Overview
Ernst Cassirer (1874-1945) was a German philosopher known for his work in the fields of epistemology, metaphysics, and the philosophy of culture. He is often associated with the Neo-Kantian movement, specifically the Marburg School. Cassirer's philosophy is sometimes referred to as "philosophical anthropology," as it focuses on the role of symbolic forms and human culture in shaping human experience and knowledge. Here is a short outline of Cassirer's work and his significance in philosophy:
The Philosophy of Symbolic Forms
Cassirer's magnum opus is a three-volume work titled "The Philosophy of Symbolic Forms" (1923-1929), in which he explores how different symbolic forms (such as language, myth, and science) shape human cognition and experience. Cassirer argues that these symbolic forms are the basis of our understanding of the world and are not reducible to mere expressions of psychological or physiological processes.
Substance and Function
In his work "Substance and Function" (1910), Cassirer critiques traditional metaphysical concepts and argues for a more functional and relational approach to understanding the world. He incorporates ideas from mathematics and science to develop a new perspective on the nature of reality and knowledge.
Language and Myth
Cassirer investigates the relationship between language, myth, and human thought in his book "Language and Myth" (1925). He emphasizes the importance of myth as a primitive form of symbolic expression that shapes human experience and provides a foundation for the development of more complex forms of thought, such as science and philosophy.
The Individual and the Cosmos in Renaissance Philosophy
In this work (1927), Cassirer explores the philosophical ideas of the Renaissance, focusing on the shift from a medieval worldview to a more human-centered perspective. He discusses the works of prominent Renaissance thinkers, such as Pico della Mirandola, Nicholas of Cusa, and Giordano Bruno, and their contributions to the development of modern philosophy.
An Essay on Man
Cassirer's "An Essay on Man" (1944) is an accessible introduction to his philosophical anthropology. He presents a concise overview of his ideas on the role of symbolic forms in human culture and cognition, emphasizing the importance of understanding human beings as both biological organisms and creators of culture.
Cassirer's significance in philosophy lies in his unique approach to understanding human cognition and experience through the lens of symbolic forms. By emphasizing the role of culture and human creativity in shaping our understanding of the world, Cassirer offers a more nuanced and dynamic perspective on the nature of human knowledge. His work has had a lasting influence on various disciplines, including philosophy, cultural studies, linguistics, and the history of ideas.
Chronology
1874 Born in Breslau, Silesia (now Wroclaw, Poland), to Eduard and Eugenie (Jenny), July 28
1892 Enters Friedrich Wilhelm University (now the Humboldt University of Berlin)
1896 Moves to the University of Marburg to study with Hermann Cohen
1899 Publishes his inaugural dissertation, Descartes’s Critique of Mathematical and Natural-Scientifc Cognition (Descartes’ Kritik der mathematischen und naturwissenschaftlichen Erkenntnis)
1901 Publishes Leibniz’s System in Its Scientifc Foundations (Leibniz’ System in seinen wissenschaftlichen Grundlagen).
1901 Marries Antonelle (Toni) Bondy
1903 Moves to Berlin
1906 Publishes the first volume of The Problem of Cognition in Philosophy and Science in the Modern Age (Das Erkenntnisproblem in der Philosophie und Wissenschaft der neueren Zeit), which earns him his habilitation Appointed as a Privatdozent at the Friedrich Wilhelm University
1907 Publishes the second volume of The Problem of Cognition in Philosophy and Science in the Modern Age (Das Erkenntnisproblem in der Philosophie und Wissenschaft der neueren Zeit).
1910 Publishes Substance and Function
1914 Wins Kuno-Fischer Gold Medal for The Problem of Cognition (Das Erkenntnisproblem)
Appointed to the Press Offce in Berlin for his civil service during World War I
1919 Appointed as a full professor at the newly founded University of Hamburg
1920 Publishes the third volume of The Problem of Cognition in the Modern Age: The Post-Kantian System (Das Erkenntnisproblem in der Philosophie und Wissenschaft der neueren Zeit. Die nachkantischen System). Introduced to the Warburg Library for Cultural Sciences (now Warburg Institute in London)
1921 Publishes Einstein’s Theory of Relativity
1923 Publishes The Philosophy of Symbolic Forms, Volume One: Language
1925 Publishes The Philosophy of Symbolic Forms, Volume Two: Mythical Thinking
1929 Publishes The Philosophy of Symbolic Forms, Volume Three: The Phenomenology of Cognition
1929 Davos disputation with Heidegger. Elected as the Rector of the University of Hamburg
1932 Publishes The Philosophy of the Enlightenment
1933 Leaves Germany after Hitler becomes Chancellor. Accepts position at All Souls College at Oxford
1935 Accepts position at the University of Göteborg in Sweden
1936 Publishes Determinism and Indeterminism in Modern Physics
1939 Becomes a Swedish citizen
1941 Accepts visiting position at Yale
1942 Publishes The Logic of the Cultural Sciences
1944 Accepts visiting position at Columbia
Publishes An Essay on Man
1945 Dies of a heart attack in New York City, April 13
1946 The Myth of the State is published posthumously.
From: (1946) The Myth of the State. New Haven: Yale University Press.
Conclusion of "Myth of the State."
What we have learned in the hard school of our modem political life is the fact that human culture is by no means the firmly established thing that we once supposed it to be. The great thinkers, the scientists, the poets, and artists who laid the foundations of our Western civilization were often convinced that they had built for eternity. When Thucydides discussed his new historical method that he opposed to the former mythical treatment of history he spoke of his work as ..."an everlasting possession." Horace called his poems a "monumentum aere perennius"-a monument more enduring than bronze, which shall not be destroyed by the countless years and flight of ages. It seems, however, that we have to look upon the great master works of human culture in a much humbler way. They are not eternal nor unassailable. Our science, our poetry, our art, and our religion are only the upper layer of a much older stratum that reaches down to a great depth. We must always be prepared for violent concussions that may shake our cultural world and our social order to its very foundations.
To illustrate the relation between myth and the other great cultural powers we may perhaps use a simile that is borrowed from mythology itself. In Babylonian mythology we find a legend that describes the creation of the world. We are told that Marduk, the highest god, before he could begin his work had to fight a dreadful combat. He had to vanquish and subjugate the serpent Tiamat and the other dragons of darkness. He slew Tiamat and bound the dragons. Out of the limbs of the monster Tiamat he formed the world and gave to it its shape and its order. He made heaven and earth, the constellations and planets, and fixed their movements. His final work was the creation of man. In this way the cosmic order arose from the primeval chaos, and it will be preserved for all times. "The word of Marduk," says the Babylonian epic of creation, "is eternal; his command is unchangeable, no god can alter what proceeds from his mouth."
The world of human culture may be described in the words of this Babylonian legend. It could not arise until the darkness of myth was fought and overcome. But the mythical monsters were not entirely destroyed. They were used for the creation of a new universe, and they still survive in this universe. The powers of myth were checked and subdued by superior forces. As long as these forces, intellectual, ethical, and artistic, are in full strength, myth is tamed and subdued. But once they begin to lose their strength chaos is come again. Mythical thought then starts to rise anew and to pervade the whole of man's cultural and social life.