PEDRO DE ANDRADE

ART WORKS, HYBRIMEDIA AND EXHIBITIONS

1. 2020.12. Site Viral Cultural City.

2. 2020.11.27. Presentation of interactive p-app / po-book Poem to Corona Virus using Pessoa Effect: an app and e-book anti-virus, at Congress ARTeFACTo2020, University of Algarve, Faro, Portugal.

3. 2020.9.25. Exhibition of interactive p-app / po-book Poem to Corona Virus using Pessoa Effect: : an app and e-book anti-virus, within presential expo Without Limits at Forum da Maia art gallery.


4. 2020.8.4. Participation at Virtual Expo Without Limits’ opening, at Zoom, curated by SOS ART PT association.

5. 2020.6.29. First worldwide App Paper, named Viral Cultural Tourism via Mobile Devices: Open Research using Open Methods and Open Media, published by Social Web Lab Publishers, Lisbon. An App Paper is an interactive app, avalialble in the following platforms: desktop Mac and Windows, mobile iOS and Android, epub e-books. It works as an alternative mode of production and of dissemination / presenting papers in congresses. App Paper Viral Cultural Tourism was first shown at international conference Connections Exploring Heritage, Architecture, Cities, Art, Media, that took place the 29-30 june 2020, at Kent University, Cantebury, UK.

6. 2020.6. Site Viral Cultural Tourism.

7. 2020.6.4. e-book Art, Pessoa Effect, Research Art, 3 art works exhibited at the first art expo shown at cyberspace in Portugal, after the emergence of Covid-19. The opening of the exhibition took place the 4 june 2020, it is named Sem Limites [Without Limits], and is organized by association SOS ART PT.

8. 2020.6.3. App Art Manifesto, Lisbon. App Art means creating art using apps, in order to obtain art apps or artistic apps. It also means separating art both from social routines and from art routines.

9. 2020.3.7. First p-app / po-book, named Poem on the Corona virus using Pessoa Effect: an app and e-book anti-virus, published by Social Web Lab Publishers, Lisbon. This is an alternative mode of production and of dissemination / presenting poetry. As for its form, it consists of an interactive app hybridized with an e-book, where it is possible to read, comment, dialog and even re-write the contents of an author’s poetry.

10. 2020.3. Site Pedro Andrade art works..

11. 2018. Droseum: a Drone Art exhibition, Exhibited at NewArtFest'18 (event in partnership with the Web Summit), that took place at Sociedade Nacional de Belas Artes, Museu Nacional de História Natural e da Ciência, Faculdade de Belas Artes de Lisboa and Ordem dos Arquitetos, Lisbon, November 28-December 2.

12. 2018. Virtual course The Futur Futur of Democracy / O Futuro Futuro da Democracia. Universidade Estadual da Paraíba, 28/5/2018. Exhibition of the following videos: 2018. Video Director of Introduction / Apresentação. Duration: 1’ 30’’, Format: video mp4.

13. 2018. Video Director. Activism against austerity /Ativismo contra a austeridade. Duration: 18’ 20’’. Format: Video Paper, mp4.

14. 2018. Video Director. Socio(logical) image / Imagem social(lógica). Duration: 8’ 28’’. Format: Video Paper, mp4.

15. 2018. Video Director. Mobile Democracy: Virtual Visual Inquiry / Democracia Móvel: Inquérito Visual Virtual. Duration: 16’ 16’’. Format: Video Paper, mp4.

16. 2017. Sociological Exhibition, Virtual Inquiry and Virtual Sociological Gallery in Augmented Reality. These works are include in the Artistic Sociology genre, exhibited in the NewArtFest'17 (event in partnership with the Web Summit), that took place at the Museum of Natural History and Science-MUNHAC, Lisbon, from November 13 to 30, 2017. Paper at this event: Tourism Conference 3.0.

