What’s the core message I want the reader to take away? What makes this story different or important right now? By framing each article with a stronger purpose, I was able to create hooks that felt more engaging. For example, in the shock fashion article, I focused on the question, “When does fashion go too far?” -which gave me a structure to build from. This shift helped me narrow down my ideas and create a more consistent tone throughout. I’ll take this approach into future writing projects: always start with the "why," not just the "what."
When I moved into the design phase and opened InDesign for the first time, I experienced a creative block. After spending so long planning and writing, I suddenly felt overwhelmed by the blank page. I had a rough idea of how I wanted the magazine to look (colourful, modern, with bold visuals) but turning that into an actual layout felt harder than I expected. I kept second-guessing fonts, colours, and placement of text and images, which slowed my progress at the start.
To move past the block, I revisited my visual research and mood boards for inspiration. I also looked at the layouts of existing fashion magazines like Dazed and The Gentlewoman to understand how they balanced visuals with text. I started by creating one simple layout for a single article, instead of trying to design everything at once. This small step helped me get into the flow, and from there I was able to apply consistent styles across the rest of the spreads. Once I got going, the process felt much more intuitive, and I even started enjoying the experimentation with spacing and image cropping.
While selecting visuals for my magazine, I became increasingly concerned about copyright. I had collected a range of reference images during research, from designer campaigns to runway shots, but I was worried about permissions when it came to using the images in my magazine. Since this project is being showcased for my college, I wanted to make sure I wasn’t violating any image rights.
I discussed this worry that I had with my tutor, and we ultimately decided together that since this just an academic project and not an actual published magazine, I would be able to use images I found online, as long as I referenced the sources in which i found the images and included descriptions underneath them in my magazine. This eased my worries significantly, as I felt like I had more freedom and range when it cam to my design as I was not restricted by using a small handful of copy-wright free images which might not feel right for my magazine and the vibe I want to put out.