This work is an attempt to discover affirmative meaning and traces of beauty in fallen hair, an element generally regarded as undesirable in everyday life.
Quietly resting at the feet of chairs or on tiled floors, fallen hair forms small landscapes through its relationship with the surrounding environment.
By observing such scenes, the work overlays them with “landscapes that might have existed,” performing an act of imaginative superimposition.
By making subtle modifications to the forms of everyday objects that receive fallen hair, the relationship between hair and object begins to waver, allowing new appearances of fallen hair to emerge.