17. 2015. Sociological Comics. Artist book selected to show at 2nd exhibition OFF THE S{H}ELF: the self and subjectivity in the artist’s book. Exhibition 29 May 2015, at i-klectic Art Lab, London.

18. 2014. Research Game, the first game for researtainement. Lisbon.

19. 2014. Planning of Site Think Tank COMMUNITAS, at Communication and Society Research Centre, Institute of Social Sciences, University of Minho.

20. 2013. Hook Book. Presentation of an experimental pedagogical book on Sociology, within a ‘sociological performance’using a multimedia Artistic Game. Exhibited at Aljustrel Town Hall gallery: 2013.11.8.

21. 2012. GeoNeoLogic Novel. Experimental novel exhibited at collective art exhibition OFF THE S{H}ELF: the self and subjectivity in the artist’s book, curated by London i-klectic Art Lab, the 8-9 December 2012 at Stockwell Studios, London.

22. 2012. Co-organization of exhibition Utopia Azul-Leiria, with Mathilde Amberger and Paulo Matos, and presentation of digital art works at Teatro José Lúcio da Silva, Leiria, January 2012.

23. 2012. Several digital paintings exhibited at Leiria, Teatro José Lúcio da Silva, January 2012.

24. 2011. Social-semantic site Public Communication of Art, at https://sites.google.com/site/compubarte

25. 2011. Social-semantic site Experimental Books, at https://sites.google.com/site/livrosexperimentais/

26. 2011. Social-semantic site Web3novel, at https://sites.google.com/site/web3novel/.

27. 2011. Several digital paintings exhibited at Collective Exhibition 'Utopia Azul-Elvas' at Museum of Photography, Elvas, 31/7/2011.

28. 2011. e-book novel. Lisboa, an experimental e-book, located at Google Site 'Experimental Books'.

29. 2011, Movie novel. Lisboa, an Experimental movie located at Google Site 'Experimental Books'.

30. 2010. Participation in the design of multimedia device 'Multitouch Multimedia Table', especially in the modules Multitouch Questionnaire and Thricotomies Game, included in project Public Communication of Art, funded by Fundação para a Ciência e a Tecnologia, and coordinated by Pedro Andrade. Exhibited at Lisboa, Museu Coleção Berardo, since 15 february until 31 may 2010.

31. 2010. Participation, as co-curator and artist, at Collective Exhibition Interacções/Interactividades at Casa do Brasil and Casa da América Latina, Lisboa, November 2010.

32. 2010. Several digital paintings exhibited at Lisboa, Casa do Brasil and Casa da América Latina.

33. 2009. Production, directing and public presentation of an experimental, interactive and colective novel, GeoNeoLogic Novel, at Acta Media 7 (S.Paulo), at CIANTEC 2009 (Aveiro) and at IV Congreso de la Cibersociedad.

34. 2008. Exhibition of 4 art works (genre Wiki Art): Wiki Collection, Wiki Artist, Wiki Art, Wiki Web, at Chicago, 19-22/08/2008.

35. 2008. Intermedia consultor at art visual center HANGAR, Barcelona, Nov. 2008.

36. 2007. Director of digital film Visit to Serralves Art Museum, exhibited at University of Austin´s web page, Texas, USA, at http://colab.ic2.utexas.edu/idporto2007

37. 2006. Major Valentão. First Sociological Game, constructed with Flash and programmed with Action Script. Lisbon.

38. 2006. Hybrilog, a hybrid blog constituted by several genres of blogs (text blog, video blog, video poetry blog, art blog, hypermedia log and game blog).

39. 29/8-1/9 2006. Digital paintings Art Democracies, Art constitution and Style Art Works, exhibited at a gallery within IAEA 2006, Culture and Commmunication, XIX Congress of the International Association of Empirical Aesthetics, Université d´Avignon, Aug 29th1st Sep.

40. 22-24/6/2006. Several digital paintings exhibited at a gallery within the VI Colóquio Internacional ´Discursos e práticas alquímicas´, 22-24 Julho de 2006, Guimarães.

