All around, odd sounds shaken loose from the stockades were beginning to reach them. Over the entire area, fed from the dumps below, hung an unbroken phonic high, invisible but nonetheless as tangible and menacing as an enormous black thundercloud. Occasionally, when super-saturation was reached after one of the summer holiday periods, the sonic pressure fields would split and discharge, venting back into the stockades a nightmarish cataract of noise, raining on to the sound-sweeps not only the howling of cats and dogs, but the multi-lunged tumult of cars, express trains, fairgrounds and aircraft, the cacophonic musique concrète of civilization.
-Ballard, J. G.. The Complete Short Stories: Volume 1
process drawings
final drawing
through these drawings we moved further by understanding the forms and the experiences we could sense through drawings. We imagined ourselves inhabiting this space, and how this space could affect our thinking as well as emotions, how could we feel the space through our illustrations. To understand it better, we tried expressing ourselves through writings. Through writings we started building the space.
process models
construction
the material for this construction was use of bamboo. For the stability of the structure, we had 3-foot-deep footing for the same. For extending the bamboo, we used threads and plastic zippers. In addition, six 18-foot bamboo were used initially for the stability of installation.
the perfomance
sound sweeps group
all the groups together as one