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when the eyes lick images
when the eyes lick images幻の目、結晶化した痛みへの圧縮 / a compression for "ur phantom eye, our crystallized pain" (2020-)
“when the eyes lick images” is an ongoing solo dance performance, which presents the accumulation of Shikichi’s choreographic practices during recent years. It casts doubt on our ideas of human bodies, remixing and hacking our systems of gaze to recognise others. By playing with wet images of erotixs or images of pain like a crystallised and crucified body or a treatment of phantom pains, the performance possesses plural body accounts toward being unisex, transforming to a royalty-free body. A tongue as their third hand becomes a screen and licks the images, and then its praying hands speak to a new eye of politics towards our human body.
“when the eyes lick images” is an ongoing solo dance performance, which presents the accumulation of Shikichi’s choreographic practices during recent years. It casts doubt on our ideas of human bodies, remixing and hacking our systems of gaze to recognise others. By playing with wet images of erotixs or images of pain like a crystallised and crucified body or a treatment of phantom pains, the performance possesses plural body accounts toward being unisex, transforming to a royalty-free body. A tongue as their third hand becomes a screen and licks the images, and then its praying hands speak to a new eye of politics towards our human body.
Duration : ± 45min
Credits
Choreography, direction: Osamu Shikichi
Performance : Osamu Shikichi
performance @windmill Seoul, Republic of Korea
photo by Misha Aizek
photo by Misha Aizek
”幻の目、結晶化した痛みへの圧縮 / a compression for "ur phantom eye, our crystallized pain" は進行中のソロダンスパフォーマンスであり、近年における敷地の振付の実践の蓄積を提示するものです。このパフォーマンスは、人間の身体に関する私たちの観念に疑問を投げかけ、他者を認識するための視線のシステムをリミックスし、ハッキングすることを試みます。
官能的な濡れたイメージや、結晶化し磔にされた身体のような痛みのイメージ、あるいは幻肢痛の治療といったアイデアを扱うことを通じて、パフォーマンスの中で身体は両性的で、フリーライセンスな複数の身体のアカウントを内包するものへと変容していきま。
彼*女**らの第三の手となる舌はスクリーンとなり、イメージを舐めます。そして祈るような両手は、新しい「眼」となり、人間の身体に向けられる眼差しの政治性について語りはじめます。
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