41. 13-1/9/2004: Art is a network of language webs, a set of digital paintings exhibited at an art gallery within IAEA 2004, XVIII Congress, International Association of Empirical Aesthetics, 13-16 September 2004, Calouste Gulbenkian Foundation, Lisboa.

42. 2003.Digital paintings Criação da Criação: em tríptico digital, em conceito3 (conceito tridimensional); Espiral La Mamma (ciberpintura interestelar 1; Big Bang Estético (ciberpintura interestelar 2); Boomeramng Galático (pintura pós-himana interestelar 3);

43. 13/1/2003. Literatura ciber-alfabética, Lisboa. Published in Atalaia journal.

44. 3/7/1997 a 7/9/1997: Body Cinema and Cinema Spatial Nº 1. exhibition and performances at “Perspectiva: Alternativa Zero”, Casa de Serralves, Porto.

45. 1996. First intermedia sociological questionnaire in Portugal, included in Atalaia Association Web Page.

46. 1995. Multimedia interactive Article. Digital paintings included in paper “Taverne, pouvoirs et négociations sociales”, Atalaia (1/2), and a digital version in disquette.

47. 1995. Design and programming of the Atalaia Association Web Page, since July 1995, recognized by revue cyber.net (nº de Set de 1995) as the first Web Page proposing a cultural project in Portugal.

48. 1995. Interative exhibition. An interactive digital art exhibition, made with Director software and Lingo programming language, with several digital paintings made since1987. Included in the first Portuguese CD-ROM on Portuguese digital art named “Museu Virtual”, published by António Cerveira Pinto, Aula do Risco multimedia school, Lisbon.

49. Set 1990: Several digital paintings, exhibited at cultural event “InfoFesta”.

50. -14-20/11/1988. Several digital paintings (Thesaurus Art, etc.), exhibited at "Audio Visual Lisboa 88", Forum Picoas, Lisbon, in a collective exhibition with Ernesto de Melo e Castro, etc.

51. 1987-90. Several digital paintings made with Amiga computer.

52. 1985. Fishes. Digital drawing made in the Macintosh computer, 2nd in Portugal.

53. 9/11/ 1979. Body Poems: The Wall. Declamation of Body Poems with the electronic device Body Music, at the opening of an exhibition promoted by artist group ´ARTA´ atelier, at Lisbon.

54. 1977. Body Music. First musical instrument played with the humidity and temperature of human body, via a portable electronic divice. Shown and interactively played at "Alternativa 0" exhibition, at Lisbon.

55. 9/1/1976. Alchemical Projections. Expanded Cinema exhibited at Institute of Contemporary Arts, London.

56. 5/3/1976. Body Cinema/Cinéma-Corps. Images and sound made with the humidity and temperature of human body, via a portable electronic device. Art work produced at Atelier Cinéma Independent-Paris, an experimental lab founded by Pedro Andrade, Marcus Reinfried and Giovani Martedi. This art work was included in the Paris Film Coop catalog, and exhibited at Foyer International, Paris, Institute of Contemporary Arts, London, Festival du Cinema Experimental de Nancy, etc.

57. 1975. Film Spatial Saboté nº1. A proto-hypertex cinema & artwork, in the form of an hybrid film sculpture, produced at Atelier Cinéma Independent, and included in the Paris Film Coop catalog.

58. -1975. Entrance at Paris Film Coop, experimental cinema cooperative developed under Jean-François Lyotard´s theoretical inspiration, who was a cooperative member and professor of the author.

59. 1973-74. Presence. Co-direction of this 16 mm movie, at Université Paris VIII, with Saul Shapiro, Pierre Rovere and Antonietta Pizzorno.

60. 1972. 16mm movie. Co-direction of this 16 mm movie at Università Statale de Milano, Italy.

61. 1968, May,7. First prize at Liceu Nacional de Oeiras award, with the oil painting ‘1968, May’, in a two author work with José Jorge Letria, who made a poem.